038 ORGAN.-Projet d'Orgue Monumental pour la Basilique de St. Pierre de Rome par M. A. Cavailléoll, facteur de grandes orgues à Paris. Avec une hotographie de la Décoration du projet, 54 pp., mp. 8vo, cloth, 8/Bruxelles, 1875 13b ORGAN-WANGEMANN (0.), Die Orgel ihre eschichte und ihr Bau. Dritte Auflage, with fold. plates and diagrams, 258 pp., 8vo, cloth, 12/6

1895 4 PAER (F.), Ouverture et Airs D'Achilles, arsagés pour le Pianoforte par Arnold, Voc. Score, tal. and German words, 82 pp., ob. folio, bds., 15/ à Bonn chez N. Simrock

The title bears the stamp of the original owner, wing (query the celebrated critic and dramatist).

PAESIELLO. La Pazza per Amore ou La Folle ar Amour. Représenté sur le Theatre de l'Opera hia, Rue Favart. Full Orchestral Score, 273 folio, old boards, £2/10/a Paris

aesiello for many years reigned supreme amongst han opera composers. His works were performed Preter in Europe an Italian opera existed and where through translations.

06 PAESIELLO. Ouverture de la Frascatana, pour eux Violons. Alto, Basse, deux Hautbois et deux ars, the set of parts, folio, 8/

a Paris, chez Le Duc, c. 1805 @PAGANINI ITEM.-Galoppade fürs Piano-Forte ber das Glöckchen-Rondo von Paganini, 3 pp., y. 8vo, 3/6. Offenbach am, bei J. André, c. 1869 18 PANAMA. GARAY (N.), Tradiciones y Cantares e Panama. Ensayo Folklorico. With the musio Is large number of dances and tunes throughout, ith illustrations of musical instruments, dancers ad much other interesting matter relating to the music of the Pana.na district, 207 pp., 4to, cloth, 2/10/No imprint, 1930 19 PASQUALI (Nicolo), Thorough-Bass made asy: or, Practical Rules for finding and applying ts Various Chords with little Trouble: Together ith variety of Examples in Notes, shewing the anner of accompanying Concertos, Solos, Songs ad Recitatives, text 48 pp, music, 29 pp., together, b. folio, neatly bound, 15/

London, R. Bremner, c. 1763 his eighteenth century musical treatise had a conerable sale and must be considered as representthe outlook of a prominent virtuoso, composer I teacher of the period.

Score, folio, 10/

10 PATTI-Guy de Charnacé. Adelina Patti. ith facsimile letter and fine engraved portrait, 8 pp., imp 8vo, 5/6. Paris, 1868 11 PERGOLESI. Stabat Mater. Full Orchestral Lon., Walsh, c. 1745 12 PETRUCCI.-WECKERLIN (J. B.). Petrucci. formonice Musices Odhecaton, avec notice, 32 pp., No. 5/Paris, 1885 13 PFITZNER (Hans), Gesammelte Schriften, 891 p. in 3 vols, roy. 8vo, cloth, (£2/18/- net), 37/6. 1926-9

I. P., b. Moscow, 1869, son of German parents. Sinent composer; holds in Germany a leading posi as the representative of distinctively national as in music. His philosophy of art, his grounding Schopenhauer and Wagner, his opposition to cer current tendencies in music may be studied in the interesting volumes of his collected essays and ntings.

314 PHILIPPE DE MONTE.-DOORSLAER (Dr. G. van). La Vie et les Œuvres de Philippe de Monte, 1521-1603, with a chronological table of his works, pp.. 8vo, 15/

A work of original research.

13317 PICCINI. Diane et Endimion. Opera en trois Actes. Représenté pour la Premiere fois, par l'Academie-Royale de Musique, le Mardi, 7 Septembre, 1784. Full Orchestral Score, F. words, 230 pp., folio, boards, with the autograph of the composer on title, £2/7/6. A Paris, Gravé par Huguet 13318 PICCINI. Didon. Tragédie Lyrique en trois Actes. Representée à Fontainebleau devant leurs Majestés le 16 Octobre, 1783, Ded. a la Reine, Full Orchestral Score, 307 pp., folio, half calf. £2/7/6. Chez Des Lauriers, Paris (1783) 13313 PIRRO (A.), La Musique à Paris sous le Règne de Charles VI (1380-1422), 36 pp., roy. 8vo, 7/6.

