PURCELL, HENRY.

The songs to the new play of Don Quixote. 2

parts. (2 copies.) Fol.

See BLOW, John, Mus. Doc.

-, BLOW, JOHN, Mus. Doc., etc.

Lond. 1694.

The Catch Club, or merry

companion, being a choice collection of the most diverting catches, for 3 and 4 voices. Two books ob. 4to.

Lond. n.d.

QUAGLIA, GIO. BATTISTA. Motetti sacri a voce sola alle glorie del nome sempre Immortale dell'Eminentiss. e Reverendissimo Sig. Card. Savelli consecrati dall'humile divotione di Gio. Battista Quaglia. Oblong.

Bologna, 1668.

RAMSAY, ROBERT. Anthems and motetts (English words) in six parts. Cantus, altus, tenor, quintus, sextus, bassus. Autograph MS. of

the Author. Fol.

RAVENSCROFT, THOMAS. Deuteromelia; or the 2nd part of musicks melodie, or melodius musicke of pleasant roundelaics. K.H. mirth, or freemen's songs, and such delightfull catches. 4to. Lond. 1609. Melismata; musical phansies, fitting the court, citie, and country humours, to three, four, and five voyces. 4to. Lond. 1611. Selections from the works of Thomas Ravenscroft, a musical composer in the times of King James I. Dedicated to the Roxburghe Club, by the Duke of Marlborough. 4to. Lond. n.d.

RAYMONDON,

A new book of songs; the words and musick by
Lond. circa 1710.

Mr Raymondon. Fol.

READING, JOHN.

......

A book of new anthems, containing a hundred plates fairly engraven, with a thorough-bass figur'd for the organ or harpsichord, with proper ritornels. 4to.

Lond. 1742.

REINA, FR. SIXTE. Marsyæ, et Apollini de musices principatu certantibus triumphus quartus binis, ternis, quaternis, quinisque vocibus decantandus, præceptus a Fr. Sixto Reina. 6 parts, 4to.

ROCHAMBEAU, A. DE. See GROTTE, Nicolas de la.

Mediolani, 1653.

Cantate a I. e II. voci, col basso continuo del Sign.
Amst. n.d.

SCARLATI,

Scarlati. Opera prima. Ob. 8vo.

SCHULTZ. See PRETORIUS, Michaële.

SELECT AYRES AND DIALOGUES for one, two, and three voyces to the theorbo lute. Composed by Jo. Wilson, Mus. Doc.; Ch. Colman, Mus. Doc.; Henry Lawes, Will. Lawes, Nicholas Lanière, Will. Webb. Three books fol.

Lond. 1659.

SELECT MUSICAL AYRES AND DIALOGUES, in three books...... By sundry composers. Fol. Lond. 1653. SENFLIUS, LUDOVICUS, Helvetius. Varia carminum genera, quibus tum Horatius, tum alii egregii poetæ, Græci et Latini, &c., &c. Cantus primus, cantus secundus, media vox, et bass. 4 parts in one vol. ob. 12mo. Norimgbergæ, 1534. STEINER, JOH. LUDVIG. Italienischer Arien Crantz aus denen behrumten Authoribus, Aldrovandini, Bassani, Besechi und Scarlati. Ob. fol. STROZZI, BARBARA. Diporti di euterpe overo cantate e ariette a voce sola. Ob. 4to. Venet. 1659.

THEATRE OF MUSIC, or a choice collection of the newest and best songs sung at court, &c. The words composed by the most ingenius wits, and set to music by the greatest masters, with theorbo bass. 4 books in 1 vol. folio. Lond. 1685-87. Continens selectissimas octo, septem, sex, quinque et quatuor vocum harmonias tam a veteribus symphonistis compositas, et ad omnis generis instrumenta musica accommodatas. 8 vols. ob. 4to. Noribergæ, 1564.

THESAURUS MUSICUS.

Being a collection of the newest songs performed at their
Majesties' Theatres, &c. 3 books fol.
Lond. 1693-95.

A collection of two, three, and four part songs, several of
them never before printed, to which are added some choice dialogues.
Fol.
Lon. n.d.
TRITONIUS. Melopoice sive harmoniæ tetracenticæ...... Fol. n.p., n.d.

URFEY, THOMAS D'. Choice new songs never before printed, set to several new tunes, by the best masters of music. Written by Tho. d'Urfey, Gent. Fol. Lond. 1684.

The songs to the new play of Don Quixote, set by the most eminent masters of the age. All written by Mr d'Urfey. Fol.

