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Anxious fear is charm'd to rest.
"Fearless o'er the whiten'd billows,

Proudly rise, sweet bird of night,
Safely through the bending willows,

Gently wing thy aery flight."-Cesario.
Though I flatter myself that I have good sense and taste
enough to see and admire the peculiar beauties of this
ode, yet a regard for truth obliges me to declare that they
are not original. They are taken (with improvements,
I confess) from a most beautiful "Song by a person of
quality," in Pope's Miscellanies. This, though it de-
tracts a little from Cesario's inventive powers, still
leaves him the praise (no mean one) of having gone
beyond that great poet, in what he probably considered
as the ne plus ultra of ingenuity.

Venimus ad summum fortune! Mr. Greathead equals Shakspeare, Mrs. Robinson surpasses Milton, and Cesario outdoes Pope in that very performance which he vainly imagined so complete as to take away all desire of imitating, all possibility of excelling it!

"O favour'd clime! O happy age!"

+ Carlos.-I have nothing of this gentleman (a most
pertinacious scribbler in the Oracle) but the following
"sonnet ;" luckily, however, it is so ineffably stupid, that
It will more than satisfy any readers but Mr. Bell's.
"ON A LADY'S PORTRAIT.

"Oft hath the poet hail'd the breath of morn,

That wakens nature with the voice of spring,
And oft, when purple summer feeds the lawn,
Hath fancy touch'd him with her procreant wing;
Full frequent has he bless'd the golden beam

Which yellow autumn glowing spreads around,
And though pale winter press'd a paly gleam,

Fresh in his breast was young description found."
I can copy no more-Job himself would lose all patience
here. Instead, therefore, of the remainder of this incom-
prehensible trash, I will give the reader a string of judi-
cious observations by Mr. T. Vaughan: "Bruyere says,
he will allow that good writers are scarce enough, but
adds, and justly, that good critics are equally so: which
reminds our correspondent also of what the Abbé Trublet
writes, speaking of professed critics, where he says, if
they were obliged to examine authors impartially-
there would be fewer writers in this way. Was this to
be the liberal practice adopted by our modern critics,
we should not see a Baviad-falling upon men and things
that are much above his capacity, and seemingly for no
other reason than because they are so."

be the merit of

of Arno," (which, it seem not yet rewarded with a s share it with Julia. Hear Mr. Bell. "A most elegan

rous esteem has been sel the muse which inspired i

66 JULIA "Arno! where stea

Soft as the even Say, does it deck

Or on the noonti Julia) has been guilty of a Mrs. Robinson (for we n taken from the Baviad, w have been seen out of that a delicious couplet, which Pope,

"Write whate Some rising geni

This has nettled me a lit great poetess in my opinion often of late, that I begin to

Ούτος αοιδων λωστος For the rest, this "elega specimen of Arno's fine po lays.

66 ARNO "Sure some dire star i Guides to his heart Fills with contention And rouses him to "There are who sagel

And tell us war is That millions by the Must suffer by the

§ Lorenzo.

Και πως εγω Σθενελή Says a hungry wight in an Εις οξος εμβαπτομενο no seasoning whatever, ca garbage of this modern S therefore spare myself the

Reuben, whom I take to (it being this gentleman's assume the merit of all una

ADDRESS TO

A Daniel come to judgment, yea, a Daniel! This is induced himself to the World truth the reason; and when Mr. Vaughan and his coadjutors condescend to humble themselves to my understanding, I will endeavour to profit by their eloquent strictures.

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Adelaide.-And who is Adelaide ? O seri studiorum! "Not to know her, argues yourselves unknown." Hear Mr. Bell, the Longinus of newspaper writers.

66 ADELAIDE.

"He who is here addressed by the first lyric writer in
the kingdom, must himself endeavour to repay a debt so
highly honourable, if it can be done by verse! This lady
shall have the praise which ought to be given by the
country, that of first discovering and drawing out the
fine powers of Arno and Della Crusca."

"O thou, whom late I watch'd, while o'er thee hung
The orb whose glories I so oft have sung,

Beheld thee while a shower of beam
Made night a lovelier morning seem," &c

"To thee a stranger dare To thee, proud mistre One ray emitted from th Prompted by love, wo "Adorn then love in fanc

Chameleon like, anon By Penseroso and Alleg

Such genius claim'd w Anna Matilda, what could

"This resuscitating Breathe life upon like "the daisy which spre evening!" and accordingly pr ment of love," to the great Reuben.

