J.M.W. Turner

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Tate Publishing, 2007 - 272 páginas
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Widely regarded as one of the greatest figures in the history of art, J.M.W. Turner (17751851) had a profound influence on the development of Impressionism. What is less known is that his influence spread far beyond Europe, and provided a foundational model for American artists challenged with tackling the vast panoramas of the New World. J.M.W. Turner, accompanying the largest exhibition of his work ever presented in the US, shows how Turners revolutionary depictions of light, color and atmospherics in the landscapecombined with his understanding of the sublime in naturemade him among the most acclaimed and keenly studied European artists in the New World. Landscape painting was seen as the art form most closely allied to the identity of the newly independent nation, and Turners majestic works served as a model for a new generation of American painters. EXHIBITION SCHEDULE: National Gallery of Art, Washington, DC, October 1, 2007January 6, 2008 Dallas Museum of Art, Dallas, February 10, 2008May 18, 2008 Metropolitan Museum of Art, New York, January 23, 2008September 21, 2008

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J.M.W. TURNER

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An acutely limned miniature of J.M.W. Turner (1775-51), whose watercolors, engravings and spectacular oils mark him as England's greatest painter of air, earth and water.Whether the culmination of the ... Leer reseña completa

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Foreword
Catalogue
25
Confronting the Sublime Leo Costello
39
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Ian Warrell is one of the worlds leading authorities on TurnIan Warrell is one of the worlds leading authorities on Turner. He is a Tate curator and the author of Turner in Venice.er. He is a Tate curator and the author of Turner in Venice.

Franklin Kelly of the National Gallery of Art, Washington, iFranklin Kelly of the National Gallery of Art, Washington, is the author of Frederic Edwin Church and Winslow Homer. s the author of Frederic Edwin Church and Winslow Homer.

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