1930 13319 PLAYFORD. The Whole Book of Psalms: with the usual Hymns and Spiritual Songs together with all the Ancient and Proper Tunes sung in Churches, with some of later use. Composed in Three Parts, Cantus, Medius and Bassus, by John Playford, the Third Edition, corrected and amended, with front. of David playing the Harp 288 pp., cr. 8vo, old tooled calf, £2/10/

London, 1697 13320 PLEYEL (Ignace), Three Duetts for Violin and Tenor, the parts, folio, 7/6.

London, Corri, Dussek and Co. 13321 PLEYEL (J.), Three Quintettos for a German Flute, Hautboy, Violin, Tenor and Violoncello, Op. 38, the set of parts, folio, 10/6. London, Wm. Forster 13322 PLEYEL (J.), Trois Trios Concertants pour Flute, Violon et Violoncelle, Euvre 73, the set of parts, folio, 21/A Offenbach 8/m chez Jean André 13323 PLEYEL (Ignace), Six Sonatas for the Piano Forte or Harpsichord, with an accomp. for a Flute or Violin and Violoncello, Ded. to H.M. The Queen of Great Britain, in score, medallion portrait of composer on title, 101 pp., folio, 10/

London, Longman and Broderip, c. 1788 13324 PLEYEL (Ignace), Deux Grandes Sonates pour le Clavecin ou Piano Forte, avec acc. d'un Violon ad lib., Euvre VII (no violin part), 17 pp., folio, 4/. London, Longman and Broderip, c. 1788 13325 PLEYEL (Ignace), Fourteen Favourite Sonatines for the Harpsichord or Pf., with acc. Violin ad lib. (no violin part), 29 pp., folio, 4/6.

London, R. Wornum 13326 PLEYEL (J.), Six Nouveaux Quatuors pour Flute, Violon, Alto et Basse, 1 Partie, 1 to 3, the set of parts, folio, 12/6. A Paris, chez Pleyel PLEYEL. EARLY EDITIONS OF THE WORKS OF:

13327 13328

Three Grand Sonatas, Piano, Op. VII, 5/6. Trois Quintettos, Op. 8, 2 Vns., 2 Violas, Vllo., the parts, 8/6. Second Set of Three Quintetts, Op. 9, 2 Vns., 2 Tenors, Vllo., the parts, 8/6.

13329

13330

Three Sonatas, Op. 21, Pf., Vn., Vllo., the

parts, 6/6.

13331

Three Sonatas, Op. 23, Pf., Vn., Vllo., the

parts, 6/6.

13332 13333

Three Sonatas, Pf., Op. 38. 4/6. Celebrated Concertante, Harpsichord or Pf., Vn., the parts, 5/

13334 Second Concertante, Harpsichord, or Pf.. Vu., Vllo., the parts, 5/13335

A Third Concertante, Pf. and Vn., the parts, 5/13336 Six Grand Lessons, Harpsichord and Vn.. Ded. to the King of Prussia, the parts, 7/6. 13337 Second Set of Six Grand Lessons, Harpsichord or Pf. and Vn., the parts, 8/6.

1921

815 PHILLIPS (Henry), Love's Errand. Ballad from Waller, 1640, composer's autographed copy, Voice and Pf., folio, 7/6.

13338

3/6.

$16 PHILLIPS (Henry), Musical and Personal Recollections during Half a Century, over 600 pp., in 2 vols., er. 8vo, cloth, 15/

13339

1864

H. P., b. Bristol, 1801, d. 1876. Singer and comGer of many songs, For many years he was condered indispensable to English opera. These

Three Easy Sonatinas for the Pianoforte,

Twelve Favourite Sonatinas, Pf., Ded. to Duch. of Wirtem., 5/6.

13340

Fourteen Favourite Sonatinas, Harpsi chord and Vn., Ded. to Duch. of Wirtem., the parts, 7/6.

13341

Three Sonatas, Introducing Whither My

13342 Three Grand Sonatas, 1st set ditto, 2nd set. Introducing Scottish Airs, Pf., Vn., Vllo., the parts, 12/6. 13343

Three Sonatas for the Piano or Harpsichord, Ded. to the King of Naples, 5/6. 13344 POCOCK (E.), Flowers of the East, with an Introductory Sketch of Oriental Poetry and Music, with a frontispiece plate of musical instruments, 216 pp., 8vo, original stamped leather. 15/London, 1833 13345 POLISH NATIONAL SONGS.-Nápevy Prostonárodních Pisní Ceзkych. Sebral a vydal K. J. Erben. Príloha K písním. A Collection of 811 Tunes, with the words, 204 pp., 8vo, half morocco, £2/2/Praze, 1862 13346 POLISH NATIONAL SONGS-Národní Xpev a Ples. Sbírka Písní a Popevku pro Muzsky Sbor. Sebral a usporádal Em. Vasák. Words and music, over 400 pp., cr. vo, half morocco, 30/

