CXVI. Io aid thy mind's development-to watch I know not what is there, yet something like to this. CXVII. In so doing, I recur from fiction to truth, and in dedicating to you in its complete, or at least concluded state, a poetical work which is the longest, the most thoughtful and comprehensive of my com positions, I wish to do honor to myself by the recora of many years' intimacy with a man of learning, of talent, of steadiness, and of honor. It is not for minds like ours to give or to receive flattery; yet the praises of sincerity have ever been permitted to the voice of friendship, and it is not for you, no. even for others, but to relieve a heart which has not Yet, though dull hate as duty should be taught, the most unfortunate day of my past existence, but Sull thou would'st love me, still that more than life tion for both, inasmuch as it will remind us of this retain. CXVIII. The child of love, though born in bitterness, my attempt to thank you for an indefatigable regard, such as few men have experienced, and no one could experience, without thinking better of his species and of himself. It has been our fortune to traverse together, at various periods, the countries of chivalry, history, and fable-Spain, Greece, Asia Minor, and Italy: and what Athens and Constantinople were to us a few years ago, Venice and Rome have been more recently. The poem also, or the pilgrim, or both, As, with a sigh, I deem thou might'st have been to have accompanied me from first to last; and per me! CANTO IV. Visto ho Toscana, Lombardia, Romagna, Venice, January 2, 1818. ΤΟ JOHN HOBH JUSE, ESQ., A.M. F.R.S. &c., &c., &c. N? DEAR HORHOUSE, haps it may be a pardonable vanity which induces me to reflect with complacency on a composition which in some degree connects me with the spot where it was produced, and the object, it would fain describe; and however unworthy it may be deemed of those magical and memorable abodes, however short it may fall of our distant conceptions and immediate impressions, yet, as a mark of respect for what is venerable, and of feeling for what is glori ous, it has been to me a source of pleasure in the production, and I part with it with a kind of regret, which I hardly suspected that events could have left me for imaginary objects. With regard to the conduct of the last canto, there will be found less of the pilgrim than in any of the preceding, and that little slightly, if at all, separated from the author speaking in his own person. The fact is, that I had become weary of drawing a line which every one seemed determined not AFTER an interval of eight years between the to perceive: like the Chinese in Goldsmith's "Citcomposition of the first and last cantos of Childe izen of the World," whom nobody would believe to Bard, the conclusion of the poem is about to be be a Chinese, it was in vain that I asserted, and imsubmitted to the public. In parting with so old a agined that I had drawn, a distinction between the friend, it is not extraordinary that I should resur to author and the pilgrim; and the very anxiety to che still older and better,-to one who has beheld preserve this difference, and disappointment at findthe birth and death of the other, and to whom I am iug it unavailing, so far crushed my efforts in the far more indebted for the social advantages of an composition, that I determined to abandon it altoenlightened friendship, than-though not ungrate-gether-and have done so. The opinions which ful-I can or conld be, to Childe Harold for any have been, or may be, formed on that subject, are public favor reflected through the poem on the poet, now a matter of indifference; the work is to depend to one, whom I have known long, and accompa- on itself, and not on the writer; and the author, med far whom I have found wakeful over my sick- who has no resources in his own mind beyond the ness, and kind in my sorrow; glad in my prosperity, reputation, transient or permanent, which is to and firm n my adversity; true in counsel, and trusty arise from his literary efforts, deserves the fate of per to a friend often tried and never found authors. ay to yourself. 1 In the course of the following canto, it was my intention, either in the text or in the notes, to have something more than a permanent army and a 8 touched upon the present state of Italian literature, pended Habeas Corpus; it is enough for them t and perhaps of manners. But the text, within the look at home. For what they have done abroad limits I proposed, I soon found hardly sufficient for and especially in the South, "Verily they will hav the labyrinth of external objects and the conse- their reward," and at no very distant period. quent reflections; and for the whole of the notes, excepting a few of the shortest, I am indebted to yourself, and these were necessarily limited to the elucidation of the text. It is also a delicate, and no very grateful task, to dissert upon the literature and manners of a nation so dissimilar; and requires an attention and impartiality which would induce us,-though perhaps no inattentive observers, nor ignorant of the language. or customs of the people amongst whom we have recently abode,-to distrust, or at least defer