Aesthetics, Theory and History in the Works of Adolph Bernhard Marx

action actual aesthetic analytical approach artistic aspect attempt BAMZ bars battle becomes Beethoven Berlin cadence century Chapter character characterized claims closed closure complete composer composition concept concerned consider continue course criticism demands demonstrate describes determined discussion dominant elements entire examine Example exposition expressed fact final formal further Gang harmonic higher Ibid idea Idee important individual initial interesting interpretation involves later leads Lehre major manner Marx Marx's material means melodic minor motive movement musical form nature notes notion opening organic period piece possibilities present progress reading realized reason refers regarded relationship represents role rules Satz seems seen setting similar sonata form specific spiritual stage standpoint structure student style Symphony thematic theme theory thought underlying understanding unity University whole writings