A Visit to Italy, Volumen 2R. Bentley, 1842 |
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Página vi
... Mark's Place . - The Coffee Houses . - Late Hours . - ―― LETTER V. The Academia delle Belle Arti . - The Assumption . - Christ on the Steps of the Temple . - Peter Martyr . - Canova . - The Barbarigo Palace . - Convent of the Armenians ...
... Mark's Place . - The Coffee Houses . - Late Hours . - ―― LETTER V. The Academia delle Belle Arti . - The Assumption . - Christ on the Steps of the Temple . - Peter Martyr . - Canova . - The Barbarigo Palace . - Convent of the Armenians ...
Página 71
... Mark's Place . The soft black cushions into which you sink , the funereal hue and texture of both roof and sides of every boat you pass , with the dark curtain drawn across the front , and only removed , perhaps , to make for a moment ...
... Mark's Place . The soft black cushions into which you sink , the funereal hue and texture of both roof and sides of every boat you pass , with the dark curtain drawn across the front , and only removed , perhaps , to make for a moment ...
Página 73
... Mark's ; and so great is the beauty of the scene we look upon from our ... place , you may find yourself better still in another . The setting of the ... city , seen to the greatest possible advantage , to let their first excursion be ...
... Mark's ; and so great is the beauty of the scene we look upon from our ... place , you may find yourself better still in another . The setting of the ... city , seen to the greatest possible advantage , to let their first excursion be ...
Página 78
... Mark's Place . The Coffee Houses . - Late Hours . Venice , October , 1841 . THE external architecture of the ducal ... Place of St. Mark is mounted afterwards , as it leads to other parts of the enormous edifice . .... It is not well ...
... Mark's Place . The Coffee Houses . - Late Hours . Venice , October , 1841 . THE external architecture of the ducal ... Place of St. Mark is mounted afterwards , as it leads to other parts of the enormous edifice . .... It is not well ...
Página 90
... place only looks like a wretched enough attic ; but our cicerone told us , and indeed showed marks upon the floor which seemed to confirm the statement , that when this part of the palace was used as prisons , there were interior cells ...
... place only looks like a wretched enough attic ; but our cicerone told us , and indeed showed marks upon the floor which seemed to confirm the statement , that when this part of the palace was used as prisons , there were interior cells ...
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Términos y frases comunes
admirable antique appears Arquâ artist Baiæ beauty believe Bologna Byron carriage certainly charm church Dante dark delight difficult Domenichino doubt edifice effect enormous entered Euganean hills exceedingly fancy feel Ferrara Florence fresco gallery garden Ginditta Giotto glory gondola Grand Canal greatly Guercino heard honour hour idea imagine impossible interest Italian Italy ladies leave light living look Lord Byron lovely MADONNA DELLA GUARDIA magnificent majestic marble Mark's Mark's Place ment Modena Monselice Naples nearly never noble object painted palace Palazzo PALAZZO BARBARIGO Parisina passed Paul Veronese perhaps Peter's Petrarch pleasure Pompeii portico possible precious pretty prisoner produced reach render road Roman Rome Rovigo scene seems seen sort splendid splendour spot statues strong Tasso Terni thing thought Tintoretto tion Titian told tomb towers truth Venetian Venice villa walk walls wonder
Pasajes populares
Página 135 - When along the light ripple the far serenade Has accosted the ear of each passionate maid, She may open the window that looks on the stream, — She may smile on her pillow and blend it in dream ; Half in words, half in music, it pierces the gloom, " I am coming — stall — but you know not for whom...
Página 135 - Now the tones become clearer, — you hear more and more How the water divided returns on the oar, — Does the prow of the gondola strike on the stair ? Do the voices and instruments pause and prepare ? Oh ! they faint on the ear as the lamp on the view, " I am passing — Premi — but I stay not for you...
Página 301 - E che più volte v' ha cresciuta doglia? Che giova nelle fata dar di cozzo? Cerbero vostro, se ben vi ricorda, Ne porta ancor pelato il mento e il gozzo. Poi si rivolse per la strada lorda, E non fe...
Página 68 - In Venice Tasso's echoes are no more, And silent rows the songless gondolier; Her palaces are crumbling to the shore, And music meets not always now the ear: Those days are gone — but Beauty still is here. States fall, arts fade — but Nature doth not die, Nor yet forget how Venice once was dear, The pleasant place of all festivity, The revel of the earth, the masque of Italy!
Página 67 - I hear them now, and tremble, for I seem As treading on an unsubstantial dream. Who talks of vanished glory, of dead power, Of things that were, and are not ? Is he here ! Can he take in the glory of this hour, And call it all the decking of a bier ? No, surely as on that Titanic tower...
Página 68 - But unto us she hath a spell beyond Her name in story, and her long array Of mighty shadows, whose dim forms despond Above the dogeless city's vanish'd sway; Ours is a trophy which will not decay With the Rialto ; Shylock and the Moor, And Pierre, cannot be swept or worn away — The keystones of the arch ! though all were o'er, For us repeopled were the solitary shore.
Página 258 - The heavenly archer stands — no human birth, No perishable denizen of earth ; Youth blooms immortal in his beardless face, A god in strength, with more than godlike grace ; All, all divine — no struggling muscle glows, Through heaving vein no mantling life-blood flows, But animate with deity alone...
Página 106 - ... Lagoon, Come for the hundredth time, — Our thoughts shall make a pleasant tune, Our words a worthy rhyme ; And thickly round us we will set Such visions as were seen, By Tizian and by Tintorett, And dear old Giambellin, — And all their peers in art, whose eyes, Taught by this sun and sea, Flashed on their works those burning dyes, That fervent poetry ; And wove the shades so thinly-clear They would be parts of light In northern climes, where frowns severe Mar half the charms of sight.
Página 58 - In this thy household sanctuary No visible monument of thee : The Fount that whilom played before thee, The Roof that rose in shelter o'er thee, The low fair Hills that still adore thee, — I would no more ; thy memory Must loathe all cold reality, Thought-worship only is for thee. They say thy Tomb lies there below ; What want I with the marble show ? I am content, — I will not go...
Página ii - LONDON : Printed by S. & J. BENTLEY, WILSON, and FLEY, Bangor House, Shoe Lane.