our judgment, and more narrowly examine our information. The state of literary, as well as political party, appears to run, or to have run, so high, that for a stranger to steer impartially between them is next to impossible. It may be enough then, at least for my purpose, to quote from their own beautiful language-"Mi pare che in un paese tutto poetico, che vanta la lingua la più nobile ed insieme la più dolce, tutte tutte le vie diversi si possono tentare, e che sinche la patria di Alfieri e di Monti non ha perduto l'antico valore, in tutte essa dovrebbe essere la prima." Italy has great names stillCanova, Monti, Ugo Foscolo, Pindemonte, Visconti, Morelli, Cicognara, Albrizzi, Mezzophanti, Mai, Mustoxidi, Agiletti, and Vacca, will secure to the present generation an honorable place in most of the departments of Art, Science, and Belles Letand in some of the very highest-Europe tres; the World-has but one Canova. It has been somewhere said by Alfieri, that "La pianta uomo nasce più robusta in Italia che in qualunque altra terra-e che gli stessi atroci delitti che vi si commettono ne sono una prova." Without subscribing to the latter part of his proposition, a dangerous doctrine, the truth of which may be disputed on better grounds, namely, that the Italians are in no respect more ferocious than their neighDors, that man must be wilfully blind, or ignorantly heedless, who is not struck with the extraordinary capacity of this people, or, if such a word be admissible, their capabilities, the facility of their acquisitions, the rapidity of their conceptions, the fire of their genius, their sense of beauty, and amidst all the disadvantages of repeated revolutions, the desolation of battles, and the despair of ages, their still unquenched "longing after immortality,”— the immortality of independence. And when we ourselves, in riding round the walls of Rome, heard the simple lament of the laborers' chorus, "Roma! Roma! Roma! Roma non è più come era prima," Wishing you, my dear Hobhouse, a safe at agreeable return to that country whose real welfa can be dearer to none than to yourself, I dedicate you this poem in its completed state; and pe once more how truly I am ever Your obliged and affectionate friend, T I STOOD in Venice, on the Bridge of Sighs;' I saw from out the wave her structures rise O'er the far times, when many a subject lazd She looks a sea-Cybele fresh from ecean creased. III. In Venice, Tasso's echoes are no more, The revel of the earth, the masque of Italy. IV. But unto us she hath a spell beyond it was difficult not to contrast this melancholy dirge For us ref copied were the solitary shore. with the bacchanal roar of the songs of exultation still yelled from the London taverns, over the carpage of Mont St. Jean, and the betrayal of Genoa, of Italy, of France, and of the world, by men whose conduct you yourself have exposed in a work worthy of the better days of our history. For me, "Non movero mai corda Ore la turba di sue ciance assorda." V. The beings of the mind are not of clay; What Italy has gained by the late transfer of nations, it were useless for Englishmen to inquire, till | it becomes ascertained that England has acquired And with a fresher growth replenishing the void Thus, Veniee, if no stronger claim were thinc, The spouseless Adriatic mourns her lord; And, annual marriage now no more renew'd, The Bucentaur lies rotting unrestored, Neglected garment of her widowhood! St. Mark yet sees his Lion where he stood 5 Stand, but in mockery of his wither'd power, Over the prond place where an Emperor sued, And monarchs gazed and envied in the hour When Venice was a queen with an unequall'd dower. Of Venice think of thine, despite thy waterv wall XVIII. I loved her from my boyhood-she to me XXIV. And how and why we know not, nor can trace Ihan when she was a boast, a marvel, and a show. The mourn'd, the loved, the lost-too many! The howling tempest, till its height and frame Are worthy of the mountains from whose blocks Of bleak, gray granite into life it came, how few! XXV. But my soul wanders; I demand it back To meditate amongst decay, and stand A ruin amidst ruins; there to track Fall'n states and buried greatness, o'er a land Which was the mightiest in its old command, And is the loveliest, and must ever be The master-mould of Nature's heavenly hand, Wherein were cast the heroic and the free, The beautiful, the brave-the lords of earth and XXVI. The commonwealth of kings, the men of Rom And grew a giant tree;-the mind may grow the With an immaculate charm which can not be defac same. XXI. Existence may be borne, and the deep root Of life and sufferance make its firm abode In bare and desolate bosoms: mute The camel labors with the heaviest load, And the wolf dies in silence,-not bestow'd In vain should such example be; if they, Things of ignoble or of savage mood, Endure and shrink not, we of nobler clay May temper it to bear,-it is but for a day. XXII. All suffering doth destroy, or is destroy'd, Even by the sufferer; and in each event, Ends: Some with hope replenish'd and rebuoy'd, Return to whence they came-with like intent, And weave their web again; some, bow'd and bent, Wax gray and