Shakespeare and Cultural Traditions: The Selected Proceedings of the International Shakespeare Association World Congress, Tokyo, 1991University of Delaware Press, 1994 - 379 páginas "The lectures delivered by the four plenary speakers of the congress are published here: Stephen Greenblatt's groundbreaking paper on witchcraft and Macbeth: Germaine Greer's perceptive analysis of the presence of the proletariat in Shakespeare's plays: Ruth Nevo's intriguing exploration of Freudian perspectives on Hamlet; and Takashi Sasayama's important comparative study of tragedy and emotion in Shakespeare and Chikamatsu. This volume also includes papers by other Shakespearean scholars of international reputation, offering fresh insights into many topics of interest. Among them are John Russell Brown on "Shakespeare's Plays and Traditions of Playgoing"; Sukanta Chaudhuri on "Shakespeare and the Ethnic Question"; Werner Habicht on the German Shakespeare tradition; Alexander Leggatt on bearbaiting; Avraham Oz on The Merchant of Venice; Annabel Patterson and Taming of the Shrew; and Gary Taylor on "Bardicide."" "Taken together, the essays collected in Shakespeare and Cultural Traditions constitute a remarkable range of responses to Shakespeare's enduring art and offer a truly international and multicultural assessment of his presence in the world today."--BOOK JACKET. |
Dentro del libro
Resultados 1-3 de 27
Página 201
... Japanese work . While Shakespeare makes no direct reference to Japan in his plays , the courtliness and aristocratic sophistication that his plays frequently embody have their counterpart in the medieval Japanese Tale of Genji by Lady ...
... Japanese work . While Shakespeare makes no direct reference to Japan in his plays , the courtliness and aristocratic sophistication that his plays frequently embody have their counterpart in the medieval Japanese Tale of Genji by Lady ...
Página 202
... Japanese poetry and Shakespeare's own seem admissible , there are marked differences between the structures of his plays and the structures of Japanese drama . One of the most striking features of Japa- nese art in Noh drama is its ...
... Japanese poetry and Shakespeare's own seem admissible , there are marked differences between the structures of his plays and the structures of Japanese drama . One of the most striking features of Japa- nese art in Noh drama is its ...
Página 223
... Japanese grammar in this paper , but one should remember that a sentence in Japanese usually ends with a verb , and in spoken Japanese the verb is usually followed by an auxiliary verb . If a Japanese translator of Othello wants his or ...
... Japanese grammar in this paper , but one should remember that a sentence in Japanese usually ends with a verb , and in spoken Japanese the verb is usually followed by an auxiliary verb . If a Japanese translator of Othello wants his or ...
Índice
List of Contributors | 9 |
Shakespeare and Bearbaiting | 43 |
Popular Rebellion Utopia | 76 |
Página de créditos | |
Otras 16 secciones no se muestran.
Términos y frases comunes
action actors appears audience bear become beginning body called Cambridge century characters common course criticism cultural death discourse doubt drama early effect Elizabethan England English example expressed fact figure final followed German give Hamlet hand Henry human idea identity imagination important interest Japanese John kind King later Lear less lines lists live London look Macbeth matter means Merchant mind moral nature never Notes original Othello Oxford performance play poet political popular possible present production question reason reference Renaissance response romantic scene seems sense Shake Shakespeare Shylock social society Sonnet speak speech stage suggests theater theatrical thing Thomas thought tion tradition tragedy translation turn University Press Venice wife witches women writes York
Referencias a este libro
Public Theater in Golden Age Madrid and Tudor-Stuart London: Class, Gender ... Ivan Cañadas Vista de fragmentos - 2005 |