Kino-Eye: The Writings of Dziga Vertov

Portada
University of California Press, 1984 - 344 páginas
Dziga Vertov was one of the greatest innovators of Soviet cinema. The radical complexity of his work—in both sound and silent forms—has given it a central place within contemporary theoretical inquiry. Vertov's writings, collected here, range from calculated manifestos setting forth his heroic vision of film's potential to dark ruminations on the inactivity forced upon him by the bureaucratization of the Soviet state.
 

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Índice

Translators Acknowledgments
xi
WE Variant of a Manifesto
5
On the Organization of a Film Experiment Station
21
On the Film Known as Kinoglaz
34
Artistic Drama and KinoEye
47
KinoEye
60
On The Eleventh Year
79
1924
162
1937
209
1938 214
243
Draft of a Scenario Intended to Be Filmed During
275
The Man with a Movie Camera A Visual Symphony
283
Sound March From Symphony of the Donbas
289
She and An Evening of Miniatures
296
Letter from a Woman Tractor Driver
309
A Minute of the World
315

1927
169
1931
180
1936
195
Publishing History
321
Filmography
330
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Sobre el autor (1984)

Dziga Vertov's films include the Kino-Eye and Kino-Pravda series, Man with a Movie Camera, and Enthusiasm.

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