Studying Shakespeare: A Guide to the PlaysJohn Wiley & Sons, 15 abr 2008 - 256 páginas This engaging book draws on all of Shakespeare's plays to show they can still be used as a guide to life.
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Dentro del libro
Resultados 1-5 de 51
Página xii
... stage. My thanks to Andrew McNeillie, Emma Bennett, Alison Dunnett, Jenny Hunt, Lisa Eaton, Laura Montgomery, Brigitte Lee, and Leanda Shrimpton. Anyone who has written a book knows that it is a collaborative process, and the ...
... stage. My thanks to Andrew McNeillie, Emma Bennett, Alison Dunnett, Jenny Hunt, Lisa Eaton, Laura Montgomery, Brigitte Lee, and Leanda Shrimpton. Anyone who has written a book knows that it is a collaborative process, and the ...
Página 1
... stage productions of King Lear were banned in England because the resemblance between the mad Lear and the reigning monarch was thought to be. 1 Read at a press conference on June 17, 1994 and subsequently circulated in all the news ...
... stage productions of King Lear were banned in England because the resemblance between the mad Lear and the reigning monarch was thought to be. 1 Read at a press conference on June 17, 1994 and subsequently circulated in all the news ...
Página 4
... as when Patrick Stewart credits Alan Dessen's article on Elizabethan stage Jews with providing “insight that transformed” his Shylock (Stewart 1989: 23). 6 See Burns's illuminating and undervalued Character (1990) for further. 4 ...
... as when Patrick Stewart credits Alan Dessen's article on Elizabethan stage Jews with providing “insight that transformed” his Shylock (Stewart 1989: 23). 6 See Burns's illuminating and undervalued Character (1990) for further. 4 ...
Página 7
... stage version and the long text a revised reading version. The characters in the short texts are “functions or types indicative of orality” whereas those in the long texts have more personal and “life-like” identity (p. 242). 1 See ...
... stage version and the long text a revised reading version. The characters in the short texts are “functions or types indicative of orality” whereas those in the long texts have more personal and “life-like” identity (p. 242). 1 See ...
Página 9
... stage while Hamlet assumes a walk-on role. In John Updike's novel Gertrude and Claudius events in Elsinore are presented from Gertrude's, and then from Claudius's, point of view. Life is always about our story, not someone else's. But ...
... stage while Hamlet assumes a walk-on role. In John Updike's novel Gertrude and Claudius events in Elsinore are presented from Gertrude's, and then from Claudius's, point of view. Life is always about our story, not someone else's. But ...
Índice
1 | |
12 | |
2 Marital Life Shakespeare and Romance | 50 |
3 Political Life Shakespeare and Government | 88 |
4 Public Life Shakespeare and Social Structures | 140 |
5 Real Life Shakespeare and Suffering | 180 |
Works Cited | 223 |
Index | 235 |
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Términos y frases comunes
actor All’s Angelo anger Antipholus Antony and Cleopatra attitude audience Bassanio behavior Bertram brother Brutus Bullingbrook Cassius chapter characters Claudio comedy Coriolanus Coriolanus’s court critics Cymbeline daughter death Diomedes drama Duke early modern Elizabeth Elizabethan emotional England Falstaff father female friends grief Hamlet hath Helena Henry Hermia hero Hotspur human husband Iago identity images Isabella Julius Caesar Katherine Katherine’s King John King Lear language Lear’s Leggatt lover Malvolio marriage marry Merchant of Venice Midsummer Night’s Dream mother mourning murder night Noble Kinsmen Othello Pericles Petruccio play’s plot political Portia Prince Renaissance revenge rhetorical Richard Richard III role Roman Romeo and Juliet Rosalind RSC production says scene servant sexual Shakespeare Shakespeare’s plays Shrew soliloquy speech stage story tells theater theatrical thee thou Timon Titus Andronicus tragedy Troilus and Cressida twins wife Winter’s Tale woman women wooing word