but after the first two or three months, its popularity had increased in a degree which must have satisfied the expectations of the author, had these been far more sanguine than he ever entertained. Great anxiety was expressed to learn the name of the author, but on this no authentic information could be attained. My original motive for publishing the work anonymously, was the consciousness that it was an experiment on the public taste which might very probably fail, and therefore there was no occasion to take on myself the personal risk of discomfiture. For this purpose considerable precautions were used to preserve secrecy. My old friend and schoolfellow, Mr James Ballantyne, who printed these Novels, had the exclusive task of corresponding with the author, who thus had not only the advantage of his professional talents, but also of his critical abilities. The original manuscript, or, as it is technically called, copy, was transcribed under Mr Ballantyne's eye by confidential persons; nor was there an instance of treachery during the many years in which these precautions were resorted to, although various individuals were employed at different times. Double proof-sheets were regularly printed off. One was forwarded to the author by Mr Ballantyne, and the alterations which it received were, by his own hand, copied upon the other proof-sheet for the use of the printers, so that even the corrected proofs of the author were never seen in the printing-office; and thus the curiosity of such eager inquirers as made the most minute investigation, was entirely at fault. But although the cause of concealing the author's name in the first instance, when the reception of Waverley was doubtful, was natural enough, it is more difficult, it may be thought, to account for the same desire for secrecy during the subsequent editions, to the amount of betwixt eleven and twelve thousand copies, which followed each other close, and proved the success of the work. I am sorry I can give little satisfaction to queries on this subject. I have already stated elsewhere, that I can render little better reason for choosing to remain anonymous, than by saying with Shylock, that such was my humour. It will be observed, that I had not the usual stimulus for desiring personal reputation, the desire, namely, to float amidst the conversation of men. Of literary fame, whether merited or undeserved, I had already as much as might have contented a mind more ambitious than mine; and in entering into this new contest for reputation, I might be said rather to endanger what I had, than to have any considerable chance of acquiring more. I was affected, too, by none of those motives which, at an earlier period of life, would doubtless have operated upon me. My friendships were formed,--my place in society fixed, my life had attained its middle course. My condition in society was higher perhaps than I deserved, certainly as high as I wished, and there was scarce any degree of literary success which could have greatly altered or improved my personal condition. I was not, therefore, touched by the spur of ambition, usually stimulating on such occasions; and yet I ought to stand exculpated from the charge of ungracious or unbecoming indifference to public applause. I did not the less feel gratitude for the public favour, although I did not proclaim it, -as the lover who wears his mistress's favour in his bosom, is as proud, though not so vain of possessing it, as another who displays the token of her grace upon his bonnet. Far from such an ungracious state of mind, I have seldom felt more satisfaction than when, returning from a pleasure voyage, I found Waverley in the zenith of popularity, and public curiosity in full cry after the name of the author. The knowledge that I had the public approbation, was like having the property of a hidden treasure, not less gratifying to the owner than if all the world knew that it was his own. Another advantage was connected with the secrecy which I observed. I could appear, or retreat from the stage at pleasure, without attracting any personal notice or attention, other than what might be founded on suspicion only. In my own person also, as a successful author in another department of literature, I might have been charged with too frequent intrusions on the public patience; but the Author of Waverley was in this respect as impassable to the critic as the Ghost of Hamlet to the partisan of Marcellus. Perhaps the curiosity of the public, irritated by the existence of a secret, and kept afloat by the discussions which took place on the subject from time to time, went a good way to maintain an unabated interest in these frequent publications. There was a mystery concerning the author, which each new novel was expected to assist in unravelling, althought it might in other respects rank lower than its predecessors. I may perhaps be thought guilty of affectation, should I allege as one reason of my silence, a secret dislike to enter on personal discussions coucerning my own literary labours. It is in every case a dangerous intercourse for an author to be dwelling continually among those who make his writings a frequent and familiar subject of conversation, but who must necessarily be partial judges of works composed in their own society. The habits of self-importance, which are thus acquired by authors, are highly injurious to a well-regulated mind; for the cup of flattery, if it does not, like that of Circe, reduce men to the level of beasts, is sure, if eagerly drained, to bring the best and the ablest down to that of fools. This risk was in some degree prevented by the mask which I wore; and my own stores of self-conceit were left to their natural course, without being enhanced by the partiality of friends, or adulation of flatterers. If I am asked further reasons for the conduct I have long observed, I can only resort to the explanation supplied by a critic as friendly as he is intelligent, namely, that the mental organisation of the Novelist must be characterised, to speak craniologically, by an extraordinary development of the passion for delitescency! I the rather suspect some natural disposition of this kind; for, from the instant I perceived the extreme curiosity manifested on the subject, I felt a secret satisfaction in baffling it, for which, when its unimportance is considered, I do