Broken in carriages, and all the phantasies [nels? Of fashion-say what streams now fill those chanSome die, some fly, some languish on the Continent, Because the times have hardly left them one tenant. LXXXI. Some, who once set their caps at cautious dukes, Have taken up at length with younger brothers: Some heiresses have bit at sharpers hooks: Some maids have been made wives, some merely mothers, Others have lost their fresh and fairy looks: In short, the list of alterations bothers. There's little strange in this, but something strange is The unusual quickness of these common changes. LXXXII. Talk not of seventy years as age: in seven I have scen more changes, down from monarchs to The humblest individual under heaven, Than might suffice a modern century through. I knew that nought was lasting, but now even Change grows too changeable, without being new: Naught's permanent among the human race, Except the Whigs not getting into place. LXXXIII. I have seen Napoleon, who seem'd quite a Jupiter, Shrink to a Saturn. I have seen a Duke (No matter which) turn politician stupider, If that can well be, than his wooden look. But it is time that I should hoist my Blue Peter,' And sail for a new theme:-I have seen, and shook To see it-the king hiss'd, and then caress'd, But don't pretend to settle which was best. LXXXIV. I have seen the Landholders without a rap; LXXXV. I have seen small poets, and great prosers, and I have seen the funds at war with house and land; I have seen the people ridden o'er, like sand, I. Exchanged for 'thin potations' by John Bull; I have seen John half detect himself a fool. LXXXVI. But carpe diem, Juan, carpe, carpe! Not what you seem, but always what you see. But how shall I relate, in other cantos, But 'tis as well at once to understand LXXXVIII. What Juan saw and underwent shall be And recollect the work is only fiction, Though every scribe, in some slight turn of diction, Will hint allusions never meant. Ne'er doubt This-when I speak, I don't hint, but speak out. LXXXIX. Whether he married with the third or fourth He took to regularly peopling earth, Of which your lawful awful wedlock fount is; XC. Is yet within the unread events of time. For being as much the subject of attack As ever yet was any work sublime, By those who love to say that white is black. So much the better; I may stand alone, But would not change my free thoughts for a throne CANTO THE TWELFTH, OF all the barbarous middle ages, that He is your only poet; passion, pure, And sparkling on from heap to heap displays Possessed, the ore, of which mere hopes allure Nations athwart the deep: the golden rays Flash up in ingots from the mine obscure; On him the diamond pours its brilliant blaze; The lands on either side are his: the ship His very cellars might be kings' abodes; That suit in Chancery-which some persons plead Baptize posterity, or future clay- Why, I'm posterity-and so are you: And whom do we remember? Not a hundred. Were every memory written down all true, The tenth or twentieth name would be but blunder'd; Even Plutarch's Lives have but pick'd out a few, And 'gainst those few your annalists have thunder'd. And Mitford, in the nineteenth century, Gives, with Greek truth, the good old Greek the lie.* xx. Good people all, of every degree, Ye gentle readers and ungentle writers, The negroes, and is worth a million fighters; While Wellington has but enslaved the whites, And Malthus does the thing 'gainst which he writes. ΧΧΙ. I'm serious-so are all men upon paper: See Mitford's Greece. Grecia Verax, His great pleasure consists in praising tyrants, abusing Plutarch, spelling oddly, and writing quaintly; and what is strange, after all, his is the best modern history of Greece in any language, and he is perhaps the best of all modern historians whatsoever. Having named his sins, it is but fair to state his virtues-learning, labour, research, wrath, and partiality. I call the latter virtues in a writer, because they make him write in earnest. XXII. That's noble! That's romantic! For my part, I think that philogenitiveness is→ (Now here's a word quite after my own heart, Though there's a shorter a good deal than this, If that politeness set it not apart; But I'm resolved to say nought that's amiss)I say, methinks that 'philogenitiveness' Might meet from men a little more forgiveness. XXIII. And now to business. Oh my gentle Juan! Thou art no novice in the headlong chase Since I've grown moral, still I must accuse you all In one point only were you settled-and You had reason: 'twas that a young child of grace, As beautiful as her own native land, And far away, the last bud of her race, Howe'er our friend Don Juan might command Himself, for five, four, three, or two years' space, Would be much better taught beneath the eye Of peeresses whose follies had run dry. XXX, So first there was a generous emulation, As Juan was a person of condition, XXXI. And one or two sad, separate wives, without For that's the phrase that settles all things now: Meaning a virgin's first blush at a rout, And all her points as thorough-bred to show: And I assure you that, like virgin honey, Tastes their first season (mostly if they have money). XXXII. How all the needy, honourable misters, Each out-at-elbow peer, or desperate dandy, The watchful mothers and the careful sisters (Who, by the by, when clever, are more handy At making matches, where ''tis gold that glisters,' Than their e relatives), like flies o'er candy, Buzz round the Fortune' with their busy battery, To turn her head with waltzing and with flattery! XXXIII. Each aunt, each cousin, hath her speculation; Nay, married dames will now and then discover Such pure disinterestedness of passion, I've known them court an heiress for their lover. Tantæne! Such the virtues of high station, Even in the hopeful isle, whose outlet's 'Dover!' While the poor rich wretch, object of these cares, Has cause to wish her sire had had male heirs. XXXIV. Some are soon bagg'd, but some reject three dozen, 'Tis fine to see them scattering refusals And wild dismay o'er every angry cousin (Friends of the party), who begin accusals, Why? Why? Besides, Fred really was attach'd; Oh! pardon my digression; or, at least, My Muse by exhortation means to mend But now I'm going to be immoral; now That, till we see what's what, in fact, we're far XLI. But first of little Leila we'll dispose; For, like a day-dawn she was young and pure, Don Juan was delighted to secure This line may puzzle the commentators more than the present generation I said that Lady Pinchbeck had been talk'd about- Then she was given to charity and pity; High in high circles, gentle in her own, Or, at the least, would lengthen out my song: In brief, the little orphan of the East Had raised an interest in her, which increased. Juan, too, was a sort of favourite with her, Which was a wonder, if you think who got him, And how he had been toss'd, he scarce knew whi ther: Though this might ruin others, it did not him, At least entirely; for he had seen too many Changes in youth. to be surprised at any. L. And these vicissitudes tell best in youth; He who hath proved war, storm, or woman's rage, LI. How far it profits is another matter.— LII. I call such things transmissions; for there is LIII. But whether fits, or wits, or harpsichords, May be the baits for gentlemen or lords, With regular descent, in these our days, Of'elegant' et cætera, in fresh batches- LIV. But now I will begin my poem. 'Tis Perhaps a little strange, if not quite new, LV. My Muses do not care a pinch of rosin |