Praze, 1864-8 13347 POZZI (Carlo), Three Sonatas for the Piano Forte or Harpsichord, with an accomp. for a Ger. man Flute, in score, 20 pp.. folio, 10/

London, Longman and Broderip 13348 PROWETT (John, Leicester), Sacred Melodies, an Original set of Psalm and Hymn Tunes, together with an anthem, 109 pp., ob. 8vo, cloth, 5/

Leicester, sold by the Author, 18-? 13349 PUGNI (Cesare), Quartetto per Flauto. Pianoforte, Viola e Violoncelle, Ded. Signor Conte Don Luigi Bertoglio, the set of parts, folio, 18/

Lipsia presso Breitkopf ed Härtel P. C., b. Milan 1805; d. Petrograd 1870. Prolific Italian composer.

13350 PURCELL (Henry), Our Love goes out to Eng. lish Skies, Patriotic Song, with accomps. for 2 Vns.. Va., Vllo. and Bass (Tymp. ad lib.), Voice and Score and parts, ed. by R. Vaughan Williams, 1/8. Modern 13354 PURCELL (H.), Three, four and five part Fantasias for Strings (2 Violins, Viola, Violoncello), in score, edited by Warlock and Mangeot, 47 pp., 4to, 10/6, Ditto, the set of 4 parts, 8- Modern 13355 PURCELL (Henry), Bonduca, a Tragedy, Full Orchestral Score, ed. by Rimbault, 32 pp., folio, 21/Musical Antiquarian Society, 1842 13356 PURCELL (Henry), Dido and Eneas. A Tragio Opera, composed 1675, Full Orchestral Score, ed. by G. A. Macfarren, 58 pp., folio, 21/

Musical Antiquarian Society, c. 1845 13357 PURCELL (H.), The Fairy Queen, an Opera, as Performed at the New Theatre, Cambridge, 10-14 February, 1931, (words), with the Dialogue taken from Shakespeare's Midsummer Night's Dream, in place of the alterations made by the Anonymous

Perform

13358 PURCELL (Henry), Ode for St. Cecilia's Dr A.D. 1692, Full Orchestral Score, ed. by Rimbau 88 pp., folio, 21/- Musical Antiquarian Society. 13359 RACHEL.-JANIN (M. J.), Rachel et La T gédie, engraved frontispiece, 528 pp., roy. 8vo, I Paris. I 13360 RAIMONDI (Ignatius). Three Trios Concerts for a Violin, Tenor and Violoncello, Ded. Earl. Aylesford, the set of parts, folio, 18/

London, Monza 13362 RAMEAU (Jean Philippe, 1683-1764). Eng Complètes publiées sous la Direction de C. Sait Saëns. Fine folio pre-war copies now difficult secure, bd. in buckram cloth as follows: Tome II Cantates, in score for Voices, Instruments Piano acc., with portrait, facsimile and 31 pages Introductory matter by Chas. Malherbe, and 1 pp, folio, cloth, £1/15/Paris, 19

13363 Ditto, Tome IV-V, Motets, in score ! Voices with Instruments and a Piano acc., frosti piece, facsimile, 2 vols. in 1, 56 pp. Intro. and 3 pp., folio, cloth, £4/10/6. Paris, 18 13364 Ditto, Tome VII, Les Indes Galante Ballet Heroique, Full Orchestral Score, with i pp. Intro. and 476 pp., folio, cloth, £10/10/

13366

Paris, 13 13365 Ditto, Tome VIII, Castor et Pella Tragedie, Full Orchestral Score, with 107 pp. Intr and 449 pp., folio, cloth, £10/10/Paris. 19 Ditto, Tome XII Platée, Comedie-Balle Full Orchestral Score, with frontispiece, facsim and portrait, with 56 pp. Intro. and 446 pp.. foli cloth, £5/5/Paris, 19 13367 Ditto, Tome XVII. Pt. I, Pygmalion, Ac de Ballet, Les Surprises de l'Amour, Divertiss ment, Full Orchestral Scores, in 1 volume, w illus., 159 pp. Intro., and 371 pp., Pt. II. An creon, Ballet et Les Sybarites, Ballet, Full O chestral Score, 315 pp., 2 vols., folio, cloth,

