Listening to Reason: Culture, Subjectivity, and Nineteenth-Century MusicPrinceton University Press, 2 ene 2010 - 264 páginas This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. |
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... appear to achieve a condition of subjective experience for itself. Thus, a language of subjectivity becomes hard to distinguish from an experience of subjectivity, a convergence that historians after Foucault have marked with the term ...
... appears in accessory forms, namely the garments and hair of the principal figures. Painterly form thus joins with cultural desire, namely the desire to produce the future by finding and wrestling with the past. The realization of that ...
... appears in a Europe confronting Ottoman might and discovering the material culture of Asia, Africa, and America. It is first sponsored by the Jesuits, the Counter-Reformation and the Catholic monarchs and courts in an attempt to meet ...
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Índice
CHAPTER | 18 |
CHAPTER | 59 |
CHAPTER THREE | 94 |
CHAPTER FOUR | 133 |
CHAPTER FIVE | 163 |
CHAPTER | 193 |
CHAPTER SEVEN | 226 |
Otras ediciones - Ver todo
Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music Michael P. Steinberg Vista previa restringida - 2006 |
Listening to Reason: Culture, Subjectivity, and Nineteenth-century Music Michael P. Steinberg No hay ninguna vista previa disponible - 2004 |