"But, bard polite, h Which with such

's sake, not so fast. ay masters, ere my teeth were cast, arn'd, by rote, to rave of Delia's charms, of transports found in Chloe's arms, phne with obstreperous plaints to woo, rse the cruelty of-God knows who. Phœbus, (not the power that bade thee write, , dear Dapper! was a lying sprite,) rn, when dreams are true, approach'd my side, rowning on my tuneful lumber, cried, every corner with soft sonnets cramm'd, high-born odes, works damn'd, or to be damn'd!'

thy active folly adding more

s most worthless, most superfluous store? stence of toil! thou mightst as well

ense to Este, or modesty to Bell.

my breast, and loosen an my tongue.

E'en then (admire, John Bell! my simple ways)
No heaven and hell danced madly through my lays,
No oaths, no execrations; all was plain:
Yet, trust me, while thy "ever-jingling train"
Chime their sonorous woes with frigid art,
And shock the reason, and revolt the heart,
My hopes and fears, in nature's language dress'd,
Awaken'd love in many a gentle breast.

How oft, O Dart! what time the faithful pair
Walk'd forth, the fragrant hour of eve to share,
On thy romantic banks have my wild strains,*
Not yet forgot amid my native plains,

* Mr. Parsons is extremely angry at my 44 ostentatious intrusion" of the "Otium Divos" into the notes on this poem. What could I do I ever disliked publishing my little modicums on loose pages-but I shall grow wiser by

ir, forbear:-What though thou canst not his example! and, indeed, am even now composing "one claim

cred honours of a POET's name,

the few alone, whom I inspire
ofty rapture, with ethereal fire!
ayst thou arrogate the humble praise
son's bard, if, in thy future lays,

sense and truth, and surely these are thine,
t thy wanderings, and thy flights confine."
reased the god and vanish'd. Forth I sprang,
in my ear the voice divine yet rang,
every rag and scrap, approach'd the fire,
aw whole Albums in the blaze expire.

en shame ensued, and vain regret, t' have spent
ny hours (hours which I yet lament)
iftless industry; and year on year
ious roll'd, while diffidence and fear
ess'd my voice-unheard till Anna came,

! throbb'st thou YET, my bosom, at the name?

e of gratitude to genius, should nearly occasion “a ion of souls?" Yet so it was. They unfortunately 1 the jealousy of Della Crusca "on the sportive of the Rhone." One luckless evening

When twilight on the western edge

ad twined his hoary hair with sabling sedge,"
was "weeping" (for, like Master Stephen, these
creatures think it necessary to be always melan-
O at the tomb of Laura, he started, as well he might,
accursed name of Reuben.

"Hark! (quoth he,)

What cruel sounds are these

Which float upon the languid breeze,
Which fill my soul with jealous fear?
Ha! Reuben is the name I hear.
For him my faithless Anna," &c.

pains me to add, that the cold-blooded Bell has de-
ed this beautiful fancy-scene with one stroke of his
nish pen. In a note on the above verses, Album,
1, he officiously informs us that Della Crusca knew
_hing of his rival, till he read"-detested word!"his
Let in the Oracle." O Bell! Bell! is it thus thou
blest the strains of the sublime? Surely we may say
ee, what was not ill said of one of thy sisters,

Sed tu insulsa male et molesta vives,
Per quam non licet esse negligentem.

riddle, two rebusses, and one acrostic to a babe at
nurse,"
," which will be set forth with all convenient
speed. Meanwhile I am tempted to offend once more,
and subjoin the only three of my "wild strains" that now
live in my recollection. I can assure Mr. Parsons that
they were written on the occasions they profess to be-
and the last of them at a time when I had no idea of
surviving to provoke his indignation:

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-Sed Cynara breves
Annos fata dederunt, me
Servatura diu.

TO A TUFT OF EARLY VIOLETS.
Sweet flowers! that, from your humble beds,
Thus prematurely dare to rise,
And trust your unprotected heads
To cold Aquarius' watery skies;
Retire, retire! These tepid airs

Are not the genial brood of May;
That sun with light malignant glares,
And flatters only to betray.

Stern winter's reign is not yet past—
Lo! while your buds prepare to blow,
On icy pinions comes the blast,

And nips your root, and lays you low.
Alas, for such ungentle doom!