ghastly, withering ere their time, And perish with the reed on which they leant; Some seek devotion, toil, war, good or crime, According as their souls were form'd to sink or climb: XXIII. But ever and anon of griefs subdued A tone of music-summer's eve-or spring- XXVII. The Moon is up, and yet it is not nightSunset divides the sky with her--a sea Of glory streams along the Alpine height Of blue Friuli's mountains; Heaven is free From clouds, but of all colors seems to be Melted to one vast Iris of the West, Where the Day joins the past Eternity: While, on the other hand, meek Dian's crest Floats through the azure air-an island of the ble XXVIII. A single star is at her side, and reigns With her o'er half the lovely heaven; but still Yon sunny sea heaves brightly, and remains Roll'd o'er the peak of the far Rhætian hill, As Day and Night contending were, until Nature reclaim'd her order :-gently flows The deep-dyed Brenta, where their hues instil The odorous purple of a new-born rose, Which streams upon her stream, and glass'd wit it glows, XXIX. Fill'd with the face of heaven, which, from afa And now they change; a paler shadow strews Striking the electric chain wherewith we are darkly The last still loveliest, till-'tis gone--and al XXX. There is a tomb in Arqua,-rear'd in air, Pillar'd in their sarcophagus, repose The bones of Laura's lover; here repair Many familiar with his well-sung woes, The pilgrims of his genius. He arose To raise a language, and his land reclaim From the dull yoke of her barbaric foes: Watering the tree which bears his lady's name 15 With his melodious tears, he gave himself to fame. XXXI. They keep his dust in Arqua, where he died; 16 The mountain-village where his latter days Went down the vale of years; and 'tis their prideAn honest pride-and let it be their praise, To offer to the passing stranger's gaze His mansion and his sepulchre; both plain And venerably simple, such as raise A feeling more accordant with his strain, Than if a pyramid form'd his monumental fane. XXXII. And the soft quiet hamlet where he dwelt For they can lure no further; and the ray If a bright sun can make sufficient holiday, XXXIII. Developing the mountains, leaves and flowers, And shining in the brawling brook, where-by, Clear as its current, glide the sauntering hours With a calm languor, which, though to the eye Idlesse it seem, hath its morality. If from society we learn to live, Tis solitude should teach us how to die; It hath no flatterers; vanity can give XXXVI. And Tasso is their glory and their shame. Hark to his strain! and then survey his cell! And see how dearly earn'd Torquato's fame, And where Alfonso bade his poet dwell: The miserable despot could not quell The insulted mind he sought to quench, and blend With the surrounding maniacs, in the hell Where he had plunged it. Glory without end Scatter'd the clouds away-and on that name attend XXXVII. The tears and praises of all time; while thine Would rot in its oblivion-in the sink Of worthless dust, which from thy boasted line Is shaken into nothing; but the link Thou formest in his fortunes bids us think Of thy poor malice, naming thee with scornAlfonso! how thy ducal pageants shrink From thee! if in another station born, Scarce fit to be the slave of him thou mad'st to mourn: XXXVIII. Thou! form'd to eat, and be despised, and die, Even as the beasts that perish, save that thou Hadst a more splendid trough and wider sty. He with a glory round his furrow'd brow, Which emanated then, and dazzles now, In face of all his foes, the Cruscan quire, And Boileau, whose rash envy could allow 18 [lyre, No strain which shamed his country's creaking That whetstone of the teeth-monotony in wire ! XXXIX. Peace to Torquato's injured shade! 'twas his And not the whole combined and countless throng No hollow aid; alone-man with his God must strive: Condensed their scatter'd rays, they would not form XXXIV. 17 Or, it may be, with demons, who impair The strength of better thoughts, and seek their prey In melancholy bosoms, such as were Of moody texture from their earliest day, And loved to dwell in darkness and dismay, Deeming themselves predestined to a doom Which is not of the pangs that pass away; Making the sun like blood, the earth a tomb, The tomb a hell and hell itself a murkier gloom. XXXV. Ferrara! in thy wide and grass-grown streets, Whose symmetry was not for solitude, There seems as 'twere a curse upon the seats Of former sovereigns, and the antique brood Of Este, which for many an age made good Ets strength within thy walls, and was of yore Patron or tyrant, as the changing mood of petty power impell'd, of those who wore The wreath which Dante's brow alone had worn before a sun. XL. Great as thou art, yet paralell'd by those, The southern Scott, the minstrel who call'd forth XLI. The lightning rent from Ariosto's bust 19 The iron crown of laurel's mimic'd leaves Nor was the ominous element unjust, For the true laurel-wreath which Glory weaves Is of the tree no bolt of thunder cleaves, And the false semblance but disgraced his brow Yet still if fondly Superstition grieves, Know, that the lighning sanctifies below 21 Whate'er it strikes;-yon head is doubly sacred now |