Taste and Fashion: From the French Revolution to the Present DayG. G. Harrap Limited, 1945 - 232 páginas |
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Página 49
... CRINOLINE OCTAVE CTAVE UZANNE , writing in 1898 , gives it as his considered opinion that the most hideous fashion in the whole history of feminine dress was the fashion of 1860. This is an interesting example of that " gap in ...
... CRINOLINE OCTAVE CTAVE UZANNE , writing in 1898 , gives it as his considered opinion that the most hideous fashion in the whole history of feminine dress was the fashion of 1860. This is an interesting example of that " gap in ...
Página 52
... crinoline lasted for nearly twenty years , and a whole library could be collected of the literature of satire , diatribe , moral indignation , and merely æsthetic protest to which it gave rise . It was all to no purpose , for , as we ...
... crinoline lasted for nearly twenty years , and a whole library could be collected of the literature of satire , diatribe , moral indignation , and merely æsthetic protest to which it gave rise . It was all to no purpose , for , as we ...
Página 57
... crinoline . It is no longer symmetrical , projecting as much to the front as to the back . Instead it slips backward , and the uppermost ring of steel is smaller the dress , seen from the side , is a right - angled triangle . In 1867 ...
... crinoline . It is no longer symmetrical , projecting as much to the front as to the back . Instead it slips backward , and the uppermost ring of steel is smaller the dress , seen from the side , is a right - angled triangle . In 1867 ...
Índice
BACK TO NATURE AND THE GREEKS | 13 |
PRUDERY AND ROMANTICISM | 26 |
SENTIMENTALISM AND THE RISE OF | 38 |
Página de créditos | |
Otras 15 secciones no se muestran.
Otras ediciones - Ver todo
Taste and Fashion - From the French Revolution to the Present Day James Laver Vista previa restringida - 2013 |
Taste and Fashion: From the French Revolution to the Present Day James Laver Vista de fragmentos - 1945 |
Términos y frases comunes
adopted already appearance bathing became become began beginning blue bonnet called century chapter clothes coat colours completely considered corset costume course crinoline curious décolletage decoration designers dress early effect eighteenth century elaborate Empire England English entirely essential example extremely fact fashion female feminine figure French front garments growing hair hats head hips important influence interesting introduced kind lace ladies late least less longer look material middle mode narrow natural necessary never once Paris perhaps period played popular possible present reaching remained Romantic round satin seems seen short shows side silk similar skirts sleeves social sometimes sufficient taste tennis thing thirties trimmed twenties uniform universal usual vogue waist wear whole wide woman women wore worn young