But I will shield you; and supply
A kindlier soil on which to bloom,
A nobler bed on which to die.
Come then-ere yet the morning ray

Has drunk the dew that gems your crest,
And drawn your balmiest sweets away;
O come, and grace my Anna's breast.
Ye droop, fond flowers! but, did ye know
What worth, what goodness there reside,
Your cups with liveliest tints would glow,
And spread their leaves with conscious pride.
For there has liberal nature join'd

Her riches to the stores of art,
And added to the vigorous mind

The soft, the sympathizing heart.
Come then-cre yet the morning ray

Has drunk the dew that gems your crest,
And drawn your balmiest sweets away;
O come, and grace my Anna's breast.
O! I should think,-that fragrant bed
Might I but hope with you to share,-
Years of anxiety repaid,

By one short hour of transport there.

While THOU hast sweetly gurgled down the vale,
Fill'd up the pause of love's delightful tale!
While, ever as she read, the conscious maid,
By faltering voice and downcast looks betray'd,
Would blushing on her lover's neck recline,
And with her finger-point the tenderest line.
But these are past: and, mark me, Laura! time,
Which made what then was venial, now a crime,
To more befitting cares my thoughts confined,
And drove, with youth, its follies from my mind,

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Though clouds obscured the morning hour,
And keen and eager blew the blast,

And drizzling fell the cheerless shower,
As, doubtful, to the skiff we pass'd;
All soon, propitious to our prayer,
Gave promise of a brighter day:
The clouds dispersed in purer air,
The blast in zephyrs died away.
So have we, love, a day enjoy'd,

On which we both, and yet, who knows 1May dwell with pleasure unalloy'd

And dread no thorn beneath the rose.
How pleasant, from that dome-crown'd hill
To view the varied scene below,
Woods, ships, and spires, and, lovelier still,
The circling Thames' majestic flow!
How sweet, as indolently laid,

We overhung that long-drawn dale,
To watch the checker'd light and shade
That glanced upon the shifting sail!
And when the shadow's rapid growth
Proclaim'd the noontide hour expired,
And, though unwearied, 'nothing loath,'
We to our simple meal retired;
The sportive wile, the blameless jest,
The careless mind's spontaneous flow,
Gave to that simple meal a zest

Which richer tables may not know.-
The babe that, on the mother's breast,
Has toy'd and wanton'd for a while,
And, sinking to unconscious rest,

Looks up to catch a parting sinile,
Feels less assured than thou, dear maid
When, ere thy ruby lips could part,
(As close to mine thy cheek was laid,)
Thine eyes had open'd all thy heart.
Then, then I mark'd the chasten'd joy
That lightly o'er thy features stole,
From vows repaid, (my sweet employ,)

From truth, from innocence of soul:
While every word dropp'd on my ear,
So soft, (and yet it seems to thrill,)
So sweet, that 'twas a heaven to hear,
And e'en thy pause had music still.-
And O! how like a fairy dream,

To gaze in silence on the tide,
While soft and warm the sunny gleam
Slept on the glassy surface wide!
And many a thought of fancy bred,
Wild, soothing, tender, undefined,
Play'd lightly round the heart, and shed
Delicious languor o'er the mind.

Since this, while Merry and his nurslings die,
Thrill'd by the liquid peril of an eye;*
Gasp at a recollection, and drop down
At the long streamy lightning of a frown;
I soothe, as humour prompts, my idle vein,
In frolic verse, that cannot hope to gain
Admission to the Album, or be seen
In L's Review, or Urban's Magazine.

O, for thy spirit, Pope! Yet why, my lays, Which wake no envy, and invite no praise,

So hours like moments wing'd their flight,
Till now the boatman, on the shore,
Impatient of the waning light,
Recall'd us by the dashing oar.

Well, Anna, many days like this
I cannot, must not hope to share;
For I have found an hour of bliss
Still follow'd by an age of care
Yet oft, when memory intervenes-
But you, dear maid, be happy still,
Nor e'er regret, 'mid fairer scenes,
The day we pass'd on Greenwich Hill.

THE GRAVE OF ANNA.

I wish I was where Anna lies,
For I am sick of lingering here;
And every hour affection cries,

Go, and partake her humble bier.

