Hollywood Genres: Formulas, Filmmaking, and the Studio SystemTemple University Press, 1981 - 297 páginas Schatz analyzes the studio system and tells what film genres mean in a general and theoretical way. Describing some important movie genres in Hollywood's "Golden Era", -- the Western, the gangster film, detective movies, screwball comedies, the musical and the family melodrama -- he surveys selected films and the work of directors associated with them. |
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14 páginas coinciden con auteur en este libro.
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Índice
FILM GENRES AND THE GENRE FILM | 14 |
THE WESTERN | 45 |
THE GANGSTER FILM | 81 |
Página de créditos | |
Otras 8 secciones no se muestran.
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Hollywood Genres: Formulas, Filmmaking, and The Studio System Thomas Schatz Vista de fragmentos - 1981 |
Términos y frases comunes
ambiguous American in Paris Astaire Astaire's attitudes audience auteur backstage Band Wagon basic Bogart Cagney camera Capra celebration characters cinema City Clementine climactic complex conventions crime criminal critical cultural dance death Deeds director Douglas Sirk Ethan eventually expression familiar film genre film noir film's end filmmakers finally flashback Ford's formal formula function gangster films Gene Kelly genre films genre's gunfight Happened One Night hardboiled hardboiled detective hardboiled-detective hero hero's Hollywood ideal ideological individual initial integrated Kane Kelly's Maltese Falcon Marlowe Meet John Doe melodrama MGM's milieu Minnelli moral movie murder musical myth narrative strategy performers plot popular postwar Press production prosocial resolution resolved Riskin role romantic screen screwball comedy sequence sexual Shane shot significant Sirk's social order Stagecoach status story studio style stylized theater thematic tion tive traditional ultimately urban utopian values viewer Vincente Minnelli visual Wayne Western Western genre woman York
Referencias a este libro
Undressing Cinema: Clothing and Identity in the Movies Stella Bruzzi No hay ninguna vista previa disponible - 1997 |