Irony, Satire, Parody and the Grotesque in the Music of Shostakovich: A Theory of Musical IncongruitiesRoutledge, 5 jul 2017 - 400 páginas The music of Shostakovich has been at the centre of interest of both the general public and dedicated scholars throughout the last twenty years. Most of the relevant literature, however, is of a biographical nature. The focus of this book is musical irony. It offers new methodologies for the semiotic analysis of music, and inspects the ironical messages in Shostakovich‘s music independently of political and biographical bias. Its approach to music is interdisciplinary, comparing musical devices with the artistic principles and literary analyses of satire, irony, parody and the grotesque. Each one of these is firstly inspected and defined as a separate subject, independent of music. The results of these inspections are subsequently applied to music, firstly music in general and then more specifically to the music of Shostakovich. The composer‘s cultural and historical milieux are taken into account and, where relevant, inspected and analysed separately before their application to the music. |
Índice
II Irony | 31 |
III Satire | 67 |
IV Parody | 139 |
V The Grotesque | 205 |
VI Existential irony | 311 |
Notes | 320 |
339 | |
363 | |
371 | |
Otras ediciones - Ver todo
"Irony, Satire, Parody and the Grotesque in the Music of Shostakovich ": A ... Esti Sheinberg Vista previa restringida - 2017 |
Irony, Satire, Parody, and the Grotesque in the Music of Shostakovich: A ... Esti Sheinberg Vista de fragmentos - 2000 |
Irony, Satire, Parody and the Grotesque in the Music of Shostakovich: A ... Esti Sheinberg No hay ninguna vista previa disponible - 2016 |
Términos y frases comunes
aesthetic alienation ambiguity analysis appears artistic Bakhtin banal bars bass caricature Chagall characteristic Chichikov chord comic commedia dell'arte context cultural unit dance device discourse distortion Dmitri Shostakovich Dostoevsky ethical exaggeration example existential existential irony expression folk music formalists Friedrich Schlegel function galop gestures Gnesin Gogol grotesque harmonic Hatten heteroglossia human ibid ideas imitation incongruity infinite interpretation ironic irony Jewish Folk Poetry Jewish music Kierkegaard kind of irony Lady Macbeth layers Lebyadkin literary ludicrous Mahler's markedness Marxist meaning melodic Meyerhold mode motif musical correlations musical elements negation Nose opera parody perceived Phrygian mode Piano play prelude purport quotation regarded repetition rhythmic Russian satirical scene Scherzo Schlegel seems semantic semiotic Serapion Brothers set of norms Shklovsky Shostakovich Shostakovich's music Sollertinsky song Soviet structure style stylistic stylization Symphony techniques theatre theme theories Tinyanov tion tonal topic traditional triple metre Violin Volkov waltz Wozzeck writings он