Paris, 191 13369 RASETTI (Amédée), Trio pour le Piano-Fer aveo accomp. de Flûte (ou Violon) et Basson ( Violoncelle), Euvre 13, No. 2, and No. 3, the s of parts to each, 15/- each. A Paris, chez Janet et Cotell 13370 RAUZZINI. Favourite Song ("Ah perchie " sang at Bath by Mr. Tenducci accompanied on th Hautboy, by Mr. Fischer, in Score for Har boy, Voice and Instruments, 11 pp., folio. 46. London, Presto 13372 REICHA (Ant.). Grand Quatuor Concerts pour Piano Forte, Flûte, Violoncelle et Basse Déd. à Mademoiselle Hermione Daubonne, Op. 1 the set of parts, folio, 10/A Pari

13373 RICCI (P., Maitre de Chapelle de la Cathedral de Como), Six Sonates a Clavecin, Violon et Violo cello obligato. Ded. Le Prince d'Orange. Nasss etc., Opera IV, Clavecin part, 23 pp., folio, 76

5374 RICCIOTTI (Carlo Bocciccia), VI Concerti Armonici a quattro Violini obligati, Alto Viola, Violoncello obligato e Basso continuo, the set of parts, folio, 21/- London, I. Walsh, c. 1755 1375 Ditto, Another edition, 7 parts, folio, 17/6. London, J. Johnson $76 RIEMANN (H.), Musik Lexikon. Elfte Auflage bearbeitet von A. Einstein, 2 thick vols., imp. 8vo. half leather, £5/5/1929 3376 RIES (Ferdinand), Trio pour le Piano, Flúte Violoncelle, Op. 63, the set of parts, folio and ob. folio, 7/6. Bonn, chez N. Simrock 877 RIES (Ferdinand), Quatuor pour Flute, VioIon, Alto et Violoncelle, Ded. à Monsieur Charles Aders, Op. 145, No. III, the set of parts, folio, 12/6. Bonn, chez N. Simrock 978 RIETSCH (H.), Die Tonkunst in der zweiten Halfte des neunzehnten Jahrhunderts. Zweite Auflage mit 135 in den text gedruckten Notenbeispilen, 192 pp., 8vo, 5/6. Leipzig, 1906 379 RODE (P.), Quatuor pour deux Violins, Viola et Violoncelle, Euvre XI, No. 2, the set of parts, folio, 10/Hambourg

30 ROLLAND (Romain), Les Origines du Théatre Lyrique Moderne. Histoire de l'Opera en Europe avant Lully et Scarlatti. Fine copy of the original Edition, 331 pp., 8vo, half dark green morocco, gilt top, 25/Paris, 1895 391Ditto, Nouvelle Edition, augmentée d'une Préface inédite de l'Auteur, 318 pp.. Svo, 10/6. Paris, 1931 32 ROMBERG (Andrea), Quintett per Flauto, Vioimo, due Viole e Violoncelle Op. 41, No. 2, the set of original parts, folio, 15/

Lipsia, Presso C. F. Peters 1383 ROMBERG (Andreas), Quintett pour Flute, Violon, deux Altos et Violoncelle, Euvre 21, No. 3, the set of parts, folio, 12/6. Hambourg

1384 ROMBERG.-SCHÄFER (H.), Bernard Romberg. Sein Leben und Werken. Ein Beitrage zur Geschichte des Violoncello, 162 pp., cr. 8vo, 7/6. 1931 384 ROSENMULLER (Johann, 1620-1684), Der 134. Psalm für Alt-Solo (oder Mezzo, oder Bariton), Twei Violinen und General Bass. Heraus. F. Hamel, score and parts, 4to, 4/6.

1932

35 ROSETTI (Antonio). Symphony in Parts for a Full Orchestra (2 Vns., Va., Vilo., Bass, Fl., Horns, Oboes), which may be Performed by 2 Violins, Viola and Violoncello, the set of parts, folio, 12/6. London, Goulding D'Almaine

On the title is written the name of owner and date, 817. 1386 ROSETTI (Antonio), The Favourite Symphonie Chasse. Adapted for the Organ, Harpsichord of Piano Forte, by Thomas Costellow, 13 pp., folio,

London, Longman and Broder p, c. 1800 3387 ROUCOURT (J. B.. Directeur et Professeur de l'Ecole de Chant de Bruxelles). Recueil de Ro

with fine engraved copper-plate, portrait front. and engraved title of Apollo playing the harp with figures, surmounted with the royal coat-of-arms. Bound in half red leather, the edges surrounded with grape vines picked out in gilt and ornamental label on side lettered "Melle. Julie Picard," 21/Bruxelles, c. 1815 13388 ROUGET DE LISLE ET LA MARSEILLAISE, par J. P. Desgranges, frontispiece, 122 pp., 12mo, cloth, 4/6. Paris, 1864 13388a ROUMANIA-MURRAY (E. C. G.), The National Songs and Legends of Roumania. 141 pp. text, and 21 pp. musical appendix, cr. 8vo, cloth, 10/London, 1859

13389 ROUSSEAU (Frédéric, Violoncelle de l'Academie Imperiale de Musique), Trois Duos Concertans pour deux Violoncelles. Ded. à Monsieur de la Cepède, Op. 6, the parts, folio, 7/6.

