Aesthetics, theory and history in the works of Adolph Bernhard Marx

19th century A. B. Marx Adolf Bernhard Marx aesthetic analysis analytical approach artistic attempt BAMZ bars Beethoven's music Berlin cadence Carl Dahlhaus Chapter characterized closure composer composer's composition treatise development section discussion dominant dramatic dynamic E. T. A. Hoffmann Eicke elements Eroica Example exposition expressed Forchert Gang half cadence harmonic Hauptpartie Hauptsatz Hegel Hegelian Hoffmann Ibid idea Idee important individual initial involves Jahrhunderts Kompositionslehre later Lehre Marx claims Marx seems Marx's conception material melodic motive movement music criticism music history music of Beethoven music theory musical form musical process musical structure musical thought Musik Nachsatz Napoleon nature pedagogical pedal point period piano sonata piece present progress realized recapitulation Regensburg relationship represents role Romantic Rondo Form Satz sensuous sonata form spiritual stage standpoint student Symphony teleological Thaler thematic content theme groups tone painting tonic underlying formal understanding unfolding unity Vordersatz whole work's