Encrypted Messages in Alban Berg's MusicSiglind Bruhn Routledge, 28 oct 2013 - 324 páginas The 12 new essays in this volume explore the relationship between text and music in Alban Berg's works. The book examines the biographical issues that made such expressive choices attractive to the composer, and explores ways in which works not involving explicit verbal texts create signification, allusion, and reference. |
Índice
5 | |
Wolfgang Gratzer | 26 |
Gottfried Scholz | 45 |
David Schroeder | 67 |
Robert Falck | 91 |
Magnar Breivik | 109 |
Christoph Khittl | 137 |
Siglind Bruhn | 157 |
Arved Ashby | 191 |
Erika Reiman | 229 |
Mark DeVoto | 243 |
Karen Pegley | 249 |
Heather Platt | 279 |
The Contributors | 305 |
Términos y frases comunes
accompaniment Alban Berg Altenberg Alwa Alwa's appears artistic associated bars bass becomes beginning Berg's called character chord close complete composer composition Concerto connection contrast corresponds create cycle death described discussed early edition EXAMPLE expression fact father figure final fourth further George Perle gives hand heard human idea important interpretation kind letter Lulu Lulu's Lyric major marked means measures melodic motif movement nature notes opening opera orchestra original palindrome passage phrase piano piece pitch play poem present Press reference regarded relationship represent retrograde rhythm rhythmic scene Schoenberg Schön score seems sense similar sleep song soul sound spiritual strong structure suggests symbolic tempo theme third tion tonal transformation turn University Violin vocal voice Werfel Wozzeck writing