A Paris, Naderman 13390 RUPPE (C. F., Lecteur en Musique a l'Université de Leide et Maitre de Chapelle de la dite Université), Sonate pour le Piano Forte avec accomp. de Flute ou Violon et Violoncelle. Ded. à Monsieur G. N. Lambrechtsen. Euvre XXV, the parts, folio, 21/- A Amsterdam, chez H. C. Steup To assure the correct playing of his work the author has marked at intervals throughout the work the number of seconds to be taken!" l'Auteur a indique les intervalles du mouvement précis, regles par le nombre des secondes." 13391 RUSH (Mr.), The Favourite Concerto for the Harpsichord or Piano Forte, 9 pp., folio, 4/6. London, Longman and Broderip A violin accompaniment is given above the piano throughout.

13392 RUSSIAN PEASANT SONGS.-LINEFF (E.), The Peasant Songs of Great Russia as they are in the Folk's Harmonization. Collected and transcribed from Phonograms by Eugenie Lineff. The First Series. English text, 61 pp., followed by the same in Russian text, then 90 pp. of the tunes, with words, all in 1 vol., sm. folio, cloth. £2/10/St. Petersburg 13393 SACCHINI (A), Edipe a Colene. Opera en trois Actes. Full Orchestral Score, 235 pp., folio. half calf, £2/10/l'aris, Imbault (1787) Whilst to-day we only look to Gluck and Mozart as composers of dramatic music at the end of the eighteenth century, yet consideration must be given to those who follow close on their heels, and foremost of these figures is Sacchini,

13394 SACCHINI. Renaud, Tragedie Lyrique en Trois Aotes. Dédiée a La Reine. Representée pour la pre niere fois par l'Académie Royale de Musique le Mardi 25 Fevrier, 1783. Full Orches tral Score, French words, 243 pp., folio, original boards, £2/2/

A Paris, Gravée par Huguet, Musicien de la Comédie Italienne.

13395 ST. MARTINI (Gio. Batista, of Milan), Six Sonatas or Duets for two German Flutes or Vio lins. Opera Quarta. 26 pp., folio, neatly bound, 27/6. London, I. Walsh, c. 1750 13396 ST. MARTINI (Giuseppe), Six Grand Concertos for Violins, etc., in Eight Parts. Opera 8va. 4 Violins, Alto Viola, 2 Violoncello e Cembalo, fig. ured for use as Harpsichord if required), the set of 7 parts, folio, 25 London, 1. Walsh, c. 1745 13397 SAN MARTINI (Giuseppe), VI Concerti Grossi a due Violini, Viole e Violoncello obligati con due altri Violini e Basso di Ripieno. Opera Quinta. Questi Concerti sono compositi dalle Sonate a due Violino e Basso dell Opera III. The set of 7 parts, folio, £2/2/- London, I. Walsh, c. 1755 13398 SAN MARTINI (Giuseppe), VI Concerti Gross0 a due Violini, Viole, e Violoncello obligati con due altri Violini, e Basso di Ripieno. Opera Quinta, the set of 7 parts, folio, £1/15/

London, I. Walsh, c. 1755 13399 ST. MARTINI (Giuseppe), Six Grand Concertos in Seven Parts, for four Violins, a Tenor Violoncello, and a Thorough Bass for the Harpsichord. Opera XI. The set of 7 parts, folio, £1/15/London, John Johnson, e. 1760 13400 ST. MARTINI (Giuseppe), Six Grand Concertos in 8 parts, for Violins, Hoboys, French Horns, etc.. with a Through Bass for the Harpsicord or Violoncello. The set of 7 parts, folio, 35/

London, I. Walsh, c. 1745 This is the set published in conjunction with the eight overtures.