I wish I could! For when she died,
I lost my all; and life has proved,
Since that sad hour, a dreary void,

A waste unlovely and unloved.-
But who, when I am turn'd to clay,
Shall duly to her grave repair,
And pluck the ragged moss away

And weeds that have no business there ?'
And who, with pious hand, shall bring
The flowers she cherish'd, snow-drops cold,
And violets that unheeded spring,

To scatter o'er her hallow'd mould?
And who, while memory loves to dwell
Upon her name for ever dear,
Shall feel his heart with passion swell,
And pour the bitter, bitter tear?

I did it and, would fate allow,
Should visit still, should still deplore-
But health and strength have left me now,
And I, alas! can weep no more.
Take then, sweet maid, this simple strain,
The last I offer at thy shrine;
Thy grave must then undeck'd remain,
And all thy memory fade with mine.
And can thy soft, persuasive look,

Thy voice, that might with music vie,
Thy air, that every gazer took,
Thy matchless eloquence of eye;
Thy spirits, frolicsome as good,

Thy courage, by no ills dismay'd,
Thy patience, by no wrongs subdued,
Thy gay good-humour-Can they "fade"
Perhaps but sorrow dims my eye:

Cold turf, which I no more must view, Dear name, which I no more must sigh, A long, a last, a sad adieu!

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Half creeping and half flying, yet suffice
To stagger impudence and ruffle vice.
An hour may come, so I delight to dream,
When slowly wandering by the sacred stream,
Majestic Thames! I leave the world behind,
And give to fancy all th' enraptured mind:
An hour may come, when I shall strike the lyre
To nobler themes; then, then the chords inspire
With thy own harmony, most sweet, most strong,
And guide my hand through all the maze of song!
Till then, enough for me, in such rude strains
As mother-wit can give, and those small pains
A vacant hour allows, to range the town,
And hunt the clamorous brood of folly down;
Force every head, in Este's despite, to wear
The cap and bells by nature planted there;
Miffle the rattle, seize the slavering sholes,
And drive them, scourged and whimpering, to their
holes.

Burgoyne, perhaps, unchill'd by creeping age,
May yet arise and vindicate the stage;
The reign of nature and of sense restore,
And be whatever Terence was before.
And you, too, whole Menander !† who combine
With his pure language, and his flowing line,
The soul of comedy, may steal an hour
From the foul chase of still escaping power;
The poet and the sage again unite,
And sweetly blend instruction with delight.

And yet Elfrida's bard, though time has shed
The snow of age too deeply round his head,
Feels the kind warmth, the fervour which inspired
His youthful breast, still glow uncheck'd, untired:
And yet though, like the bird of eve, his song
"Fit audience finds not" in the giddy throng,
The notes, though artful, wild, though numerous,
chaste,

Fall with delight the sober ear of taste.

But these, and more, I could with honour name,
Too proud to stoop, like me, to vulgar game,
Subjects more worthy of their daring choose,
And leave at large th' abortions of the muse.
Proud of their privilege, the innumerous spawn,
From bogs and fens, the mire of Pindus, drawn,
New vigour feel, new confidence assume,
And swarm, like Pharaoh's frogs, in every room.
Sick of th' eternal croaks, which, ever near,
Beat like the death-watch on my tortured ear;
And sure, too sure,
that many a genuine child
Vi truth and nature check'd his wood-notes wild,

*Burgoyne.-See note *, 2d col. p. 174.

And you, too, whole Menander, &c.-O spem fallacem! Menander has since "stolen an hour" (it would be sice to suppose it more) from public pursuits, and stituted it to the reproduction of a German sooterkin. Check'd his wood-notes wild.-ΣtwπNO AVTV Kodolwv, ACOUTA! KUKVOL. But this is better illustrated in a most elegant fable of Lessing, to which I despair of doing jus

ce in a translation.

(Dear to the feeling heart,) in doubt to win
The vacant wanderer 'mid the unceasing din
Of this hoarse rout; I seized at length the wand;
Resolved, though small my skill, though weak my
hand,

The mischief, in its progress, to arrest,

And exorcise the soil of such a pest.

HENCE! IN THE NAME-I scarce had spoke, when lo!

Reams of outrageous sonnets,* thick as snow,

indeed, replied the shepherd; but thy silence alone is the cause of it.

"There's comfort yet!"

* Reams of outrageous sonnets. Of these I have collected a very reasonable quantity, which I purpose to prefix to some future edition of the Mæviad, under the classic head of

INSIGNIUM VIRORUM

ALIQUOT TESTIMONIA

QUI

BAV ET MEV: INCLYTISS: AUCTORIS

MEMINERUNT.

