Cobbett's Cyclopedic Survey of Chamber Music, Volumen 1Walter Willson Cobbett Oxford University Press, H. Milford, 1929 |
Dentro del libro
Resultados 1-5 de 100
Página 5
... subject , accom- panied by chords on second violin and viola , the bass maintaining the tonic and gradually moving chromatically downwards . A transi- tion leads to the second subject , in C. This is announced by the viola , and ...
... subject , accom- panied by chords on second violin and viola , the bass maintaining the tonic and gradually moving chromatically downwards . A transi- tion leads to the second subject , in C. This is announced by the viola , and ...
Página 25
... second quartet ( inscribed to the memory of Tchaikovsky ) aspires . THE SECOND QUARTET . Tchaikovsky was the first ... subject of its finale fore- shadows Rachmaninov's style and manner , and the coda contains a beautiful and most effective ...
... second quartet ( inscribed to the memory of Tchaikovsky ) aspires . THE SECOND QUARTET . Tchaikovsky was the first ... subject of its finale fore- shadows Rachmaninov's style and manner , and the coda contains a beautiful and most effective ...
Página 58
... second episode is a rich melody on the viola , whilst later a slow passage for the same instrument heralds the entry of a theme similar to the first subject . The working - out displays much ingenuity . The sonata ends on a long coda ...
... second episode is a rich melody on the viola , whilst later a slow passage for the same instrument heralds the entry of a theme similar to the first subject . The working - out displays much ingenuity . The sonata ends on a long coda ...
Página 60
... second ( the first being still unpublished ) was played in Germany during ... subject . This by no means easy sonata should come through the ordeal of the ... second subject . The expressive adagio might well be called a ...
... second ( the first being still unpublished ) was played in Germany during ... subject . This by no means easy sonata should come through the ordeal of the ... second subject . The expressive adagio might well be called a ...
Página 66
... second subject , which is in three sections in 6/4 and 9/4 , with piquant harmony , in B major , G major , and then in different keys . The de- velopment begins in G minor , with an amplifi- cation of the second subject over the rhythm ...
... second subject , which is in three sections in 6/4 and 9/4 , with piquant harmony , in B major , G major , and then in different keys . The de- velopment begins in G minor , with an amplifi- cation of the second subject over the rhythm ...
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 1 Walter Willson Cobbett No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
adagio allegro Altmann amateur andante appears artistic Bach Bach's bars bass beauty Beethoven Brahms Brahms's cello César Franck chamber music charm chords clarinet classical coda colour composer's composition concerts contrapuntal D major dance duets duos Dvořák EDITOR effect English ensemble expression F sharp Fétis finale flat flute folk-song French composer fugue G major G minor German composer harmony harp Haydn horn influence instru interest Joachim later lyrical melody ment minuet modern molto Mozart musicians oboe opening orchestra original passage performance Phantasy phrase pianist piano quartet piano trio pieces played players polyphonic poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schumann second movement second subject second violin serenade sextet sharp minor Simrock slow movement solo sonata form song string quartet style Suite symphony theme tion tonality tone variations viola violin sonata violinist viols writing written wrote