Aesthetics, Theory and History in the Works of Adolph Bernhard Marx

19th century A. B. Marx action Adolf Bernhard Marx aesthetic Allgemeine Musikalische Zeitung analytical approach artistic attempt BAMZ bars Beethoven's music Berliner Allgemeine Musikalische Bernhard Marx cadence Carl Dahlhaus Chapter character characterized closure composer composer's development section discussion dominant dramatic dynamic E. T. A. Hoffmann Eicke Eroica Eroica Symphony Example exposition expressed Forchert Gang harmonic Hauptpartie Hegel Hegelian Hoffmann Ibid idea Idee important individual initial interpretation involves Jahrhunderts Kompositionslehre later Lehre Liedform Marx claims Marx's conception material melodic motive movement music criticism music history music of Beethoven music theory musical form musical process musical structure Musik Nachsatz Napoleon nature Ninth Symphony pedagogical pedal point period piano sonata piece progress realized recapitulation Regensburg relationship Romantic Rondo Form Satz Sätze sonata form spiritual stage standpoint student Studien zur Musikgeschichte Symphony teleological thematic content theme groups tonal tonic troops underlying formal understanding unity Vordersatz whole work's