The Troubadours: An IntroductionSimon Gaunt, Sarah Kay Cambridge University Press, 28 jun 1999 The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts. |
Índice
1 | |
Courtly culture in medieval Occitania | 8 |
Finamor and the development of the courtly canso | 28 |
Moral and satirical poetry | 47 |
Guilhem IX to Bernart de Ventadorn | 66 |
from Raimbaut dAurenga to Arnaut Daniel | 83 |
The later troubadours | 99 |
The trobairitz | 113 |
irony parody and burlesque | 197 |
Desire and subjectivity | 212 |
the text of the troubadour poem | 228 |
The chansonniers as books | 246 |
Troubadour lyric and Old French narrative | 263 |
Major troubadours | 279 |
Occitan terms | 292 |
Research tools and reference works | 295 |
Italian and Catalan troubadours | 127 |
Music and versification | 141 |
Rhetoric and hermeneutics | 164 |
Intertextuality and dialogism in the troubadours | 181 |
The chansonniers | 303 |
306 | |
325 | |
Términos y frases comunes
Albigensian Crusade amor Arnaut Daniel Bernart de Ventadorn Bernart Marti Bertran de Born canso Catalan Cerverı chansonniers chantar Chapter coblas composed corpus court courtly love crusade cultural d’amor desire dialogue domna dour early troubadours editions example fin’amor French Gaucelm Faidit genres Giraut de Bornelh gran Guilhem de Peitieu heart intertextual Italian Italy Jaufré Rudel joglar Lacan lady language lines literary lord lover m’es manuscripts Marcabru medieval melody Miraval motif narrative no·m Occitan Occitania Paden parody partimen Paterson Peire Cardenal Peire d’Alvernha performance planh play Poe´sies poem poet’s poetic poets political Provence qu’ieu que·l que·m Raimbaut d’Aurenga Raimon razos reference rhetoric rhyme scheme Riquer role satirical scribes senhal sing sirventes social Sordello stanza style surviving tenso texts textual thirteenth century Toulouse tradition treatises trobairitz trobar trouba troubadour lyric troubadour poetry troubadour song trouve`re trovadores vernacular vers vidas women words