not well know how to account. My desire to remain concealed, in the character of the Author of these Novels, subjected me occasionally to awkward embarrassments, as it sometimes happened that those who were sufficiently intimate with me would put the question in direct terms. In this case, only one of three courses could be followed. Either I raust have surrendered my secret,or, have returned an equivocating answer,--or, finally, must have stoutly and boldly denied the fact. The first was a sacrifice which I conceive no one had a right to force from me, since I alone was concerned in the matter. The alternative of rendering a doubtful answer must have left me open to the degrading suspicion that I was not unwilling to assume the merit (if there was any) which I dared not absolutely lay claim to; or those who might think more justly of me, must have received such an equivocal answer as an indirect avowal. I therefore considered myself entitled, like an accused person put upon trial, to refuse giving my own evidence to my own conviction, and flatly to deny all that could not be proved against me. At the same time I usually qualified my denial by stating, that, had I been the author of these works, I would have felt myself quite entitled to protect my secret by refusing my own evidence, when it was asked for to accomplish a discovery of what I desired to conceal. The real truth is, that I never expected or hoped to disguise my connection with these Novels from any one who lived on terms of intimacy with me. The number of coincidences which necessarily existed between narratives recounted, modes of expression, and opinions broached in these Tales, and such as were used by their author in the intercourse of private life, must have been far too great to permit any of my familiar acquaintances to doubt the identity betwixt their friend and the Author of Waverley; and I believe they were all morally convinced of it. But while I was myself silent, their belief could not weigh much more with the world than that of others; their opinions and reasoning were liable to be taxed with partiality, or confronted with opposing arguments and opinions; and the question was not so much, whether I should be generally acknowledged to be the author, in spite of my own denial, as whether even my own avowal of the works, if such should be made, would be sufficient to put me in undisputed possession of that character. I have been often asked concerning supposed cases, in which I was said to have been placed on the verge of discovery; but as I maintained my point with the composure of a lawyer of thirty years' standing, I never recollect being in pain or confusion on the subject. In Captain Medwyn's Conversations of Lord Byron, the reporter states himself to have asked my noble and highly-gifted friend, "If he was certain about these Novels being Sir Walter Scott's?" To which Lord Byron replied, "Scott as much as owned himself the Author of Waverley to me in Murray's shop. I was talking to him about that novel, and lamented that its author had not carried back the story nearer to the time of the Revolution,-Scott, entirely off his guard, replied, 'Ay, I might have done so ; but there he stopped. It was in vain to attempt to correct himself; he looked confused, and relieved his embarrassment by a precipitate retreat.' I have no recollection whatever of this scene taking place, and I should have thought that I was more likely to have laughed than to appear confused, for I cetainly never hoped to impose upon Lord Byron in a case of the kind; and from the manner in which he uniformly expressed himself, I knew his opinion was entirely formed, and that any disclamations of mine would only have savoured of affectation. do not mean to insinuate that the incident did not happen, but only that it could hardly have occurred exactly under the circumstances narrated, without my recollecting something positive on the subject. In another part of the same volume, Lord Byron is reported to have expressed a supposition that the cause of my not avowing myself the Author of Waverley may have been some surmise that the reigning family would have been displeased with the work. I can only say, it is the last apprehension I should have entertained, as, indeed, the inscription to these volumes sufficiently proves. The sufferers of that melancholy period have, during the last and present reign, been honoured both with the sympathy and protection of the reigning family, whose magnanimity can well pardon a sigh from others, and bestow one themselves, to the memory of brave opponents, who did nothing in hate, but all in honour. While those who were in habitual intercourse with the real author had little hesitation in assigning the literary property to him, others, and those critics of no mean rank, employed themselves in investigating with persevering patience any characteristic features which might seem to betray the origin of these Novels. Amongst these, one gentleman, equally remarkable for the kind and liberal tone of his criticism, the acuteness of his reasoning, and the very gentlemanlike manner in which he conducted his inquiries, displayed not only powers of accurate investigation, but a temper of mind deserving to be employed on a subject of much greater importance; and I have no doubt made converts to his opinion of almost all who thought the point worthy of consideration.1 Of those letters, and other attempts of the same kind, the author could not complain, though his incognito was endangered. He had challenged the public to a game at bo-peep, and if he was discovered in his "hiding-hole," he must submit to the shame of detection. Various reports were of course circulated in various ways; some founded on an inaccurate rehearsal of what may have been partly real, some on circumstances having no concern whatever with the subject, and others on the invention of some importunate persons, who might perhaps imagine, that the readiest mode of forcing the author to disclose himself, was to assign some dishonourable and discreditable cause for his silence. It may be easily supposed that this sort of inquisition was treated with contempt by the person whom it principally regarded; as, among all the rumours that were current, there was only one, and that as unfounded as the others, which had nevertheless some alliance to probability, and