Listening to Reason: Culture, Subjectivity, and Nineteenth-Century MusicPrinceton University Press, 2 ene 2010 - 264 páginas This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. |
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... social theory, Adorno helped articulate the school's founding principle that a social science cannot be nonreflexive, in other words, that social and cultural analysis always takes the form of a dialogue between a culturally embedded ...
... Social Thought (Boulder: Westview Press, 1995), and Eduardo Cadava, Peter Connor, and Jean-Luc Nancy, eds., Who Comes after the Subject? (New York: Routledge, 1991). 3 D. W. Winnicott, Playing and Reality (London: Routledge, 1971), 6 ...
... social analysis of music contextualizes from within the history of the bourgeois subject rather than the history of subjectivity, which may be just as bourgeois a phenomenon but which is also more consistently self-critical and self ...
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Índice
CHAPTER | 18 |
CHAPTER | 59 |
CHAPTER THREE | 94 |
CHAPTER FOUR | 133 |
CHAPTER FIVE | 163 |
CHAPTER | 193 |
CHAPTER SEVEN | 226 |
Otras ediciones - Ver todo
Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music Michael P. Steinberg Vista previa restringida - 2006 |
Listening to Reason: Culture, Subjectivity, and Nineteenth-century Music Michael P. Steinberg No hay ninguna vista previa disponible - 2004 |