European Music, 1520-1640, Volumen 5James Haar Boydell & Brewer Ltd, 2014 - 592 páginas An authoritative survey of music and its context in the Renaissance. The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK |
Índice
1 Renaissance Humanism and Music | 1 |
2 The Concept of the Renaissance | 20 |
3 The Concept of the Baroque | 38 |
15201560 | 58 |
15601600 | 75 |
16001640 | 91 |
7 Music for the Mass | 101 |
8 The Motet | 130 |
16 Concepts and Developments in Music Theory | 304 |
15201600 | 329 |
16001640 | 353 |
19 The Reformation and Music | 371 |
20 Renewal Reform and Reaction in Catholic Music | 401 |
15301600 | 422 |
16001640 | 455 |
The Initial Phase | 472 |
15201560 | 157 |
15601600 | 171 |
16001640 | 182 |
12 Chanson and air | 193 |
13 Madrigal | 225 |
14 The Netherlands 15201640 | 246 |
15 Music Print and Society in SixteenthCentury Europe | 280 |
14851600 | 487 |
16031642 | 509 |
26 Instrumental Music | 527 |
557 | |
567 | |
Backcover | 589 |