Music and GestureAnthony Gritten, Elaine King Ashgate Publishing, Ltd., 2006 - 232 páginas The contributors consider gesture and body language in all types of music and musicians from Robbie Williams to concert pianists and from string quartets to opera singers. |
Índice
A Theory of Musical Gesture and its Application to Beethoven | 1 |
Emotive Gesture in Music and its Contraries | 24 |
4 | 35 |
7 | 41 |
Hearing Feeling Grasping Gestures | 45 |
1 | 50 |
1 | 58 |
Evidence from Music | 61 |
Musical Movement and | 75 |
1 | 79 |
Musical Quotation as ProtoTopic | 91 |
Drift | 104 |
Motion Pace and Gesture | 126 |
Breathing in Piano Performance | 142 |
| 227 | |
2 | 67 |
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Términos y frases comunes
actions aesthetic analysis ancillary gestures articulation audience Bach bars bass line beats Beethoven behaviour bodily body movements breath cycles Cambridge clarinet clarinet bell clarinettists cognitive cognitive science concept conceptual blending conceptual metaphor context Davidson downbeat drift dynamic embodied emotional Example exhalation expressive Figure Hatten hear immanence improvisation inertia instrument interaction interpretation Jarrett jazz Journal judgement Keith Jarrett Krumhansl Lidov listening Lyotard Melodic Expectation melody metaphor mimetic hypothesis mimetic participation modalities motion motive motor motor imagery move Music Perception Music Theory musical forces musical gestures musical meaning musical movement musical performance musical sounds Musical Structure musicians musicology pattern phrase physical gestures physical movements pianists Piano Sonata piece pitch playing posture Poulenc Psychology pulse relation representation rhythm rhythmic Robbie Robbie Williams schemata semiotic sense signifier solo stride style subvocal suggest supervenience sway tempo tension theme theory of musical tonal topic Violin visual vocal Wanderley
Referencias a este libro
Bartók and the Grotesque: Studies in Modernity, the Body and Contradiction ... Julie A. Brown Vista previa restringida - 2007 |