13401 ST. MARTINI (Giuseppe), Eight Overtures in seven Parts, for 4 Violins, a Tenor, Violoncello, and a Thorough Bass for the Harpsichord. Opera Decima. N.B.-These Overtures were engrav'd for the Author in his life time, and are the same he intended to publish by subscription. The set of parts, folio, £1/15/

London, John Johnson, c. 1760 13402 SAINT-SAENS. Le Jubilé de, a l'occasion du Cinquantenaire de son premier Concert, Salle Pleyel, en 1846. With a fine photogravure fullpage inset plate and portraits in text, 25 pp., 4to. 4/6. 1896

13403 SAIZOI (P.), Eight Hymns for Two Voices, Set in proper Kevs for the German Flute and a Bass figur'd for the Harpsichord, 6 pp., ob. folio, 4/6. London, Printed for the Author, c. 1770 13404 SAMMLUNG Vorzüglicher Gesangstücke der anerkannt grössten Meister der für Musik entscheidendsten Nationen. nach der Zeitfolge geordnet u. mit historisch. Nachweisungen hrsg. v. Fr. Rochlitz, about 600 pp., in 3 vols., folio, half bound, £3/10/1835, etc.

13405 SARTI. Les Noces de Dorine ou Helene et Francique. Opera en quatre Actes Réprésente au théatre de la rue Faideau. Full Orchestral Score, 275 pp., folio, half calf, £2/10/- A Paris 13406 SARTI. Cavatina, Lungi dae Caro bene, sung by Sigr. Marchesi in the opera, Giulio Sabino. Full Orchestral Score, 7 pp., folio, 4/6

London, Longman and Broderip 13407 SAUZAY (E.), Haydn, Mozart, Beethoven. Etude sur le Quatuor, 2nd edition, 173 pp.. 1884; L'Ecole de l'Accompagnement ouvrage faisant suite a l'Etude sur le Quatuor, 284 pp., 2 vols. in 1, roy. 8vo, half calf, nice copy, 30/13408- Another copy, 2 vols., paper covers, as issued, 25/

Paris

13409 SCACCIA, VERACINI, ETC. VI Concerti a cinque stromenti a Violino Principale, Violino Primo, Violino Secondo, Alto Viola, Organo e Vio. loncello. d'Alcuni, Famosi Maestro comme di Angello Maria Scaccia, Francesco Maria Veracini, Antonio Vivaldi, Bernardo Polazzo de Giuseppe Tartini, the set of 6 parts, folio. £10/10/Imprime aux devens de Gerhard Fredrik Witrogel, Organiste de l'Eglise neure des Lutheriens a Amsterdam, chez qui ou le trouve (173-?). This seems to be an unknown and unrecorded set.

13410 SCARLATTI (Sigr. Domenico), Thirty Sonst for the Harpsichord or Piano-Forte. Publish'd permission) from Manuscripts in the Possession Lord Viscount Fitzwilliam, 63 pp., folio, 25London, R. Birchall, e. 19 13411 SCHALL (F. J.), Claus Schall als dramatische Komponist. Ein Beitrag zur Geschichte des ds: ischen Singspiel und Balletts um die Wende de 18. und 19. Jahrhunderts, 169 pp., 7.6.

13412 SCHMITT (A.), Ouverture pour l'Orchestn Set of 15 neatly written Manuscript parts, in cas folio, 7/6. 18

From the Edward Speyer Library.

13413 SCHNEIDER (G. Abr.), III Trios Brillant pour Flute, Violon et Violoncelle. Œuvre 81. Th set of parts, folio, 18/

à Leipsic, chez Frederic Hofmente G. A. S., b. Darmstadt, 1770, d. Berlin, 183 Celebrated wind player.

13414 SCHOBERT IV Sonates pour le Clavecin, Vâ lon et Basse. Opera XVI. Clavecin part, 23 pp folio, 7/6. London, Bremner (177 13414a SCHOTT (P. Gaspare, Soc. Jesu), Magiæ Un versalis, Naturæ et Artis. Pars II, Acoustic With finely engraved pre-title, cupids and musie instruments, full-page plates and folding diagram throughout the volume, 448 pp., sm. 4to, al leather, 25/

Herbipoli, Excudebat Iobus Hertz, Typographi Herbep olensis, 1657.

13414b SCHRADE (L.), Die handschriftliche Lebe lieferung der ältesten Instrumentalmusik, 119 pR 8vo, 6/6.

198

13415 SCHROETER (J. S.), Six Sonatas for the Piar Forte or Harpsichord. Ded. Count-Bruhl. Opera 26 pp., folio, 10/London, William Nap 13416 SCHUBERT, Der Blumen Sekmerz, von Jobs Graf Mailath. In Musik gesetzt von Franz Schi bert. Original edition of Op. 173, No. 4. Tw leaves, ob. folio, enclosed in folding case, neati lettered, £4/4/

Gedruckt bey Anton Strauss (182 The following appears in brackets on the titles (Aus der Wiener Zeitschrift fur Kunst, Literatu Theater und Mode.)

