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Página 179
A sonnet by Rilke written in one extremely inverted sentence can be understood
as different from a classical sonnet in terms of syntactic structure as a central
rhythmical factor in poetry . The revolution here is not less than , and not far
removed ...
A sonnet by Rilke written in one extremely inverted sentence can be understood
as different from a classical sonnet in terms of syntactic structure as a central
rhythmical factor in poetry . The revolution here is not less than , and not far
removed ...
Página 217
Nouns are more static , less vivid than verbs . Sometimes this view is defended
on deep philosophical grounds . For example , Étienne Gilson ( 136 , p . 199 ) 2
sees in Aristotle's remark ( De interpretatione 3.16b19 ) that “ verbs in and by ...
Nouns are more static , less vivid than verbs . Sometimes this view is defended
on deep philosophical grounds . For example , Étienne Gilson ( 136 , p . 199 ) 2
sees in Aristotle's remark ( De interpretatione 3.16b19 ) that “ verbs in and by ...
Página 298
Since diversity of vocabulary presumably requires selecting more and more rare ,
low - probability items , it follows that encoding under heightened motivation
should be characterized by less diversity and hence lower TTR's . I ( 3 )
Repetitions ...
Since diversity of vocabulary presumably requires selecting more and more rare ,
low - probability items , it follows that encoding under heightened motivation
should be characterized by less diversity and hence lower TTR's . I ( 3 )
Repetitions ...
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Índice
INTRODUCTION | 1 |
PART ONE POETIC PROCESS AND LITERARY ANALYSIS | 7 |
PART TWO STYLE IN FOLK NARRATIVE | 25 |
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Términos y frases comunes
alliteration analysis appear approach association becomes behavior called certain characteristic commonality complete concerned consonants course critics definition described deviations discussion distinction dominant effect elements English example expect expressive fact final function give given grammatical important indicate individual instance interest interpretation kind language learning less linguistic literary literature matter meaning measures meter metrical norm notes objective occur particular pattern perhaps person phonemic phrase poem poet poetic poetry positions possible present probably problem pronoun question reading reference relation relative responses rhyme rhythm rules seems selection semantic sense sentence similar simply situation sonnet sort sound speak speech stress structure style stylistic subjects suggest syllables talk things tradition University utterances variation verbal verbs verse whole word writing
Referencias a este libro
Understanding Pragmatics Jef Verschueren,Jan Verschueren No hay ninguna vista previa disponible - 1999 |