Music, Musicians, and the Saint-SimoniansUniversity of Chicago Press, 1986 - 399 páginas The Saint-Simonians, whose movement flourished in France between 1825 and 1835, are widely recognized for their contributions to history and social thought. Until now, however, no full account has been made of the central role of the arts in their program. In this skillful interdisciplinary study, Ralph P. Locke describes and documents the Saint-Simonians' view of music as an ideological tool and the influence of this view on musical figures of the day. The disciples of Claude Henri de Rouvroy, comte de Saint-Simon, believed that increased industrial production would play a crucial role in improving the condition of the working masses and in shifting power from the aristocratic "drones" to the enterprising men of talent then rising in the French middle class. As a powerful means of winning support for their views, music became an integral part of the Saint-Simonians' writings and ceremonial activities. Among the musicians Locke discusses are Berlioz, Liszt, and Mendelssohn, whose tangential association with the Saint-Simonians reveals new aspects of their social and aesthetic views. Other musicians became the Saint-Simonians' faithful followers, among them Jules Vinçard, Dominique Tajan-Rogé, and particularly Félicien David, the movement's principal composer. Many of these composers' works, reconstructed by Locke from authentic sources, are printed here, including the "Premier Chant des industriels," written at Saint-Simon's request by Rouget de Lisle, composer of the "Marseillaise." |
Índice
V | 1 |
VII | 5 |
IX | 13 |
X | 15 |
XI | 18 |
XII | 24 |
XIII | 25 |
XIV | 27 |
LV | 166 |
LVI | 169 |
LVII | 171 |
LVIII | 179 |
LIX | 185 |
LX | 190 |
LXI | 196 |
LXII | 197 |
XV | 29 |
XVI | 33 |
XVII | 34 |
XVIII | 37 |
XX | 42 |
XXI | 45 |
XXIV | 47 |
XXV | 53 |
XXVI | 56 |
XXVII | 60 |
XXVIII | 63 |
XXIX | 69 |
XXX | 71 |
XXXIII | 75 |
XXXIV | 81 |
XXXV | 82 |
XXXVI | 87 |
XXXVII | 94 |
XXXVIII | 97 |
XXXIX | 101 |
XL | 106 |
XLI | 107 |
XLII | 114 |
XLIII | 121 |
XLIV | 123 |
XLVI | 125 |
XLVII | 128 |
XLVIII | 134 |
XLIX | 145 |
L | 150 |
LI | 153 |
LII | 156 |
LIII | 158 |
LIV | 161 |
LXIII | 201 |
LXIV | 208 |
LXV | 211 |
LXVI | 215 |
LXVII | 220 |
LXVIII | 226 |
LXIX | 235 |
LXX | 241 |
LXXI | 243 |
LXXII | 244 |
LXXIII | 245 |
LXXIV | 247 |
LXXV | 249 |
LXXVI | 250 |
LXXVII | 251 |
LXXVIII | 279 |
LXXX | 280 |
LXXXI | 293 |
LXXXII | 294 |
LXXXIII | 297 |
LXXXIV | 302 |
LXXXV | 304 |
LXXXVI | 308 |
LXXXVII | 310 |
LXXXVIII | 314 |
LXXXIX | 315 |
XC | 321 |
XCI | 322 |
XCII | 324 |
XCIII | 329 |
XCIV | 371 |
375 | |
385 | |
Otras ediciones - Ver todo
Términos y frases comunes
Adolphe Nourrit apostles Appel Arlès-Dufour artists Barrault Bazard Beethoven Béranger Berlioz BNImp BNMus ceremony chanson chansonnier Chant Chapter Charléty Chevalier chorus cited Clorinde Compagnons composer concert copy d'Allemagne d'Eichthal Désert disciples doctrine Duveyrier Egypt Enfantin Félicien David femme Fournel France Franz Liszt Gloire à Dieu haine Halévy Hiller honneur Hymne Ibid ideas industriels jour c'est July July Revolution La Ruche later Léon Halévy letter Lettre autogr Liszt Livre des actes Lyons m'enchaine d'amour Marseillaise melody Mémoires Mendelssohn Ménilmontant Ménilmontant series Mère Michel Chevalier monde mour movement musicians musique Nourrit nouveau nouvelle nuit Olinde Olinde Rodrigues opera OSSE paix Paris passage Père performed perhaps peuple piano piece Prière published religious Rodrigues Rodrigues's Rogé Rogé's role Rôle social Ronde rue Monsigny Saint Saint-Etienne Saint-Simon Saint-Simonians Salut Simonians singing society Soldats song Tajan-Rogé Talabot temple tenor travail travailleur tunes viendra Vinçard voici words writings wrote