The Union of Architecture, Sculpture, and Painting, Exemplified by a Series of Illustrations, with Descriptive Accounts of the House and Galleries of John Soaneauthor [i.e. Britton], Burton Street; sold, 1827 - 60 páginas |
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Página xv
... picturesque arrange- ment , apparent complexity , but symmetry of the whole floor . A. A. Porch and arcade pro- jecting before the house ; B. Vestibule ; c . Arched recess ; D. Staircase , lighted from above ; E. E. Eating - room ...
... picturesque arrange- ment , apparent complexity , but symmetry of the whole floor . A. A. Porch and arcade pro- jecting before the house ; B. Vestibule ; c . Arched recess ; D. Staircase , lighted from above ; E. E. Eating - room ...
Página 2
... picturesque ; and that which they do display is generally confined to their vestibules and stair - cases . In the apartments themselves , architecture holds but a subordinate rank : to rich hangings and draperies , with expensive and ...
... picturesque ; and that which they do display is generally confined to their vestibules and stair - cases . In the apartments themselves , architecture holds but a subordinate rank : to rich hangings and draperies , with expensive and ...
Página 10
... picturesque effect , -if he aspires to the title of pittor - architetto * . Bold contrasts of light and shade will often produce more than ornament . It is this that gives a spirit and energy to architecture , without which the most ...
... picturesque effect , -if he aspires to the title of pittor - architetto * . Bold contrasts of light and shade will often produce more than ornament . It is this that gives a spirit and energy to architecture , without which the most ...
Página 11
... picturesque effects of which architecture is susceptible . We ought not to confound the architect with the builder : the latter is too generally a mere mechanic , but in the former we expect to find the artist , -one whose works are ...
... picturesque effects of which architecture is susceptible . We ought not to confound the architect with the builder : the latter is too generally a mere mechanic , but in the former we expect to find the artist , -one whose works are ...
Página 12
... picturesque character . Intimately connected with this branch of study , is that which relates to the arrangement of Columns , which is susceptible of a diversity and novelty that hardly seems to have been contemplated . Many beautiful ...
... picturesque character . Intimately connected with this branch of study , is that which relates to the arrangement of Columns , which is susceptible of a diversity and novelty that hardly seems to have been contemplated . Many beautiful ...
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UNION OF ARCHITECTURE SCULPTUR John 1771-1857 Britton, Author No hay ninguna vista previa disponible - 2016 |
Términos y frases comunes
admire adorned antient apartment appearance arches archi architect architectural fragments arrangement artist Bank of England beautiful Britton Burton Street bronze building CATHEDRAL ceiling character classical classical architecture colour columns Court display dome doors drawings eating-room edifices Egyptian elegant elevations embellishment Engravings entablatures essay exhibit fancy feet floor former forms Francis Bourgeois genius Grecian HISTORY AND ANTIQUITIES HOUSE OF JOHN House of Lords illustrated India Paper Inigo Jones interesting JOHN BRITTON JOHN SOANE LINCOLNS KEUX lanthorn latter light LINCOLNS INN FIELDS marble Medium 4to mirrors models Monk's Museum numerous original ornaments palace of Westminster pannels Picture Cabinet picturesque effect Plate pleasing present produce Rake's Progress recess remarks rendered rich Roman architecture Royal Gallery Sarcophagus Sarcophagus-room SCULPTURE & PAINTING side sky-light Soane's specimens stained glass stair-case style talent taste tectural UNION OF ARCHITECTURE variety vases vestibule volume walls whilst
Pasajes populares
Página 54 - I was pleased with the reply of a gentleman, who being asked which book he esteemed most in his library, answered, — " Shakspeare: " being asked which he esteemed next best, replied, —
Página 51 - Disquisitions upon the painted Greek Vases, and their probable connection with the shows of the Eleusinian and other mysteries, by JC,' London, 1825, 4to, plates. 6. ' An Inquiry into the Early History of Greek Sculpture, by the late JC,
Página 46 - Forsyth) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design — that simplicity in which art generally begins, and to which, after a thousand revolutions of ornaments, it again returns — taking all, I say, into one view, I do not hesitate to call these the most impressive monuments that I ever beheld on earth."* The cases in this Gallery contain books belonging to the...
Página 46 - Taking into view (says Forsyth, ) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design — that simplicity in which art generally begins, and to which, after a thousand revolution* of ornaments, it again returns — taking all, I say, into one view, I do not hesitate to call these the most impressive monuments that I ever beheld on earth.
Página 4 - On painted ceilings you devoutly stare, Where sprawl the saints of Verrio or Laguerre, On gilded clouds in fair expansion lie, And bring all paradise before your eye. To rest, the cushion and soft dean invite, Who never mentions hell to ears polite.
Página 23 - we are indebted, in an eminent degree, for the classical and appropriate style which now generally characterises our furniture and domestic utensils. Like most other innovations, his was described as whimsical and puerile by some' persons — as if it were unbecoming a man of fortune to indulge in the elegant refinements which wealth placed at his command: whilst others caricatured the system, by cramming their apartments with mythological figures and conceits, jumbled together without propriety...
Página 47 - The time, nor distant far, shall come, When England's tasteful youth no more Shall wander to Italia's classic shore ; No more to foreign climes shall roam In search of models—better found at home.