13417 SCHUBERT. Die Rose von Friedrich Schlege In Musik gesetzt von Franz Schubert. Origin edition of Op. 75. Two leaves, ob. folio, enclosed i folding case, neatly lettered, £4/4/

Gedruckt bey Anton Strauss (19 The following appears in brackets on the titles (Aus der Wiener Zeitschrift fur Kunst, Literate Theater und Mode.)

13418 SCHUBERT. Lied der Anne Lyle aus Walte Scott's Montrose. Gesang der Norma aus Walre Scott's Pirat. Fur eine Singstimme mit Beg leitung des Piano-Forte, in Musik gesetzt Franz Schubert. 85tes Werk. Eigenthum der Te leger. Original edition. Ob. folio, enclosed i folding case, neatly lettered, £6/6/

Wien, bei Ant. Diabelli und Comp. Graben, N 1133 (1828).

Plate Mark D. et C., No. 2877.

13419 SCHUBERT. Der Einsame, Gedicht T. Ca Lappe. In Musik gesetzt fur eine Singstimme m Begleit des Pianoforte von Franz Schubert. 41te Werk. Eigenthum der Verleger. Original edition Ob. folio, enclosed in folding case, neatly lettere £4/10/

Wien, bei Ant. Diabelli und Comp. Graben N 1133 (1826).

Plate Mark D. et C., No. 2251.

13420 SCHUBERT. Das Heimweh. Die Allmach Gedichte von Joh. Ladislaus Pyrker. In Musi gesetzt fur eine Singstimme mit Begleitung d Piano-Forte und Sr. Excellenz dem hochgeborne und hochwurfligsten Herrn Johann Ladislat Pyrker von Felso-Eor, Patriarchen von Venedi Primas von Dalmatien Grosdignitar und Kronca lan des Lombardisch Venetianischen Konigreiche Sr. k. k. Majestat wirklichen geheimen Rathe, et etc., in tiefer Ehrfurcht gewidmet von Franz Sch

HUBERT. Vier Lieder. Im Fruhling v. E. e, Trost im Liede v. Schober, Der blinde u. Craigher, Wanderers Nachtlied: "Ueber Gipseln ist Ruh" v. Gothe, mit Begleitung anoforte in Musik gesetzt von Franz SchuOriginal edition of the first three songs, 10 b. folio, enclosed in a folding case, lettered, 6. Leipzig, bei H. A. Probst (1828)

Mark No. 431. Wanderers Nachtlied" first appeared in d the other three songs were issued in the r Zeitschrift fur Kunst," but their first sepiblication is as above.

HUBERT. Quartett, B dur (aus dem Nachfur zwei Violinen, Viola u. Violoncell, von Schubert (Im Jahre 1814 componirt). Op. Eigenthum des Verlegers. Original edition of t of parts, fine copy, folio, enclosed in a g case, neatly lettered, £5/5/

Mark C. S. 17,707.

Wien, C. A. Spina (1863)

rat movement of the above was composed in d a half hours, when Schubert was at the seventeen.

CHUBERT. No. 1, Lincanto degli occhi (Die der Augen), No. 2, Il traditor deluso (Der ehte Verrather), No. 3. Il modo di prender (Die Art ein Weib zu nehmen). Gedichte letastasio. In Musik gesetzt fur eine Basse mit Begleitung des Pianoforte und Herrn Lablache, gervidmet von Franz Schubert. Werk No. II, Eigenthum des Verlegers. al edition of No. 2 only, 9 pp., ob. folio, ed in a folding case, neatly lettered, £3/10/6. Wien, bei Tobias Hastlinger (1827) Mark T. H. 5062.

CHUBERT. Der Sanger, Ballade von Gothe. sik gesetzt fur eine Singstimme mit Begg des Pianoforte von Franz Schubert. 117tes Eigenthum des Verlegers. Original edi. 11 pp., ob. folio, enclosed in a folding case, lettered, £4/4/

Wien, bey Joseph Czerny (1829) Mark J. Cz., No. 340.

HUBERT. Der Kampf von Schiller in Musik fur eine Basstimme mit Begleitung des Corte Yon Franz Schubert. 110tes Werk. thum des Verlegers Original edition, 11 pp., lio, enclosed in a folding case, lettered, Wien, bey Joseph Czerny (1829)

Mark J. Cz., No. 334. bore song was one always included by Vogl, er singer, in his group of Schubert songs. declares that when Vogl sang Schubert's he ladies would crowd round him, fascinated beauty of his voice and his appearance, and ompletely ignore the composer.

