Books and Printing: A Treasury for TypophilesA collection of forty articles, poems, and essays by practitioners of the art of bookmaking. A unique feature of this book is that its articles are set in twenty-two different typefaces; thus it serves as a student's specimen book, affording an interesting comparison of the "color" and body of various composition faces while at the same time supplementing the comments of the typographic experts. More than one hundred illustrations of printers' marks, decorative bookplates, specimen pages, etc., complement the text--From publisher description. |
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Página 12
The Greeks , as was to be expected , turned the letter around , and later , oddly enough , introduced a curve making it exactly like the Roman letter P. The extra stroke which we find in the Roman letter was no doubt due to the ...
The Greeks , as was to be expected , turned the letter around , and later , oddly enough , introduced a curve making it exactly like the Roman letter P. The extra stroke which we find in the Roman letter was no doubt due to the ...
Página 79
The letters i , j , u and v As a general rule , until early in the seventeenth century there was only one capital letter , I ( in roman ) or J ( in black - letter ) , for the letters now represented by I and J ; and only one capital ...
The letters i , j , u and v As a general rule , until early in the seventeenth century there was only one capital letter , I ( in roman ) or J ( in black - letter ) , for the letters now represented by I and J ; and only one capital ...
Página 287
It is safe to say that lowershould practically never be letter - spaced , for the individual letters were designed for close combination with other letters of the alphabet . If it becomes necessary to fill out a line it is preferable to ...
It is safe to say that lowershould practically never be letter - spaced , for the individual letters were designed for close combination with other letters of the alphabet . If it becomes necessary to fill out a line it is preferable to ...
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Índice
BY WAY OF INTRODUCTION Page | 3 |
LANCELOT HOGBEN Printing Paper and Playing Cards | 15 |
WROTH The First Work with | 65 |
Página de créditos | |
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Términos y frases comunes
advertising alphabet American appeared artist beauty become beginning called capitals cast century character colophon common copy decoration device early edition English example experience face fact Franklin friends give Greek hand head idea illustrations important interest issued Italy John kind known later learned less letter limited living look machine mark matter means mind Morris natural never original ornaments perhaps period possible practice present printer printing private press produced publisher question reader reason relation Reprinted result Roman rule seems sense simple space standards style taste things thought tion trade turn typography volume whole writing written