Style and IdeaOpen Road Media, 4 nov 2014 - 236 páginas In these enlightening essays, the Austrian composer and music theorist presents his vision of how music speaks to us and what it is capable of saying. This book is full of essays which Arnold Schoenberg wrote on style and idea. He talks about the relationship to the text, new and outmoded music, composition in twelve tones, entertaining through composing, the relationship of heart and mind in music, evaluation of music, and other essays. |
Otras ediciones - Ver todo
Términos y frases comunes
absolute pitch accompaniment already appear Arnold Schoenberg artist Bach Bach’s banal basic set beauty become Beethoven Brahms brain called certainly chords chromatic scale composing with twelve composition comprehensibility consequences consists construction contrapuntal contrapuntal combination counterpoint creator demanded derived developing variation dissonances ebook eight measures elaboration emotional everything EXAMPLE experts express feeling folk music formal genius Gustav Mahler harmony human rights imitation inspiration inversion irregularities J. S. Bach Kammersymphonie kün Leitmotiv listener Mahler main theme manner matter means melody merits method metrical feet mind mood motive movement Mozart musical ideas musician nature never notes one’s opera orchestration organization outmoded perhaps piano piece Pierrot Lunaire poem popular present problem produce progress repetitions rhythm Richard Strauss second phrase seems six tones songs String Quartet structural style subordinate theme Symphony technique thematic thing thinking third tonality twelve tones understand Verklärte Nacht voices Wagner write