Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century MusicCraig Ayrey, Mark Everist Cambridge University Press, 29 ene 2004 - 321 páginas This book is devoted to music analysis as an interpretive activity. Interpretation is often considered only in theory, or as a philosophical problem, but this book attempts to demonstrate and reflect on the interpretive results of analysis. Two associated types of practice are emphasised: 'translation', the transformation of one type of experience or art object into the musical work, the artistic attempt to persuade us that the new product is as valid as its original, or more so than its origin; and 'rhetoric', the attempt to persuade us, through structure, to accept the signifying power of the work. The unifying theme of the essays is the interpretive transformation of concepts, ideas and forms that constitutes the heart of the compositional process of nineteenth- and twentieth-century music. The repertoire discussed ranges from Schumann through Wagner, Mahler, Zemlinsky, Debussy, Schoenberg, Berg, Webern and Stravinsky to Carter and Birtwistle. |
Índice
Introduction different trains | 1 |
Translations | 33 |
Stravinskys Symphonies accident or design? | 35 |
Transcription and recomposition the strange case of Zemlinskys Maeterlinck songs | 72 |
Symphony and symphonic scenes issues of structure and context in Schumanns Rhenish Symphony | 120 |
The poetry of Debussys En blanc et noir | 149 |
Poem as nonverbal text Elliott Carters Concerto for Orchestra and SaintJohn Perses Winds | 169 |
Rhetorics | 205 |
Birtwistles secret theatres | 207 |
The narrative impulse in the second Nachtmusik from Mahlers Seventh Symphony | 226 |
Von heute auf morgen Schoenberg and the New Criticism | 242 |
Misleading voices contrasts and continuities in Stravinsky studies | 271 |
Immortal voices mortal forms | 288 |
So who are you?? Weberns Op 3 No 1 | 301 |
315 | |
Otras ediciones - Ver todo
Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and ... Craig Ayrey,Mark Everist No hay ninguna vista previa disponible - 1996 |
Términos y frases comunes
Adorno Alban Berg Alexander Zemlinsky analytical Arnold Schoenberg Arnold Whittall bars bass beginning Berg Berg's Birtwistle blanc et noir canon cellos chorale chord clarinet composer composition Concerto for Orchestra context Continuum Correspondence critical Debussy Debussy's draft Elliott Carter espr Example figure final flute fourth movement full score harmony heute auf morgen horn Ibid idea Igor Stravinsky instrumental inter interpretation intertextual London Lyric Maeterlinck Mahler Mask of Orpheus material melody motive Music Analysis narrative octave opera orchestral version original particell passage Paul Sacher Perse's phrase piano piece pitch pizz play poem poetry programme music Proof quaver Rhenish Robert Schumann Saint-John Perse Schumann Secret Theatre seems serial Sketchbook sketches solo song Stravinsky strings structure Taruskin tempo texture theme theory third movement tion tonal tonic trans University Press Verses for Ensembles violas violins vocal voice Wagner Webern Whittall's Zemlinsky Zemlinsky's
Referencias a este libro
El humor en la música: broma, parodia e ironía : un ensayo Benet Casablancas Vista previa restringida - 2000 |