Listening to Reason: Culture, Subjectivity, and Nineteenth-Century MusicPrinceton University Press, 2 ene 2010 - 264 páginas This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. |
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Resultados 1-5 de 31
... readings of drafts proved consistently incisive and instructive, especially Mieke Bal, Scott Burnham, Daniel Herwitz, Isabel Hull, David Levin, Martha Nussbaum, Emanuele Senici, and David Yearsley. I want to thank Walter Lipam pincott ...
... readers (a cultural historian and a musicologist) whose input has been most helpful. My most indispensable and most critical reader is Suzanne Stewart Steinberg, who here as everywhere in our life together has captured the elusive ...
... Readers may recall director Milos Forman's depiction, in the film Amadeus, of Antonio Salieri's technical ability to hear, quasi-literally, Mozart's music and be moved to tears by glancing momentarily at a score. Such ability—residing ...
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Índice
CHAPTER | 18 |
CHAPTER | 59 |
CHAPTER THREE | 94 |
CHAPTER FOUR | 133 |
CHAPTER FIVE | 163 |
CHAPTER | 193 |
CHAPTER SEVEN | 226 |
Otras ediciones - Ver todo
Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music Michael P. Steinberg Vista previa restringida - 2006 |
Listening to Reason: Culture, Subjectivity, and Nineteenth-century Music Michael P. Steinberg No hay ninguna vista previa disponible - 2004 |