Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 páginas |
Dentro del libro
Resultados 1-3 de 23
Página 69
... called ' beauty ' and what he called ' love ' . But strange to say , it was also inescapably linked with his excited response to the discoveries of natural science , so that the distinguishing characteristic of his poetic science may be ...
... called ' beauty ' and what he called ' love ' . But strange to say , it was also inescapably linked with his excited response to the discoveries of natural science , so that the distinguishing characteristic of his poetic science may be ...
Página 84
... called ' the unknown causes of the known effects perceivable in the Universe ' , declared by the sceptics to be necessarily unknowable . If , however , in states where ordinary consciousness was suspended , the mind could exert direct ...
... called ' the unknown causes of the known effects perceivable in the Universe ' , declared by the sceptics to be necessarily unknowable . If , however , in states where ordinary consciousness was suspended , the mind could exert direct ...
Página 152
... called the ' dark idolatry of Self ' . Writing to Maria Gisborne ( in a prose letter this time ) he was evidently revolving in his mind a passage from Coleridge's The Friend . There Coleridge discusses the importance - even the ' awful ...
... called the ' dark idolatry of Self ' . Writing to Maria Gisborne ( in a prose letter this time ) he was evidently revolving in his mind a passage from Coleridge's The Friend . There Coleridge discusses the importance - even the ' awful ...
Índice
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Página de créditos | |
Otras 8 secciones no se muestran.
Otras ediciones - Ver todo
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Vista previa restringida - 1986 |
Power and Self-consciousness in the Poetry of Shelley Andrew J. Welburn No hay ninguna vista previa disponible - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen No hay ninguna vista previa disponible - 2014 |
Términos y frases comunes
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing
Referencias a este libro
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy No hay ninguna vista previa disponible - 2005 |