Meanwhile I shall present the reader with the first two which occur, as a specimen of the collection.

SONNET 1.

"To the anonymous author of the Baviad, occasioned by his scurrilous and most unmerited attack on Mr. Weston.

"Demon of darkness! whosec'er thou art,

That darest assume the brighter angel's form,
And o'er the peaceful vale impel the storm,

With many a sigh to rend the honest heart,
Force from th' unconscious eye the tear to start,
And with just pride th' indignant bosom warm;
Avaunt! to where unnumber'd spirits swarm,
Foul and malignant as thyself, depart.
Genius of Pope, descend, ye servile crew

Of imitators vile, intrude not!!! I appeal
To thee, and thee alone, from outrage base;

Tell me, though fair the forms his fancy drew,
Shouldst thou the secrets of his heart reveal,
Would fame his memory crown, or cover with dis
grace?
J. M.-Gent. Mag. Aug. 1792.

This poor driveller, who is stupid enough to be Weston's admirer, and malignant enough to be his friend, I take to be one Morley; whom I now and then observe, in the

II was right. Mr. Morley, who, I understand, is a clergyman, and who, like Mr. Parsons, exults in the idea of having first attacked me, has since published a "Tale," the wit, or rather dulness of which, if I recollect right, consists in my being disappointed of a living.

Here follow a few of the introductory lines, which for poetry and pleasantry can only be exceeded by those of Mr. Parsons.

"What if a little once I did abuse thee?

Worse than thou hadst deserved I could not use thee:

For when I spied thy satyr's cloven foot,

'Tis very true I took thee for a brute;

And, marking more attentively thy manners,

I since have wish'd thy tide were at the tanner's.

But if a man thou art, as sonic suppose,

0: how my fingers itch to pull thy nose!
As pleased as Punch, I'd hold it in my gripe,

Till Parkinson had stuff'd thee for a snipe!!!"

It is rather singular that this still-bora lump of insipidity should be introduced to the bookseller under the auspices of Dr. Parr. If that respectable name was not abused on the occasion, I can only say that politics, like misery, "bring a man acquainted with strange bedfellows!"

"Du zürnest, Liebling der Musen," &c. &c. Thou art troubled, darling of the Muses, thou art pen to paper, may be of more service to him than all the instruction, and all

For the rest, I will present Mr. Morley with a couple of lines, which, if he will get them construed, and seriously reflect upon, before he next puts

troubled at the clamorous swarms of insects which infest Parnassus. O hear from me what once the nightingale beard from the shepherd.

the encouragement the Doctor, apparently, ever gave him.

Cur ego laborem notus esse tam prave,
Cum stare gratis cum silentio possim !

I find, from a letter which my publisher has received from Dr. Parr, that

degree of uneasiness.

Sing then, said he to the silent songstress, one lovely this note (which I have left in its original state) has given him some slight evening in the spring, sing then, sweet nightingale! Alas! said the nightingale, the frogs croak so loud, that I have ast all desire to sing: dost thou not hear them? I do, apprehension. When I remarked on the "singularity of Mr. Morley's 'Tale

It is satisfactory to me to reflect that this uneasiness is founded on a mis

Pursue my verse with unrelenting hate?

No save me from their PRAISE, and I can sit
Calm, unconcern'd, the butt of Andrews' wit
And Topham's sense; perversely gay can smile,
While Este, the zany, in his motley style,
Calls barbarous names; while Bell and Boaden rave,
And Vaughan, a brother blockhead's verse to save,
Toils day by day my character to draw,
And heaps upon me every thing-but law.
But do I then (abjuring every aim)
All censure slight, and all applause disclaim?
Not so where judgment holds the rod, I bow
My humbled neck, awed by her angry brow;

No loud" that's HE!" to make Pleased to steal softly by, unn I leave the world to Holcroft, Of these enough. Yet may (For who would sing in vain? Chief тHOU, my friend! who fr Hast shared my joys, and more

Sure, if our fates hang on so And take their colour from th Then, IRELAND !t the same p Such the strong sympathies of

*PRATT. This gentleman late notable scheme. Having scribbl

Gent. Mag., ushering his great prototype's doggrel into notice, he found it expedient to r notice, with an importance truly worthy of it.

SONNET II.

"To the execrable Baviad.

