A Visit to Italy, Volumen 2R. Bentley, 1842 |
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Página vi
... Palace of the Doge - Its Exterior familiar to every one.— Gloom of the Private Entrance . - The Bridge of Sighs . — The Prison Walls . Paintings of Titian and of Tintoretto . - Hall of the Senate . - Hall of the Council of Ten ...
... Palace of the Doge - Its Exterior familiar to every one.— Gloom of the Private Entrance . - The Bridge of Sighs . — The Prison Walls . Paintings of Titian and of Tintoretto . - Hall of the Senate . - Hall of the Council of Ten ...
Página ix
... Palace at Portici . - Extract from the Album of Vesuvius . Nuova . - Caserta . - Pain of Leave - taking . -- - Strada PAGE 234 LETTER XV . Comparison between Naples and Rome . - Domestic Ar- rangements . - Michael Angelo's Moses . - The ...
... Palace at Portici . - Extract from the Album of Vesuvius . Nuova . - Caserta . - Pain of Leave - taking . -- - Strada PAGE 234 LETTER XV . Comparison between Naples and Rome . - Domestic Ar- rangements . - Michael Angelo's Moses . - The ...
Página 35
... the pictures , nor the palace , nor anything else within the walls of Ferrara , would now suffice to detain the traveller for a single hour , had Ariosto never laughed , nor Tasso groan- 36 THE CASTLE OF FERRARA . ed within its walls D 2.
... the pictures , nor the palace , nor anything else within the walls of Ferrara , would now suffice to detain the traveller for a single hour , had Ariosto never laughed , nor Tasso groan- 36 THE CASTLE OF FERRARA . ed within its walls D 2.
Página 36
... palace of the Car- dinal Legate , formerly the eventful dwelling of the race of Este , was the first object of our researches ; and it is strange in going through its numerous apartments to feel the contrast between the , per- haps ...
... palace of the Car- dinal Legate , formerly the eventful dwelling of the race of Este , was the first object of our researches ; and it is strange in going through its numerous apartments to feel the contrast between the , per- haps ...
Página 45
... palace became comparatively modern . It was no longer " Parisina's fatal charms " that I seemed to see , but the stately form of the all too lovely Leonora , and Lucretia too , the kind and faithful friend , and the princely Cesare and ...
... palace became comparatively modern . It was no longer " Parisina's fatal charms " that I seemed to see , but the stately form of the all too lovely Leonora , and Lucretia too , the kind and faithful friend , and the princely Cesare and ...
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Términos y frases comunes
admirable antique appears Arquâ artist Baiæ beauty believe Bologna Byron carriage certainly charm church Dante dark delight difficult Domenichino doubt edifice effect enormous entered Euganean hills exceedingly fancy feel Ferrara Florence fresco gallery garden Ginditta Giotto glory gondola Grand Canal greatly Guercino heard honour hour idea imagine impossible interest Italian Italy ladies leave light living look Lord Byron lovely MADONNA DELLA GUARDIA magnificent majestic marble Mark's Mark's Place ment Modena Monselice Naples nearly never noble object painted palace Palazzo PALAZZO BARBARIGO Parisina passed Paul Veronese perhaps Peter's Petrarch pleasure Pompeii portico possible precious pretty prisoner produced reach render road Roman Rome Rovigo scene seems seen sort splendid splendour spot statues strong Tasso Terni thing thought Tintoretto tion Titian told tomb towers truth Venetian Venice villa walk walls wonder
Pasajes populares
Página 135 - When along the light ripple the far serenade Has accosted the ear of each passionate maid, She may open the window that looks on the stream, — She may smile on her pillow and blend it in dream ; Half in words, half in music, it pierces the gloom, " I am coming — stall — but you know not for whom...
Página 135 - Now the tones become clearer, — you hear more and more How the water divided returns on the oar, — Does the prow of the gondola strike on the stair ? Do the voices and instruments pause and prepare ? Oh ! they faint on the ear as the lamp on the view, " I am passing — Premi — but I stay not for you...
Página 301 - E che più volte v' ha cresciuta doglia? Che giova nelle fata dar di cozzo? Cerbero vostro, se ben vi ricorda, Ne porta ancor pelato il mento e il gozzo. Poi si rivolse per la strada lorda, E non fe...
Página 68 - In Venice Tasso's echoes are no more, And silent rows the songless gondolier; Her palaces are crumbling to the shore, And music meets not always now the ear: Those days are gone — but Beauty still is here. States fall, arts fade — but Nature doth not die, Nor yet forget how Venice once was dear, The pleasant place of all festivity, The revel of the earth, the masque of Italy!
Página 67 - I hear them now, and tremble, for I seem As treading on an unsubstantial dream. Who talks of vanished glory, of dead power, Of things that were, and are not ? Is he here ! Can he take in the glory of this hour, And call it all the decking of a bier ? No, surely as on that Titanic tower...
Página 68 - But unto us she hath a spell beyond Her name in story, and her long array Of mighty shadows, whose dim forms despond Above the dogeless city's vanish'd sway; Ours is a trophy which will not decay With the Rialto ; Shylock and the Moor, And Pierre, cannot be swept or worn away — The keystones of the arch ! though all were o'er, For us repeopled were the solitary shore.
Página 258 - The heavenly archer stands — no human birth, No perishable denizen of earth ; Youth blooms immortal in his beardless face, A god in strength, with more than godlike grace ; All, all divine — no struggling muscle glows, Through heaving vein no mantling life-blood flows, But animate with deity alone...
Página 106 - ... Lagoon, Come for the hundredth time, — Our thoughts shall make a pleasant tune, Our words a worthy rhyme ; And thickly round us we will set Such visions as were seen, By Tizian and by Tintorett, And dear old Giambellin, — And all their peers in art, whose eyes, Taught by this sun and sea, Flashed on their works those burning dyes, That fervent poetry ; And wove the shades so thinly-clear They would be parts of light In northern climes, where frowns severe Mar half the charms of sight.
Página 58 - In this thy household sanctuary No visible monument of thee : The Fount that whilom played before thee, The Roof that rose in shelter o'er thee, The low fair Hills that still adore thee, — I would no more ; thy memory Must loathe all cold reality, Thought-worship only is for thee. They say thy Tomb lies there below ; What want I with the marble show ? I am content, — I will not go...
Página ii - LONDON : Printed by S. & J. BENTLEY, WILSON, and FLEY, Bangor House, Shoe Lane.