Listening to Reason: Culture, Subjectivity, and Nineteenth-Century MusicPrinceton University Press, 2 ene 2010 - 264 páginas This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. |
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... interpreted against its historical contingencies and existential realities. Subjectivity thus marks, in my usage, the subject in motion, the subject in experience and analysis of itself and the world. This is a predicament at once ...
... interpretation of objects as formal and contextual acts had already developed. A century ago, the historian of art, religion, and culture, and occasional anthropologist Aby Warburg initiated a style of scholarship that can be described ...
... interpretation accountable to the legacy of ambiguity that Wagner produces and that he demands in response. Chapters 5 and 6, which follow the one on Wagner, ask “Is there life after Wagner?” They chart musical languages of the recovery ...
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Índice
CHAPTER | 18 |
CHAPTER | 59 |
CHAPTER THREE | 94 |
CHAPTER FOUR | 133 |
CHAPTER FIVE | 163 |
CHAPTER | 193 |
CHAPTER SEVEN | 226 |
Otras ediciones - Ver todo
Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music Michael P. Steinberg Vista previa restringida - 2006 |
Listening to Reason: Culture, Subjectivity, and Nineteenth-century Music Michael P. Steinberg No hay ninguna vista previa disponible - 2004 |