Cobbett's Cyclopedic Survey of Chamber Music, Volumen 1Walter Willson Cobbett Oxford University Press, H. Milford, 1929 |
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Página vi
... phrase , others adopt more concise methods ; their diversity of temperament leading to occasional dis- crepancies in the length of their contributions . This is a difficulty felt by all compilers of books of this kind , who find it far ...
... phrase , others adopt more concise methods ; their diversity of temperament leading to occasional dis- crepancies in the length of their contributions . This is a difficulty felt by all compilers of books of this kind , who find it far ...
Página 25
... phrase of the first movement and the theme of the second movement , the main subject of the first move- ment being introduced in the coda . This quintet is most effective , affords enjoyable playing , and comes off well in performance ...
... phrase of the first movement and the theme of the second movement , the main subject of the first move- ment being introduced in the coda . This quintet is most effective , affords enjoyable playing , and comes off well in performance ...
Página 37
... phrase in E minor , between a chord in G sharp minor sustained as a pedal , and a harmonic figure which consists of a neutral chord of the diminished seventh , in Ex . 16 . ppp un peu en dehors . ATONALITY & POLYTONALITY ATONALITY ...
... phrase in E minor , between a chord in G sharp minor sustained as a pedal , and a harmonic figure which consists of a neutral chord of the diminished seventh , in Ex . 16 . ppp un peu en dehors . ATONALITY & POLYTONALITY ATONALITY ...
Página 75
... phrase being then again rele- gated to the ' cello . The slow movement , opening thus ( Ex . 13 ) is one of those tone poems of which this composer has the secret . Though occasionally complex , ornate , or agi- tated , it is lyrical ...
... phrase being then again rele- gated to the ' cello . The slow movement , opening thus ( Ex . 13 ) is one of those tone poems of which this composer has the secret . Though occasionally complex , ornate , or agi- tated , it is lyrical ...
Página 87
... phrases , and to give it more im- portance than the element of virtuosity . This tendency explains why three of the sonatas open with a long and often pathetic introduc- tion , and also why the second subjects of the quick movements the ...
... phrases , and to give it more im- portance than the element of virtuosity . This tendency explains why three of the sonatas open with a long and often pathetic introduc- tion , and also why the second subjects of the quick movements the ...
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Cobbett's Cyclopedic Survey of Chamber Music, Volumen 1 Walter Willson Cobbett No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
adagio allegro Altmann amateur andante appears artistic Bach Bach's bars bass beauty Beethoven Brahms Brahms's cello César Franck chamber music charm chords clarinet classical coda colour composer's composition concerts contrapuntal D major dance duets duos Dvořák EDITOR effect English ensemble expression F sharp Fétis finale flat flute folk-song French composer fugue G major G minor German composer harmony harp Haydn horn influence instru interest Joachim later lyrical melody ment minuet modern molto Mozart musicians oboe opening orchestra original passage performance Phantasy phrase pianist piano quartet piano trio pieces played players polyphonic poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schumann second movement second subject second violin serenade sextet sharp minor Simrock slow movement solo sonata form song string quartet style Suite symphony theme tion tonality tone variations viola violin sonata violinist viols writing written wrote