"Monster of turpitude! who seem'st inclined
Through me to pierce with thy impregnate dart,
The fine-spun nerve of each full-bosom'd mind,1
And rock in apathy-the sensive heart,
Tremble! for lo! my Oracle-so famed-
Shall ring each morn in thy accursed ear
A griding pang! So-when the Grecian Marea
Enter'd the town, old Pyramus exclaim'd,
I see! I see and hurl'd his lightning spear,
While Capaneus drew back his head-for fear,
And godlikes Alexander-gazing round,

Unconscious of his victories-to come,
Approach'd the monarch, and with sobs profound,
Explain'd th' impending wrath o'er Ilium's royal

dome."

J. Bell.

being introduced under the auspices of Dr. Parr," I merely alluded to a conversation which Mr. Morley himself was said to have had with his bookseller; -and I then suspected (what I now find, from the Doctor's letter, to be the case) that this respectable naine (Dr. Parr's) was abused, i. e. introduced upon the occasion "without his consent, or even knowledge."

If my words conveyed the idea (which I now apprehend they may) that Dr. Parr himself had recomended the Tale," it was far from my intention, and I am sorry for it. Indeed, I am sorry that his name was mentioned at all in the Mæviad. It is totally out of its place; and I can only regret, that a juster estimation both of Doctor Parr and of Mr. Morley had not changed my "suspicion" of the latter into certainty, and induced me to attribute his recommendatory story to vanity, and something else not altogether so venial. In conclusion: though Dr. Parr gives up Mr. Morley's poetry, yet he seems to think I have undervalued his other attainments- his Latin, Greek, and Hebrew, and his vigorous and elegant prose."-Of all these I knew nothing. When "there is no occasion for such vanity, I doubt not but Mr. Morley will take care to let them appear;" meanwhile, I must be content to judge him from what I know-his sonnets and his tale. It is but fair to add, however, that the sound and salutary advice which Dr. Parr gave this poor addle-headed man (to say nothing of the tenderness with which he speaks of him) does no less honour to his friendship, than the reprobation of his poetry does to his taste.

1 Quere, full-bottomed.-Printer's Devil.

2 Grecian Mare.-This has been hitherto, inaccurately enough, named the Trojan horse; and, indeed, I myself had nearly fallen into the unscholarlike error, when my learned friend Greathead convinced me (from Pope's emendations of Virgil, under the fantastic name of Scriblerius) that the animal in question was a mare-She being there said to be foeta armis, armed with a fœtus. Let us hear no more, therefore, of the Trojan horse.

The patronymic Trojan is still more absurd. Homer expressly declares the mare to have been produced by Pallas-Palladis arte: now Pallas was a Grecian goddess, as is sufficiently manifest from her name, which is derived from aλw, vibro.-J. Bell.

3 Godlike; that is cons from Oro, God, and sons, like. Vide Hom, Translators in general (I except a late one) are too inattentive to the compound epithets of this great poet. But why does Homer call Alexander god. like, when he appears, from Curtius Quintius's tedious gazette in verse, to have had one shoulder higher than the other? My friend Vaughan thinks it was purely to pay his court to him, in hopes of getting into his will, or

a few months-to provoke the i indefatigable readers.

Mark the ingratitude of the c were made, and Mr. Pratt was crossed the channel. Ibi omnis

"The mouse that is content

Can never be a mouse of a Baffled in this expedient, he had while we were dreaming of noth in the following paragraph:

"A few days since died, at B ingenious Mr. Pratt. His loss w literary world, as he joined to the gentleman the erudition of

This was inserted in the Lo days successively. The countr like syllables of dolour." At le yet wet for the irreparable loss a second paragraph:

"As no event of late has caus than the supposed death of the are happy to have it in our pow admirers, that he is as well as they will be delighted to hear) TRAVELS for the press."

"Laud we the gods!"

† Here, on account of its co mentioned in the text, I shall ta hunc mihi concede-of insert tion," addressed to him several printed, nor, as far as I know, self; and I transcribe it for the sations of gratitude and delight of circumstances which we ha it was written.

TO TH REV. JOHN I IMITATION OF HORACI Olium Divos When howling winds, a The light, untimber'd ba

Near Orkney's boister
The trembling crew for
And bend the knees un

To ask a little ease.
For ease the Turk, fero
For ease the barbarous

Which Palk could ne
Which Bedford lack'd a
And liberal Clive, with
Oft bade for-but in v

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