Emotion and Meaning in MusicUniversity of Chicago Press, 1956 - 307 páginas "Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review |
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Página 66
... tonic chord . Here , however , it leads us to expect almost anything but the tonic ; and when the tonic does come , it is def- initely felt to be a deviant . From Herzog's description of the development of Pueblo mu- sical style , it ...
... tonic chord . Here , however , it leads us to expect almost anything but the tonic ; and when the tonic does come , it is def- initely felt to be a deviant . From Herzog's description of the development of Pueblo mu- sical style , it ...
Página 179
... tonic , is so devised that the first two triads have no tones in common and that each of these triads has only one tone in com- mon with the tonic to which they resolve . " Other progressions might be devised involving complete tonal ...
... tonic , is so devised that the first two triads have no tones in common and that each of these triads has only one tone in com- mon with the tonic to which they resolve . " Other progressions might be devised involving complete tonal ...
Página 214
... tonic is a tendency rather than a fact . " 55 That is , some of the tones of the system are active . They tend to ... tonic tone is the tone of ultimate rest toward which all other tones tend to move . On the next higher level the third ...
... tonic is a tendency rather than a fact . " 55 That is , some of the tones of the system are active . They tend to ... tonic tone is the tone of ultimate rest toward which all other tones tend to move . On the next higher level the third ...
Índice
THEORY | 1 |
EXPECTATION AND LEARNING | 43 |
THE LAW OF Good | 83 |
Página de créditos | |
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Términos y frases comunes
A-flat A. M. Jones accented aesthetic experience affective aesthetic affective experience ambiguous amphibrach anacrusis anapest architectonic level arise arouse articulation aspects basic beat become behavior C. P. E. Bach changes chord chromatic chromaticism complete composer connotation consonance and dissonance context continuation create culture Curt Sachs delay deviation diatonic differentiation discussed embellishment emotional established example expectations fact feeling folk music Gestalt give rise harmonic iamb Ibid important incomplete inhibited instance involves jazz law of return listener listener's meaning measure melodic mental meter metric levels mind minor mode mood motion motor musical experience musical processes musical stimuli norms notes organization ornamentation particular passage pattern perception performer phrase pitch play present probability progression psychological rāgas relationships repetition rhythm rhythmic sense sequence shape sonata sound term stimulus situation structural gaps style system stylistic tend tendency tension texture theme theory tion tonal tones tonic triad trochaic uniformity Western music