Eisenstein, Cinema, and History

action actor Alexander Nevsky Alexandrov Anastasia artistic audience Basmanov Bezhin Meadow Bolshevik boyars Brecht Cahiers du Cinéma camera character close-up compositions conflict context criticism critique cultural death depicted dialectical direction director dramatic dynamic Eisen Eisenstein's cinema emotional Euphrosyne film's filmmaking Formalist graphic Grigori Alexandrov human ideology imagery intellectual cinema Ivan the Terrible Ivan's Jay Leyda Kuleshov Lenin Malyuta Marfa Marx Marx's Marxist mass material materialist ment method Meyerhold modern montage Moscow movement narrative October oprichniki oprichnina Party pathos peasant period political Potemkin present production proletarian Proletkult Que Viva Mexico reality reflex revolution revolutionary Russian scenario scene screen script sequence Sergei Eisenstein shot social socialist realism sound Soviet Cinema Soviet film stage Stalin stein Stepok Strike structure theater theme theory tion trans tsar tsar's tsarist University Press utopian Vakulinchuk Vasili Vertov visual Viva Mexico Vladimir workers York