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HOMAGE TO THE RESCUED ROYALTY OF ENGLAND.
QUEEN, sister, friend to all within these isles,
Whose pulses quicken 'neath thy radiant smiles;
Thou, whose domain thy subjects' love exalts;
Thou new ELIZABETH, without her faults!
Long be thy reign, which lavish heaven hath blest
With every
virtue-wisest-purest-best!
Centres in thee each noblest aspiration,

That swells the bosom of earth's mightiest nation!
Oh, Royal Girl! oh, loveliest theme that e'er
True poet warmed-struck dumb the flatterer!
Wrested from slander's grasp his scorpion whips!
Snatched honeyed compliment from lying lips;
And left-how far such hollow praise above l
The free outpouring of a nation's love.
Oh, Royal Girl! whose hand, tho' tiny, helms
With godlike strength the course of three great realms;
Godlike in this, that Love alone controls

The willing homage of our free-born souls:
Forgive a simple bard, who stands alone,
At humblest distance bowed before thy throne,
Imploring, 'mid thy heav'n-directed task,
One favour;-'tis but one the bard would ask.
It is not Freedom for thy subjects free ;-
They have their rights; or will have all from thee.
It is not Justice; for in thee she lives

Incarnate; and her mandates through thee gives.
It is not Mercy,-like thy Truth unspotted ;-
Witness the tears thy first death-warrant blotted!
He asks not this, nor place nor favour asks,
Since merit only in thy sunshine basks;
But with a heart which feels the boon is given,
He asks a favour, not of thee, but heaven :-
"Tis angel-guards to foil the assassin's aim;
"Tis blushful fear to brand his brow with shame;
"Tis length of days to Her, whom Britons own
The noblest, best that ever graced their throne!

H.

DEAR PROTEUS,

THE JOKE-ASSASSIN.

BY MRS. DR. CAUSTIC.

I HAVE not time, this month, to forward you more than the following anecdote. The circumstance occurred, au pied de lettre, when I was last in Paris:

M. Fouinet was a very foolish man; but, as fortune favours fools much more frequently than the brave, like the major part of the greatest fools I have ever met with, he inherited a handsome fortune, and, being very much of a fanatico for music and the arts, he aspired to the character of a Mæcenas. He was exceedingly fickle in his tastes, and, pursued by the busy dæmon within him, oscillated between the Louvre and the stage, and ran an alternate gauntlet of the studio and the green-room. In consideration of his entertainments, he was usually spared by the malins esprits before his face, though, when his back was once turned, he was uniformly quizzed unmercifully. Poor dupe! of this he never entertained the slightest suspicion, but thought himself universally regarded in the light of a worshipful patron. He professed himself the warm friend of every description of artist, and this was precisely the way to be esteemed as a friend by none of them in return. At the period of which I speak, his intermittent rage for the drama was in the ascendant. He gave half a dozen dramatic déjeuners, within half that number of weeks, tutoi-ed every actor of the slightest repute in Paris, kissed the hand of the prettiest actresses, after having made them a present of the most expensive bouquets; and was hand-in-glove with the box-keeper, to whom probably he had given a receipt for curing his corns. Still he was not quite happy; for the calembourg reigns despotically in every green-room in Paris, just as its cousin-german, punning, does in London; and poor M. Fouinet never could comprehend, much less make, a calembourg.

One day he entered the greenroom of the Theatre de Vaudevilles, and seizing the hand of Bardou, a

celebrated comic actor; "Eh, bien, mon gros (said he) que dit-on de neuf ? Bardou, who did not like this allusion to his obesity, looked hard at M. Fouinet, and, with an expressive leer, replied:

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Eh! eh! M. Fouinet, on dit de neuf que c'est la moitié de dixhuit!” The point will be made perceptible to the purely English reader by mentioning that, owing to the double meaning of the word "neuf," Fouinet's question might signify either, "What do they say that is new?" or, "What do they say of nine?" to which Bardou's answer, accepting it in the latter sense, was, that "it is the half of eighteen!"

M. Fouinet was quite nonplussed, but, recovering his self-possession, ah! thinks he, this calembourg is quite new; I shall appropriate it, and show it off this evening. He gets into an omnibus, and in an hour after entered the green-room of the Theatre de la Gaité, with his hat pulled over his eyes, his frock coat buttoned to the chin, and raising his eyes and hands as he muttered, "Good God! who would have thought it?"

The actors looked at him with surprise. "What can this mean?" (said each to his neighbour), “ is it possible that the excellent M. Fouinet has been ruined-betrayed by one of his numerous soi-disant conquests!" and a titter went through the foyer.

"Whence proceeds this lugubrious air?" inquired M. Delaistre, an actor of some celebrity, in the hollow sepulchral tone, which has contributed so much to his dramatic fame.

"Ah! my friend, if you only knew it ?"-" Speak !"-"Oh, it is too horrible to relate-more melan

choly than any thing in the Tour de Nesle!"-"Mais enfin, voyons, qu, y a-t-il de nouveau ?"

"De nouveau !" cried Fouinet, perfectly delighted, and absolutely cutting a caper, 'on dit de nouveau, que c'est la moitié de dix-huit!"

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The poor imbecile had introduced,

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"THE MOTHER'S HEART."

