Art Of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives

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Touchstone, 15 feb. 1972 - 320 páginas
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Learn the basic techniques every successful playwright knows
Among the many "how-to" playwriting books that have appeared over the years, there have been few that attempt to analyze the mysteries of play construction. Lajos Egri's classic, The Art of Dramatic Writing, does just that, with instruction that can be applied equally well to a short story, novel, or screenplay.
Examining a play from the inside out, Egri starts with the heart of any drama: its characters. All good dramatic writing hinges on people and their relationships, which serve to move the story forward and give it life, as well as an understanding of human motives -- why people act the way that they do. Using examples from everything from William Shakespeare's Romeo and Juliet to Henrik Ibsen's A Doll's House, Egri shows how it is essential for the author to have a basic premise -- a thesis, demonstrated in terms of human behavior -- and to develop the dramatic conflict on the basis of that behavior.
Using Egri's ABCs of premise, character, and conflict, The Art of Dramatic Writing is a direct, jargon-free approach to the problem of achieving truth in writing.

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LibraryThing Review

Reseña de usuario  - Hagelstein - LibraryThing

Egri describes premise, character, and conflict as the essential elements - and the heart - of any play. He espouses an approach to play-writing “based on the natural law of dialectics” rather than ... Leer reseña completa

Review: The Art Of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives

Reseña de usuario  - Rick Royster - Goodreads

One of the 2 or 3 best books i've ever read on writing, and i've read quite a few. Story by Robert McKee is very solid and a must read for film makers, but this book combined with Dara Marks inside ... Leer reseña completa

Índice

PREMISE
1
CHARACTER
32
2 Environment
43
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Sobre el autor (1972)

Lajos Egri (1888-1967) was born in Hungary and founded the Egri School of Writing in New York City in the 1930s. In addition to writing books, he spent his life writing and directing plays in both the United States and Europe, as well as writing screenplays for the film industry.

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