Story: Style, Structure, Substance, and the Principles of ScreenwritingHarper Collins, 25 nov 1997 - 480 páginas Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee. |
Índice
Sección 14 | 252 |
Sección 15 | 288 |
Sección 16 | 303 |
Sección 17 | 317 |
Sección 18 | 334 |
Sección 19 | 346 |
Sección 20 | 374 |
Sección 21 | 388 |
Sección 9 | 133 |
Sección 10 | 135 |
Sección 11 | 181 |
Sección 12 | 208 |
Sección 13 | 233 |
Sección 22 | 410 |
Sección 23 | 418 |
Sección 24 | 421 |
Sección 25 | 423 |
Otras ediciones - Ver todo
Story: Style, Structure, Substance, and the Principles of Screenwriting Robert McKee Vista previa restringida - 2010 |
Términos y frases comunes
ACCIDENTAL TOURIST act climaxes action Action genres actor Antiplot Archplot audience audience's Based beat becomes Bergman CASABLANCA Central Plot character character's CHINATOWN choice clichés comedy Controlling Idea create creative Crisis Dan O'Bannon dialogue door Dramatic emotion Evelyn example exposition express father Federico Fellini feel film film's FISH CALLED WANDA forces of antagonism genre Gittes happen Hollywood human Ilsa images imagination Inciting Incident Ingmar Bergman insight irony Karin kill KRAMER Lawrence Kasdan lives look Love Story lovers major reversal Mario Puzo Martin meaning Miniplot Mulwray murder Negation negative never novel play positive protagonist reaction reality realize Rick Rick's Robert Altman scene screen Screenplay screenwriter sense sequence Story Climax story design story's storytelling subplot subtext talent telling THELMA & LOUISE things tion truth Turning Point versus What's woman Woody Allen writer Written