BY THE HON. MRS. NORTON.*

WHEN first thou camest, gentle, shy, and fond,
My eldest-born, first hope, and dearest treasure,
My heart received thee with a joy beyond
All that it yet had felt of earthly pleasure;
Nor thought that any love again might be
So deep and strong as that I felt for thee.
Faithful and true, with sense beyond thy years,
And natural piety that lean'd to Heaven;
Wrung by a harsh word suddenly to tears,
Yet patient of rebuke when justly given-
Obedient-easy to be reconciled-

And meekly-cheerful-such wert thou, my child !
Not willing to be left; still by my side

Haunting my walks, while summer-day was dying ;

Nor leaving in thy turn; but pleased to glide

Through the dark room where I was sadly lying,
Or by the couch of pain, a sitter meek,

Watch the dim eye, and kiss the feverish cheek.
O boy! of such as thou are oftenest made

Earth's fragile idols; like a tender flower,
No strength in all thy freshness,-prone to fade,-
And bending weakly to the thunder-shower,-
Still, round the loved, thy heart found force to bind,
And clung, like woodbine, shaken in the wind!
Then THOU, my merry love;-bold in thy glee,
Under the bough, or by the firelight dancing,
With thy sweet temper, and thy spirit free,

Didst come, as restless as a bird's wing glancing,
Full of a wild and irrepressible mirth,

Like a young sunbeam to the gladden'd earth!
Thine was the shout! the song! the burst of joy;
Which sweet from childhood's rosy lip resoundeth;

Thine was the eager spirit nought could cloy,

And the glad heart from which all grief reboundeth;
And many a mirthful jest and mock reply,
Lurk'd in the laughter of thy dark-blue eye!

And thine was many an art to win and bless,

The cold and stern to joy and fondness warming;
The coaxing smile;-the frequent soft caress ;-
The earnest tearful prayer all wrath disarming!

Again my heart a new affection found,

But thought that love with thee had reach'd its bound.

At length THOU camest; thou, the last and least ;
Nick-named "The Emperor," by thy laughing brothers,

Because a haughty spirit swell'd thy breast,

And thou didst seek to rule and sway the others;

Mingling with every playful infant wile

A mimic majesty that made us smile :-

* From "The Dream, and other Poems," just published by Colburn.

And oh most like a regal child wert thou!
An eye of resolute and successful scheming!
Fair shoulders-curling lip-and dauntless brow-
Fit for the world's strife, not for Poet's dreaming :
And proud the lifting of thy stately head,
And the firm bearing of thy conscious tread.
Different from both! Yet each succeeding claim,
I, that all other love had been forswearing,
Forthwith admitted, equal and the same;

Nor injured either, by this love's comparing,
Nor stole a fraction for the newer call-
But in the Mother's Heart, found room for ALL!
Literary men in France are
more prized by the fair sex than they
are amongst us here. The best
matches are at their disposal; and
the enthusiam extends itself even to
the English residents. A short time
since, Alfred de Vigny, a poet, ro-
mance-writer, and dramatist, became
united in marriage to an English
heiress, who was a great admirer of
his works, and brought him a re-
spectable fortune. A few months
elapsed, and a distant relative of the
lady's dying unexpectedly, left her a
fortune exceeding £100,000. De
Vigny and his bride are now, as it
may well be believed, amongst the
"first fashion" of Paris. During
this same year, another eminent
writer, Gustave Planche, celebrated
for his inexorable criticisms, has had
the good fortune to come in, quite as
unexpectedly, for a patrimony of
200,000 francs. There are few,
very few, of our English literary
men, whose life is not one continual
struggle with pecuniary difficulties.

One of the most splendid balls of the season took place a few days since in Paris at the Austrian Ambassador's. A Parisian Journal de Modes, in describing the scene, indulges in the most extravagant fioriture of style. "The dancing (it says) invaded three splendid saloons on the rez-de-chaussée. The first was furnished with valets-de-pied decorated with baskets of the choicest flowers. The second was garnished with flower-baskets placed upon valets-de-pied. The third was no less splendid than the first, and equally rich as the second! All the young ladies had wreaths of roses in their hair. How shall I paint the charms (he asks) of all those fairylike enchantresses? and then he proceeds with the following enumeration :-" C'était Mlle d'Appony,

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aux cheveux chatains, Mlles Sabine
de Noailles, de Saint-Aulaire, de
Châteaubriand, Numance de Girar-
din, Dosne, sœur de Mme Thiers,
qui révélait ce jour-là au monde ses
charmes enfantins, Thélusson, Jenny
Thorn, Acton, Gor, miss Rolly, Gal-
loway, de Brignolles, Mme Thiers,
les duchesses de Wallombrosa, de
Plaisance, de la Rochefoucault et de
Caraman, la spirituelle princesse de
Beauveau-Comar, la marquise de
Vaugué-Bérenger, la comtesse Pozzo-
di-Borgo, ex-demoiselle Crillon,
Mmes de Ségur, de la Ferté, de Fe-
zenzac, lady Dorsay, les duchesses de
Dino, de Berwick et de Beaufort, les
marquises Durazzo, de Gabriac et
d'Alsanices, la plus belle andalouse
de Paris; les princesses Rosalie de
Chimay, d'Aremberg, de Ransoman-
offsky, et Mme James de Roths-
child." Our lady-readers will here
perceive the names of many of their
fair country-women, who come in for
their due meed of praise. It is only
necessary to correct the orthography
in which, where there is question of
our English names, the French are
always villanous blunderers. About
the names 'Acton," and
"Gallo-
way," there can be no mistake; and
Rolly" and "Gor" should proba-
bly be written
"Raleigh and
"Gordon." Miss Jenny Thorn is
the daughter of a rich American,
who dazzles the Parisians with the
splendour of his balls and equipages.
Lady Dorsay figures by the side of
two of our splendid duchesses. The
Princess d'Aremberg is the consort
of one of the richest inhabitants of
Belgium, whose superb hotel at
Brussels is decorated with so many
splendid paintings, which he freely
permits the public to inspect; and
who is known to be one of the most
magnificent patrons of the Arts in all
Europe.

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