indeed might have proved in some degree true. I allude to a report which ascribed a great part, or the whole, of these Novels to the late Thomas Scott, Esq. of the 70th Regiment, then stationed in Canada. Those who remember that gentleman will readily grant, that, with general talents at least equal to those of his elder brother, he added a power of social humour and a deep insight into human character, which rendered him an universally delightful member of society, and that the habit of composition alone was wanting to render him equally successful as a writer. The Author of Waverley was so persuaded of the truth of this, that he warmly pressed his brother to make such an experiment, and willingly undertook all the trouble of correcting and superintending the press. Mr Thomas Scott seemed at first very well disposed to embrace the proposal, and had even fixed on a subject and a hero. The latter was a person well known to both of us in our boyish years, from having displayed some strong traits of character. Mr T. Scott had determined to represent his youthful acquaintance as emigrating to America, and encountering the dangers and hardships of the New World, with the same dauntless spirit which he had displayed when a boy in his native country. Mr Scott would probably have been highly successful, being familiarly acquainted with the manners of the native Indians, of the old French settlers in Canada, and of the Brulés or Woodsmen, and having the power of observing with accuracy what, I have no doubt, he could have sketched with force and expression. In short, the author believes his brother would have made himself distinguished in that striking field, in which, since that period, Mr Cooper has achieved so many triumphs. But Mr T. Scott was already affected by bad health, which wholly unfitted him for literary labour, even if he could have reconciled his patience to the task. He never, I believe, wrote a single line of the projected work; and I only have the melancholy pleasure of preserving in the Appendix,2 the simple anecdote on which he proposed to found it. To this I may add, I can easily conceive that there may have been circumstances which gave a colour to the general report of my brother being interested in these works; and in particular that it might derive strength from my having occasion to remit to him, in consequence of certain family To transactions, some considerable sums of money about that period. which it is to be added, that if any person chanced to evince particular 1 Letters on the Author of Waverley; Rodwell and Martin, London, 1822. curiosity on such a subject, my brother was likely enough to divert himself with practising on their credulity. It may be mentioned, that while the paternity of these novels was from time to time warmly disputed in Britain, the foreign booksellers expressed no hesitation on the matter, but affixed my name to the whole of the novels, and to some besides to which I had no claim. The volumes, therefore, to which the present pages form a Preface, are entirely the composition of the Author by whom they are now acknowledged, with the exception, always, of avowed quotations, and such unpremeditated and involuntary plagiarisms as can scarce be guarded against by any one who has read and written a great deal. The original manuscripts are all in existence, and entirely written (horresco referens) in the author's own hand, excepting during the years 1818 and 1819, when, being affected with severe illness, he was obliged to employ the assistance of a friendly amanuensis. The number of persons to whom the secret was necessarily intrusted, or communicated by chance, amounted, I should think, to twenty at least, to whom I am greatly obliged for the fidelity with which they observed their trust, until the derangement of the affairs of my publishers, Messrs Constable and Co., and the exposure of their accompt books, which was the necessary consequence, rendered secrecy no longer possible. The particulars attending the avowal have been laid before the public in the Introduction to the Chronicles of the Canongate. The preliminary advertisement has given a sketch of the purpose of this edition. I have some reason to fear that the notes which accompany the tales, as now published, may be thought too miscellaneous and too egotistical. It may be some apology for this, that the publication was intended to be posthumous, and still more, that old men may be permitted to speak long, because they cannot in the course of nature have long time to speak. In preparing the present edition, I have done all that I can do to explain the nature of my materials, and the use I have made of them; nor is it probable that I shall again revise or even read these tales. I was therefore desirous rather to exceed in the portion of new and explanatory matter which is added to this edition, than that the reader should have reason to complain that the information communicated was of a general and merely nominal character. It remains to be tried whether the public (like a child to whom a watch is shown) will, after having been satiated with looking at the outside, acquire some new interest in the object when it is opened, and the internal machinery displayed to them. That Waverley and its successors have had their day of favour and popularity must be admitted with sincere gratitude; and the author has studied (with the prudence of a beauty whose reign has been rather long) to supply, by the assistance of art, the charms which novelty no longer affords. The publishers have endeavoured to gratify the honourable partiality of the public for the encouragement of British art, by illustrating this edition with designs by the most eminent living artists.1 To my distinguished countryman, David Wilkie, to Edwin Landseer, who has exercised his talents so much on Scottish subjects and scenery, to Messrs Leslie and Newton, my thanks are due, from a friend as well as an author. Nor am I less obliged to Messrs Cooper, Kidd, and other artists of distinction to whom I am less personally known, for the ready zeal with which they have devoted their talents to the same purpose. Further explanation respecting the Edition is the business of the publishers, not of the author; and here, therefore, the latter has accomplished 1 This refers to the edition of 1829, in 48 volumes, with 96 Engravings. |