A Midsommer Nights DreameCrowell, 1903 - 216 páginas |
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Página xxii
... the spring of the dramatic action , the very center of his dramaturgy dwells in • Dian's bud and Cupid's flower . ' More important , therefore , as · an element of the conjuring Shakespeare does with us xxii A MIDSOMMER NIGHTS DREAME.
... the spring of the dramatic action , the very center of his dramaturgy dwells in • Dian's bud and Cupid's flower . ' More important , therefore , as · an element of the conjuring Shakespeare does with us xxii A MIDSOMMER NIGHTS DREAME.
Página xxiii
... flower - symbols wherewith he wrought his dramatic marvels . These he found nearly ready to his hand , needing but his molding to his purpose , in one of Chaucer's poetic dreams , The Flower and the Leaf . ' Then and long after , at ...
... flower - symbols wherewith he wrought his dramatic marvels . These he found nearly ready to his hand , needing but his molding to his purpose , in one of Chaucer's poetic dreams , The Flower and the Leaf . ' Then and long after , at ...
Página xxiv
... flower . Greene , in his Friar Bacon , ' makes clumsy and su- perficial use of a similar image , devoting it utterly ... flower and the leaf emblems in the force and blessed power ' of Dian's bud and Cupid's flower . ' Instead of the ...
... flower . Greene , in his Friar Bacon , ' makes clumsy and su- perficial use of a similar image , devoting it utterly ... flower and the leaf emblems in the force and blessed power ' of Dian's bud and Cupid's flower . ' Instead of the ...
Página xxv
... flowers . Montemayor's Diana ' has been adduced as furnish- ing Shakespeare with his clue to this , although the closer relation of The Flower and the Leaf ' to the very heart of his theme has been , so far as is known to us , passed ...
... flowers . Montemayor's Diana ' has been adduced as furnish- ing Shakespeare with his clue to this , although the closer relation of The Flower and the Leaf ' to the very heart of his theme has been , so far as is known to us , passed ...
Página xxvi
... flowers of the old fabliau convincingly accounts for the confused relations , the shifts and jars , and the ultimate ... flower - juice spell of Oberon . When we wake from the charm cast over us enough to wonder how the parts of the play ...
... flowers of the old fabliau convincingly accounts for the confused relations , the shifts and jars , and the ultimate ... flower - juice spell of Oberon . When we wake from the charm cast over us enough to wonder how the parts of the play ...
Términos y frases comunes
2ROWE actors allusion Athenian Athens beard Bottom Cæs called CAP.G Capell Chaucer COLL Comedy Cupid dance Demetrius Diana dote doth dramatic Duke Dyce edition editors Egeus emendation Enter Exit eyes faire fairies fancy five-accent flower Folio follow Furness Halliwell hath heart heere Helena Hercules Hermia Hippolyta Johnson King KTLY Lady Lion Lord Love's Lab Love's Labour's Lost lovers Lyon Lysander meaning Midsummer Night's Dream modern moneth Moone musicke neere never Nick Bottome night Oberon Ovid Peter Quince Philostrate Piramus play Plutarch poet POPE Puck Pyramus and Thisbe Quartos Queen Quin reading rhymed roare Robin Goodfellow Rowe says Scene seems sense Shakespeare Shakespeare's day sleep Snout Snug song speake spelling sport STEEV Steevens suggested sweet Tale Temp thee THEOB Theobald Theseus Theseus and Hippolyta Thisby thou Titania true wall WARB wood word
Pasajes populares
Página 79 - As Plautus and Seneca are accounted the best for comedy and tragedy among the Latines, so Shakespeare among the English is the most excellent in both kinds for the stage...
Página 9 - Yet mark'd I where the bolt of Cupid fell: It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it Love-in-idleness.
Página 32 - All school-days' friendship, childhood innocence ? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key ; As if our hands, our sides, voices, and minds, Had been incorporate.
Página xxx - Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth, And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Página 64 - Now the wasted brands do glow, Whilst the screech-owl, screeching loud, Puts the wretch that lies in woe In remembrance of a shroud. Now it is the time of night ' That the graves, all gaping wide, Every one lets forth his sprite, In the church-way paths to glide...
Página xvii - Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life (II, 185) 29 September 1662 .... and then to the King's Theatre, where we saw Midsummer Night's Dream, which I had never seen before, nor shall ever again, for it is the most insipid ridiculous play that ever I saw in my life.
Página 205 - This preservation photocopy was made and hand bound at BookLab, Inc. in compliance with copyright law. The paper, Weyerhaeuser Cougar Opaque Natural, meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper).
Página 52 - Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy ; Or in the night, imagining some fear, How easy is a bush supposed a bear ! HIP.
Página 49 - I had. The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Página 129 - Robin Goodfellow for grinding of malt or mustard, and sweeping the house at midnight ; and you have also heard that he would chafe exceedingly if the maid or good-wife of the house, having compassion of his naked state, laid anie clothes for him, besides his messe of white bread and milke, which was his standing fee. For in that case he saith, What have we here ? "Hemton, hamton, Here will I never more tread nor stampen.