The Meeting of Eastern and Western ArtUniversity of California Press, 1 ene 1989 - 306 páginas The meeting of Eastern and Western art is always more than a synthesis; it offers creative possibilities for interaction between East and West, a process in which the great civilizations preserve their own character while stimulating and enriching each other. In this book, Michael Sullivan leads the reader through four centuries of exciting interaction between the artists of China and Japan and those of Western Europe. From Hokusai to van Gogh, Sullivan shows how the study of artistic interpretation has significantly enlarged and enriched our vision of artists and their aims and ideals both East and West. |
Índice
THE FIRST PHASE IS501850 | 7 |
TWO CHINA AND EUROPEAN ART 16001800 | 41 |
FROM THE MEIJI RESTORATION OF 1868 TO THE PRESENT DAY | 119 |
FIVE THE REVOLUTION IN CHINESE ART | 171 |
FROM 1850 TO THE PRESENT DAY | 209 |
EPILOGUE SOME REFLECTIONS ON THE EASTWEST DIALOGUE | 271 |
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Abstract Abstract Expressionism aesthetic album Anonymous brush Buddhist calligraphic China Chinese art Chinese artists Chinese ink Chinese landscape Chinese painting chinoiserie Collection colour on paper colour on silk Colour Plate Colour woodblock print copy culture decorative Degas drawing Dutch early East and West Eastern eighteenth century emperor engravings Europe European art exhibition expression Fenollosa Figure foreign garden Gauguin Giuseppe Castiglione Gogh handscroll Hiroshige Hsü Pei-hung Impressionists Ink and colour Ink on paper Japa Japan Japanese art Japanese artists Japanese painters Japanese prints Jesuit Kandinsky Kanō Kyōto landscape painting later London Manet Mark Tobey Meiji Modern Art movement Namban screen nese Nihonga Oil on canvas oil painting Okakura Oriental art Paris Peking perspective portrait pupil Ricci School scroll sculpture Shiba Kōkan Shih-ning style techniques Tobey Tōkyō traditional Ukiyo-e Watteau Western art Western painting Western realism Whistler woodblock print woodcut wrote Yüan Zao Wou-ki