Listening to Reason: Culture, Subjectivity, and Nineteenth-Century MusicPrinceton University Press, 2 ene 2010 - 264 páginas This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. |
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... play instruments themselves and who have achieved significant technical and interpretive competence. Their curiosity often evolves into a series of questions: why is this music so intense (Why is it so self-important)? What is it trying ...
... play, conceived as a dialogue between the developing self and the world. The book itself developed from an earlier essay on the phenomenon of the “transitional object,” the random object such as a blanket or toy through which the child ...
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Índice
CHAPTER | 18 |
CHAPTER | 59 |
CHAPTER THREE | 94 |
CHAPTER FOUR | 133 |
CHAPTER FIVE | 163 |
CHAPTER | 193 |
CHAPTER SEVEN | 226 |
Otras ediciones - Ver todo
Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music Michael P. Steinberg Vista previa restringida - 2006 |
Listening to Reason: Culture, Subjectivity, and Nineteenth-century Music Michael P. Steinberg No hay ninguna vista previa disponible - 2004 |