Lond. 1694.

VANBRUGHE. Mirth and harmony. Consisting of vocal and instrumental musick; as songs and ariets for one and two voices; and a Cantata: several of the songs on diverting subjects...... Fol.

Lond. n.d.

VENTO, JUOne de. Latina cantiones quas vulgo motetta vocant quinque vocum, suavissima melodia, etiam instrumentis musicis attemperatæ, nunc primum in lucem editæ. 5 vols. oblong 4to.

Monaci, 1570.

VINCI, PIETRO. Quarto libro de madrigali a cinque voci, novamente poste in luce. (Canto e Basso, only.) 2 vols. 4to.

Vineg. 1573. being a choice Third book only.

VINCULUM SOCIETAS, or the tie of good company,
collection of songs now in use, with thorow-bass.
Fol.

VULPIUS, MELCHIOR.

Lond. 1691.

Cantiorum sacrarum cum sex, septem, octo, et

Nemblich die gebreüchlichsten Psalmen Davids, mit 4, 5, und 6
Stimmen. 5 vols. 4to.

Strasburg, 1614.

WARD, JOHN. The first set of English madrigals, to 3, 4, 5, and 6 parts, apt both for viols and voyces; with a mourning song in memory of Prince Henry. Quintus part only. 4to. Lond. 1613. WATSON, THOMAS. The first sett of Italian madrigalls, Englished not to the sense of the original dittie, but after the affection of the noate. Tenor, contra tenor, bussus, medius, superius. In one vol. 4to.

Lond. 1590. WEELKES, THOMAS. Madrigals to 3, 4, 5, and 6 voyces. Lond. 1597. WELDON, JOHN. Divine Harmony. Six select anthems for a voice alone, with a thorow-bass for the organ, harpsichord, or arch-lute. Fol. Lond. n.d.WERT, JAQUET DE. Modulationum sacrarum quinquo et sex vocum libri tres, in unum volumen redacti. 5 vols. ob. 4to.

Noriberg, 1583.

Di Giaches Wert il primo libro delle canzonette villanelle a cinque voci. Canto, alto, tenor, quinto e basso. (Tenor part wanting). 4 vols. 4to.

Venetia, 1589.

WILBYE, JOHN. The first set of English madrigals, to three, four, five, and six voices. Cantus, altus, tenor, quintus, sextus, bassus. In

one vol. 4to.

Lond. 1598.

WILSON, JOHN, Mus. Doc. Cheerful ayres or ballads, first composed for a single voice, and since set for three voices-cantus secundus wanting. Ob. 4to. Oxford, 1609.

YONGE, NICHOLAS.

Musica Transalpina. Madrigales translated, of foure, five, and sixe parts, chosen out of divers excellent authors, with the first and second part of La Verginella, made by Maister Byrd, upon two stanz's of Ariosto, and brought to speake English with the rest. 4to. Lond. 1588.

Musica Transalpina. The second booke of madrigalles, to five and six voices, translated out of sundry Italian authors, and newly published by Nicholas Yonge. Tenor, cantus, altus, bassus, quintus, sextus. In 1 vol. 4to.

Lond. 1597.

K

Part Fourth.

SECULAR MUSIC.

I. OPERAS, CANTATAS, &c.

ARNE, THOMAS AUGUSTIN, Mus. Doc. "Britannia," a masque.

(Bound along with Boyce, &c.)

The musick in the masque of "Comus." Fol.

Fol.

Lond.

Lond.

The songs and duetto in the "Blind beggar of Bethnal Green." With the favourite songs in the "Merchant of Venice." A collection of new songs and ballads. Fol.

Lond.

66 'Alfred," a masque ; "Eliza," an English opera; Lyric Harmony, 2 parts. In 1 vol. Ob. fol.

Lond.

The overture, songs, and duets in the opera call'd "The guardian outwitted." Fol.

Ob. fol.

Lond.

Lond.

Six cantatas for a voice and instruments. Fol.
Overture, songs, &c., in the opera of "Achilles in petticoats."

Lond.
The overture, recititaves, airs, and duets, in the serious
opera of " Artaxerxes." Grand finale to ditto, composed by H. R.
Bishop. Fol.

Lond.

The songs in "As you like it," with the duct in the "Rival queens." The songs in "Twelfth night," with a song in the "Fall of Phaeton, and the Tender husband." Fol.

Lond.

An ode upon dedicating a building to Shakespeare.

Ob. fol.

Lond.

The overture, songs, and duets in the opera of "Almena."