Books and Printing: A Treasury for TypophilesA collection of forty articles, poems, and essays by practitioners of the art of bookmaking. A unique feature of this book is that its articles are set in twenty-two different typefaces; thus it serves as a student's specimen book, affording an interesting comparison of the "color" and body of various composition faces while at the same time supplementing the comments of the typographic experts. More than one hundred illustrations of printers' marks, decorative bookplates, specimen pages, etc., complement the text--From publisher description. |
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Página 8
When the Greeks used this letter they called it “ digamma ” ( double gamma ) and its form represented one " gamma ” ( Greek c ) superimposed over the other . The Romans called it F ( ef ) and during the reign of Emperor Claudius the ...
When the Greeks used this letter they called it “ digamma ” ( double gamma ) and its form represented one " gamma ” ( Greek c ) superimposed over the other . The Romans called it F ( ef ) and during the reign of Emperor Claudius the ...
Página 11
The Greeks reversed the stroke and called it “ Nu ” and the Romans did not change its form but called it N ( en ) . O In Phoenicia , as in Egypt , China and Mexico , the eye is one of the commonest elements found in the writing .
The Greeks reversed the stroke and called it “ Nu ” and the Romans did not change its form but called it N ( en ) . O In Phoenicia , as in Egypt , China and Mexico , the eye is one of the commonest elements found in the writing .
Página 332
Laymen called them , more accurately , “ block letters ” ; but in the new typography they are elegantly referred to as “ sans serifs ” because , among other features of the roman alphabet which they lack , is a total absence of serifs .
Laymen called them , more accurately , “ block letters ” ; but in the new typography they are elegantly referred to as “ sans serifs ” because , among other features of the roman alphabet which they lack , is a total absence of serifs .
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Índice
BY WAY OF INTRODUCTION Page | 3 |
LANCELOT HOGBEN Printing Paper and Playing Cards | 15 |
WROTH The First Work with | 65 |
Página de créditos | |
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Términos y frases comunes
advertising alphabet American appeared artist beauty become beginning called capitals cast century character colophon common copy decoration early edition English example experience face fact Franklin friends give Greek hand head idea illustrations important interest issued Italy John kind known later learned least less letter limited living look machine mark matter means mind Morris natural never original ornaments perhaps period possible practice present printer printing private press produced publisher question reader reason relation Reprinted result Roman rule seems sense simple space standards style taste things thought tion trade turn typography volume whole writing written