Meter in Music, 1600-1800: Performance, Perception, and NotationWhile the notation of 17th- and 18th-century music looks familiar, its meanings and the treatment of meter in performance have evolved dramatically. When performed according to the conventions of its own time, the music of 1600-1800 balances precision and flexibility, with an enchanting lilt, grace, and vitality. With many quotations and musical examples from theoretical treatises and instruction manuals of the period, Meter in Music is a practical guide to the performance of Baroque and early Classical music, with guidance on notes inegales, fingerings, bowings, and woodwind tonguings. |
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Índice
The Origins of the Measure in the Seventeenth | 1 |
Time Signatures in the Eighteenth Century | 35 |
Quantitative Meters in Poetry | 62 |
The Perception of Meter | 78 |
Articulation of Quantitative Meter | 85 |
Accent as Measure Articulation and as Measure | 124 |
Rhythmopoeia According | 135 |
153 | |
Otras ediciones - Ver todo
Meter in Music, 1600–1800: Performance, Perception, and Notation George Houle Vista previa restringida - 2000 |
Términos y frases comunes
accent according adagio articulation beat beginning breve called common composers composition considered croches dance described deux discussed divided duple duration early effect eighteenth century eighth notes equal equivalent examples explained express faster feet fingerings four French give given half hand Ibid important included indicated interpretation Italian Johann John keyboard kind length London marked Mattheson means measure mensural signs meter method metrical minims movement musicians musique noire notation note values Noten organization Paris patterns perception performance pieces PLATE played practice Principes proportion quantitas quarter notes quick relation rhythm rhythmopoeia Rousseau rule semibreve seventeenth century short signatures signs silence simple sixteenth slow slower sometimes sound speed stroke style syllables Tact tactus technique tempo temps theorists third tion tonguings trans treatise triple usually writers
Pasajes populares
Página 158 - A Treatise on the Art of Music; in Which the Elements of Harmony and Air Are Practically Considered...
Página 153 - THE PRINCIPLES OF MUSIK IN Singing and Setting: with the twofold use thereof (Ecclesiasticall and Civil) by CHARLS BUTLER Magd.
Página 156 - La Tonotechnie, ou l'art de noter les cylindres, et tout ce qui est susceptible de notage dans les instruments de concerts mécaniques; Paris, 1775, iu-tt".
Referencias a este libro
Rhythm: Contrasting the Implications of Audiation and Notation Edwin Gordon No hay ninguna vista previa disponible - 2000 |
Performing French Classical Music: Sources and Applications Timothy Schultz Vista previa restringida - 2001 |