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DEDICATION.1

I.

BOB SOUTHEY! You 're a poet-Poet-laureate,
And representative of all the race;

Although 't is true that you turned out a Tory at
Last,-yours has lately been a common case;
And now, my Epic Renegade! what are ye at?
With all the Lakers, in and out of place?

A nest of tuneful persons, to my eye
Like "four and twenty Blackbirds in a pye;

II.

"Which pye being opened they began to sing,"
(This old song and new simile holds good),
"A dainty dish to set before the King,'

Or Regent, who admires such kind of food;-
And Coleridge, too, has lately taken wing,

But like a hawk encumbered with his hood,

1. ["As the Poem is to be published anonymously, omit the Dedication. I won't attack the dog in the dark. Such things are for scoundrels and renegadoes like himself" [Revise]. See, too, letter to Murray, May 6, 1819 (Letters, 1900, iv. 294); and Southey's letter to Bedford, July 31, 1819 (Selections from the Letters, etc., 1856, iii. 137, 138). According to the editor of the Works of Lord Byron, 1833 (xv. 101), the existence of the Dedication "became notorious" in consequence of Hobhouse's article in the Westminster Review, 1824. He adds, for Southey's consolation and encouragement, that "for several years the verses have been selling in the streets as a broadside," and that “it would serve no purpose to exclude them on the present occasion." But Southey was not appeased. He tells Allan Cunningham (June 3, 1833) that the new edition of Byron's works is . . . one of the very worst symptoms of these bad times" (Life and Correspondence, 1850, vi. 217).]

VOL. VI.

B 2

Explaining Metaphysics to the nation-
I wish he would explain his Explanation.1

III.

You, Bob! are rather insolent, you know,
At being disappointed in your wish
To supersede all warblers here below,

And be the only Blackbird in the dish;
And then you overstrain yourself, or so,

And tumble downward like the flying fish Gasping on deck, because you soar too high, Bob, And fall, for lack of moisture, quite a-dry, Bob !2

IV.

And Wordsworth, in a rather long "Excursion," (I think the quarto holds five hundred pages), Has given a sample from the vasty version

3

Of his new system 3 to perplex the sages;

.

1. [In the "Critique on Bertram," which Coleridge contributed to the Courier, in 1816, and republished in the Biographia Literaria, in 1817 (chap. xxiii.), he gives a detailed analysis of the old Spanish play, entitled Atheista Fulminato [vide ante, the 'Introduction to Don Juan'] ... which under various names (Don Juan, the Libertine, etc.) has had its day of favour in every country throughout Europe. Rank, fortune, wit, talent, acquired knowledge, and liberal accomplishments, with beauty of person, vigorous health, and constitutional hardihood, all these advantages, elevated by the habits and sympathies of noble birth and national character, are supposed to have combined in Don Juan, so as to give him the means of carrying into all its practical consequences the doctrine of a godless nature, as the sole ground and efficient cause not only of all things, events, and appearances, but likewise of all our thoughts, sensations, impulses, and actions. Obedience to nature is the only virtue." It is possible that Byron traced his own lineaments in this too life-like portraiture, and at the same time conceived the possibility of a new Don Juan, "made up" after his own likeness. His extreme resentment at Coleridge's just, though unwise and uncalled-for, attack on Maturin stands in need of some explanation. See letter to Murray, September 17, 1817 (Letters, 1900, iv. 172).]

2. ["Have you heard that Don Juan came over with a dedication to me, in which Lord Castlereagh and I (being hand in glove intimates) were coupled together for abuse as the two Roberts'? A fear of persecution (sic) from the one Robert is supposed to be the reason why it has been suppressed" (Southey to Rev. H. Hill, August 13, 1819, Selections from the Letters, etc., 1856, iii. 142). For "Quarrel between Byron and Southey," see Introduction to The Vision of Judgment, Poetical Works, 1901, iv. 475-480; and Letters, 1901, vi. 377-399 (Appendix I.).]

3. [The reference must be to the detailed enumeration of "the powers requisite for the production of poetry," and the subsequent

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