The Union of Architecture, Sculpture, and Painting, Exemplified by a Series of Illustrations, with Descriptive Accounts of the House and Galleries of John Soaneauthor [i.e. Britton], Burton Street; sold, 1827 - 60 páginas |
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Página xiii
... adopted . The former would have extended to at least two large quarto volumes , and thus have been merely a book for reference , and not for reading . It has been my aim to give it the latter character , and impart some degree of ...
... adopted . The former would have extended to at least two large quarto volumes , and thus have been merely a book for reference , and not for reading . It has been my aim to give it the latter character , and impart some degree of ...
Página 3
... a situation , would produce a very powerful and pleasing illusion . Such an application of painting , à la diorama , might be worth adopting . it must be admitted that they do not strike the HOUSE AND MUSEUM OF JOHN SOANE . 3.
... a situation , would produce a very powerful and pleasing illusion . Such an application of painting , à la diorama , might be worth adopting . it must be admitted that they do not strike the HOUSE AND MUSEUM OF JOHN SOANE . 3.
Página 7
... adopting the opinion of Vitruvius as to the qualifications neces- sary to form an architect , —who , it must be ... adopt them have not been able to think in the spirit of those whom they profess to imitate . Can we therefore reasonably ...
... adopting the opinion of Vitruvius as to the qualifications neces- sary to form an architect , —who , it must be ... adopt them have not been able to think in the spirit of those whom they profess to imitate . Can we therefore reasonably ...
Página 10
... adopt the Horatian precept , “ quidlibet audendi . ” Had Emblyn known any thing of the fundamental principles of the ... adopted has cer- tainly not been propitious to this very important consideration , whether with regard * Many have ...
... adopt the Horatian precept , “ quidlibet audendi . ” Had Emblyn known any thing of the fundamental principles of the ... adopted has cer- tainly not been propitious to this very important consideration , whether with regard * Many have ...
Página 13
... , and character . Nothing can be more insipid and tiresome . The architect appears to have never thought about effects , nor cared about fame . been primarily adopted from necessity , appears to have been HOUSE AND MUSEUM OF JOHN SOANE .
... , and character . Nothing can be more insipid and tiresome . The architect appears to have never thought about effects , nor cared about fame . been primarily adopted from necessity , appears to have been HOUSE AND MUSEUM OF JOHN SOANE .
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UNION OF ARCHITECTURE SCULPTUR John 1771-1857 Britton, Author No hay ninguna vista previa disponible - 2016 |
Términos y frases comunes
admire adorned antient apartment appearance arches archi architect architectural fragments arrangement artist Bank of England beautiful Britton Burton Street bronze building CATHEDRAL ceiling character classical classical architecture colour columns Court display dome doors drawings eating-room edifices Egyptian elegant elevations embellishment Engravings entablatures essay exhibit fancy feet floor former forms Francis Bourgeois genius Grecian HISTORY AND ANTIQUITIES HOUSE OF JOHN House of Lords illustrated India Paper Inigo Jones interesting JOHN BRITTON JOHN SOANE LINCOLNS KEUX lanthorn latter light LINCOLNS INN FIELDS marble Medium 4to mirrors models Monk's Museum numerous original ornaments palace of Westminster pannels Picture Cabinet picturesque effect Plate pleasing present produce Rake's Progress recess remarks rendered rich Roman architecture Royal Gallery Sarcophagus Sarcophagus-room SCULPTURE & PAINTING side sky-light Soane's specimens stained glass stair-case style talent taste tectural UNION OF ARCHITECTURE variety vases vestibule volume walls whilst
Pasajes populares
Página 54 - I was pleased with the reply of a gentleman, who being asked which book he esteemed most in his library, answered, — " Shakspeare: " being asked which he esteemed next best, replied, —
Página 51 - Disquisitions upon the painted Greek Vases, and their probable connection with the shows of the Eleusinian and other mysteries, by JC,' London, 1825, 4to, plates. 6. ' An Inquiry into the Early History of Greek Sculpture, by the late JC,
Página 46 - Forsyth) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design — that simplicity in which art generally begins, and to which, after a thousand revolutions of ornaments, it again returns — taking all, I say, into one view, I do not hesitate to call these the most impressive monuments that I ever beheld on earth."* The cases in this Gallery contain books belonging to the...
Página 46 - Taking into view (says Forsyth, ) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design — that simplicity in which art generally begins, and to which, after a thousand revolution* of ornaments, it again returns — taking all, I say, into one view, I do not hesitate to call these the most impressive monuments that I ever beheld on earth.
Página 4 - On painted ceilings you devoutly stare, Where sprawl the saints of Verrio or Laguerre, On gilded clouds in fair expansion lie, And bring all paradise before your eye. To rest, the cushion and soft dean invite, Who never mentions hell to ears polite.
Página 23 - we are indebted, in an eminent degree, for the classical and appropriate style which now generally characterises our furniture and domestic utensils. Like most other innovations, his was described as whimsical and puerile by some' persons — as if it were unbecoming a man of fortune to indulge in the elegant refinements which wealth placed at his command: whilst others caricatured the system, by cramming their apartments with mythological figures and conceits, jumbled together without propriety...
Página 47 - The time, nor distant far, shall come, When England's tasteful youth no more Shall wander to Italia's classic shore ; No more to foreign climes shall roam In search of models—better found at home.