Studies on the Origin of Harmonic TonalityPrinceton University Press, 14 jul 2014 - 406 páginas Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in the late Middle Ages and Renaissance. Numerous quotations from theoretical treatises document how early music was driven forward not by progressions of chords but by simple progressions of intervals. |
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Studies on the Origin of Harmonic Tonality Carl Dahlhaus No hay ninguna vista previa disponible - 2016 |
Studies on the Origin of Harmonic Tonality Carl Dahlhaus No hay ninguna vista previa disponible - 2014 |