The Union of Architecture, Sculpture, and Painting, Exemplified by a Series of Illustrations, with Descriptive Accounts of the House and Galleries of John Soaneauthor [i.e. Britton], Burton Street; sold, 1827 - 60 páginas |
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Página xv
... PLATE I. PLAN OF THE GROUND FLOOR , and of the two adjoining houses , pointing out the relative situations and forms ... Plate VIII . z . Is a Picture Gallery , with sky - lights , a suspended ceiling , and bay win- dow , now forming ...
... PLATE I. PLAN OF THE GROUND FLOOR , and of the two adjoining houses , pointing out the relative situations and forms ... Plate VIII . z . Is a Picture Gallery , with sky - lights , a suspended ceiling , and bay win- dow , now forming ...
Página xvi
... PLATE V. A view from the basement floor , in which the sarcophagus is placed , with seve- ral fragments arranged around . PLATE VI . A view from one angle , looking to- wards the Breakfast - room , and representing a series of marble ...
... PLATE V. A view from the basement floor , in which the sarcophagus is placed , with seve- ral fragments arranged around . PLATE VI . A view from one angle , looking to- wards the Breakfast - room , and representing a series of marble ...
Página 17
... plate glass but for vestibules , corridors , stair - cases , and rooms lighted from above , it forms a most beautiful decoration ; and is more especially desirable whenever the windows open towards unsightly objects . From having been ...
... plate glass but for vestibules , corridors , stair - cases , and rooms lighted from above , it forms a most beautiful decoration ; and is more especially desirable whenever the windows open towards unsightly objects . From having been ...
Página 23
... - See also Percier and Fontaine , " Recueil de Décorations Intérieures , comprenant tout ce qui a rapport à l'Ameublement . " Fol . 1812. 72 plates . No. III . CHAPTER II . " He gains all HOUSE AND MUSEUM OF JOHN SOANE . 23.
... - See also Percier and Fontaine , " Recueil de Décorations Intérieures , comprenant tout ce qui a rapport à l'Ameublement . " Fol . 1812. 72 plates . No. III . CHAPTER II . " He gains all HOUSE AND MUSEUM OF JOHN SOANE . 23.
Página 26
... Plate III . ) These lights , as well as a small lanthorn in the centre , are formed of stained glass , which diffuses a warm glow over the room , and admirably displays the drawings at the two ends of it . It has seven doors , but they ...
... Plate III . ) These lights , as well as a small lanthorn in the centre , are formed of stained glass , which diffuses a warm glow over the room , and admirably displays the drawings at the two ends of it . It has seven doors , but they ...
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UNION OF ARCHITECTURE SCULPTUR John 1771-1857 Britton, Author No hay ninguna vista previa disponible - 2016 |
Términos y frases comunes
admire adorned antient apartment appearance arches archi architect architectural fragments arrangement artist Bank of England beautiful Britton Burton Street bronze building CATHEDRAL ceiling character classical classical architecture colour columns Court display dome doors drawings eating-room edifices Egyptian elegant elevations embellishment Engravings entablatures essay exhibit fancy feet floor former forms Francis Bourgeois genius Grecian HISTORY AND ANTIQUITIES HOUSE OF JOHN House of Lords illustrated India Paper Inigo Jones interesting JOHN BRITTON JOHN SOANE LINCOLNS KEUX lanthorn latter light LINCOLNS INN FIELDS marble Medium 4to mirrors models Monk's Museum numerous original ornaments palace of Westminster pannels Picture Cabinet picturesque effect Plate pleasing present produce Rake's Progress recess remarks rendered rich Roman architecture Royal Gallery Sarcophagus Sarcophagus-room SCULPTURE & PAINTING side sky-light Soane's specimens stained glass stair-case style talent taste tectural UNION OF ARCHITECTURE variety vases vestibule volume walls whilst
Pasajes populares
Página 54 - I was pleased with the reply of a gentleman, who being asked which book he esteemed most in his library, answered, — " Shakspeare: " being asked which he esteemed next best, replied, —
Página 51 - Disquisitions upon the painted Greek Vases, and their probable connection with the shows of the Eleusinian and other mysteries, by JC,' London, 1825, 4to, plates. 6. ' An Inquiry into the Early History of Greek Sculpture, by the late JC,
Página 46 - Forsyth) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design — that simplicity in which art generally begins, and to which, after a thousand revolutions of ornaments, it again returns — taking all, I say, into one view, I do not hesitate to call these the most impressive monuments that I ever beheld on earth."* The cases in this Gallery contain books belonging to the...
Página 46 - Taking into view (says Forsyth, ) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design — that simplicity in which art generally begins, and to which, after a thousand revolution* of ornaments, it again returns — taking all, I say, into one view, I do not hesitate to call these the most impressive monuments that I ever beheld on earth.
Página 4 - On painted ceilings you devoutly stare, Where sprawl the saints of Verrio or Laguerre, On gilded clouds in fair expansion lie, And bring all paradise before your eye. To rest, the cushion and soft dean invite, Who never mentions hell to ears polite.
Página 23 - we are indebted, in an eminent degree, for the classical and appropriate style which now generally characterises our furniture and domestic utensils. Like most other innovations, his was described as whimsical and puerile by some' persons — as if it were unbecoming a man of fortune to indulge in the elegant refinements which wealth placed at his command: whilst others caricatured the system, by cramming their apartments with mythological figures and conceits, jumbled together without propriety...
Página 47 - The time, nor distant far, shall come, When England's tasteful youth no more Shall wander to Italia's classic shore ; No more to foreign climes shall roam In search of models—better found at home.