CHUBERT. Sechs gedichte. No. 1, Geist der von Kosegarten. 2. Der Abend von Holtz. chlied von Gothe. 4, Lob des Tokayers von Derg. 5, An die Sinne von T. Korner. 6, Die rinn von Gothe. In Music gesetzt fur eine

Franz Schubert. 118tes Werk. Eigenthum des Verlegers. Original edition, 15 pp., ob. folio, enclosed in a folding case, neatly lettered, £6/6/Wien, bey Joseph Czerny (1829)

Plate Mark J. Cz., No. 341.

13428 SCHUBERT. An Schwager Kronos. An Mignon. Ganymed. Gedichte von Goethe. In Musik gesetzt fur eine Singstimme mit Begleitung des Pianoforte und dem Dichter Verehrungsvoll gewidnet von Franz Schubert. 19tes Werk. Eigenthum der verleger. No. 1800. Original edition. 19 pp., ob. folio, enclosed in a folding case, neatly lettered, £5/5/

Wien, bey Ant. Diabelli e Comp. (1823), Graben No. 1133.

Plate Mark D. et C., No. 1800. 13429 SCHUBERT (Franz), Der Wanderer, Morgenlied. Nachtlied für eine Sirgstimme mit Begleitung des Pianoforte. 4tes Werk. Early edition, with illustration on title, 11 pp., ob. folio, 7/6. Wien, bei Ant. Diabelli u. Comp. Plate Mark D. et C., No. 773.

13430 SCHUBERT, Dr. H. K. von Hellborn, 619 pp., cr. 8vo, half calf, mottled edges, nice copy, 30/Wien, 1865 This was originally published as a small octavo pamphlet in 1861, end was the first attempt to write a biography of Schubert. This is the second and much enlarged edition. It contains interesting facts gathered from the Fröhlichs, Ferdinand Schubert, Spaun, Huttenbrenner and others. 13431

English translation of above, by A. D. Coleridge. 2 vols., cr. 8vo, cloth, 25/

London, 1869 This translation contains an appendix by Grove, giving particulars of the manuscript Symphonies and other manuscripts of Schubert as seen by Arthur Sullivan and him in Vienna in 1867. It may be recalled that amongst these MSS. found in a cupboard covered with dust, was the music of the immortal Rosamunde.

13432 SCHUMANN (Eugenie), Robert Schumann. Ein Lebensbild meines Vaters. Illus., 404 pp., or. 8vo, 7/6.

1931

13433 SCOTLAND.-A Curious Collection of Scots Tunes, with Variations for the Violin, with s Bass for the Violoncello or Harpsichord, 20 pp., ob. folio, neatly bound, £2/2/

London, Preston and Son, c. 1790 Commences with "Up in the Morning Early," and ends with " Will You Go to Flanders." 13434 SCOTLAND.-A Selection of the most Favourite Scots Songs, chiefly Pastoral, adapted for the Harpsichord with an Accompaniment for a Violin, by Eminent Masters. Inscribed to the Duchess of Gordon. With long List of Subscribers, 93 pp., folio, 25/-.

London, William Napier, c. 1790 The preliminary 16 pages are devoted to a Dis sertation on Scottish Music by William Tytler, and the volume enas with an Index and Glossary. 13435 SCOTLAND.-Lady Maria Parker's (now Lady Binning) Strathspey, composed by Miss M., of O, to which is added 4 Tunes, 2 of which are composed by Miss H. Baird, of Saughton-hall, 2 pp., folio, 3/6. Edinburgh, Gow and Shepherd, 179-? 13436 SCOTLAND. BARBER (Robert), Twenty-four Favourite Scots Songs, for the Piano Forte and Voice. Dedicated to James Currie, 24 pp., folio, 12/6. Liverpool, c. 1796 13437 SCOTLAND.-Gow (Neil, of Dunkeld), A Collection of Strathspey, Reels, etc., with a Bass for the Violoncello or Harpsichord. Dedicated to the Duchess of Atholl, 37 pp., London, W. Boag; A Second Collection, 36 pp., London, W. Boag; A Third Collection, 36 pp., Edinburgh, N. and M. Stewart; the 3 collections together, folio, £2/5/-. c. 1795 13438 SCOTLAND.-Gow (Niel and Sons), A New Edition, Part First, of the Complete Repository of Original Scots Slow Strathspeys and Dances, for the Piano Forte, Harp, or Violin and Violoncello,