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MAIN PLOT

Henry the Fifth

Stage of Rest in the alternating movement of the Historic Series :

An ideal Character

revealed in five epic stages | The Council

Heroism v. Treason

Action

Trouble

Love

UNDERPLOT

1. Survival of the Comic Action of the Falstaff crew

2. Reconciled factions [English, Welsh, Scotch, Irish] displayed in military coöperation

3. Love making in broken French and English

RELIEF: implicit in Underplot

MAIN PLOT

First Part of Henry the Sixth

Part of the alternating movement of the Historic Series

UNDERPLOT of Germ Actions only

Germ of Sedition [I. i, iii; III. i]

Germ of Wars of Roses [II. iv, v; IV. iv; in IV. merged in
French War]

Germ of Love of Margaret and Suffolk [V. iii, from 45]

RELIEF: spectacular — merged in the main plot

Second Part of Henry the Sixth

MAIN PLOT

Part of alternating movement of the Historic Series

UNDERPLOT

Germ Action of Wars of Roses [I. i, from 207; II. ii; III. i. 87 and from 282; V]

Duchess of Gloucester and Sorcery [I. ii, iv; II,

i, from 165; II. iii, iv]

Relief Incidents York and Popular Judicial Combat [I. iii. init. and from 180; II. iii, 46]

Gloucester and Popular Miracle [II. i]

Love of Queen and Suffolk [III. ii, from 289; IV. iv]
Enveloping Oracular Action [I. iv: all fulfilled]

Third Part of Henry the Sixth

MAIN PLOT

Part of alternating movement of the Historic Succession

UNDERPLOT

Germ Action of Character and Ideal Villany

RELIEF: spectacular — merged in the main plot

Richard the Third

MAIN PLOT and UNDERPLOT: part of the alternating movement of the Historic Succession. [Above, page 293]

RELIEF: implicit in character of Richard

Henry the Eighth

MASK PLOT and HISTORIC PLOT: part of the alternating movement of the Historic Succession

RELIEF: spectacular in the Mask

INDEX OF PLAYS

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As You Like It: plot scheme 349- com-
ments 179, 243, 336.

Comedy of Errors: plot scheme 339-
comments 169, 178, 311, 330, 334,
334-5, 336.

Coriolanus: plot scheme 358 - com-
ments 113-25, 189, 332, 333.
Cymbeline: plot scheme 351 -com-
ments 76-88, 179, 243, 265, 267, 298,
319.

Hamlet: plot scheme 364-comments

191-4, 242, 265, 267, 298, 299-302,
305-6, 308-10, 312-3, 318-22, 332, 334.
Henry the Fourth: plot scheme 370 and
366-comments 279, 281-4, 331.
First Part: comments 15-22, 206,
243.
Second Part: comments 16,

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Macbeth: plot scheme 356-comments
189, 246-64, 298-9, 302, 303-4, 305,
306-8, 336.

Measure for Measure: plot scheme 353
- comments 143-57, 158, 178, 211-2.
Merchant of Venice: plot scheme 347 —
comments 168-9, 178-9, 210, 245-6,
265, 313-7, 330, 334, 335.

Merry Wives of Windsor: plot scheme
343 comments 174-5, 177-8, 201,
228, 332, 335, 337.
Midsummer-Night's Dream: plot scheme
342 comments 178, 229-33, 266, 297,
330, 336.

Much Ado about Nothing: plot scheme
346 comments 178, 233-6, 243, 265-6,
311, 333, 336.

Othello: plot scheme 363-comments
188, 189, 238-41, 265, 330.
Richard the Second: plot scheme 370
and 366-comments 15, 17, 18, 188,
188-9, 280-1.

Richard the Third: plot scheme 372
and 369-comments 39-45, 188, 190,
265, 267, 293-4, 303.

Romeo and Juliet: plot scheme 360-
comments 46-64, 188, 190, 265, 323,
334, 336.

comments 177, 212-21, 333.

First Part: plot scheme 371 and 366-7 Taming of the Shrew: plot scheme 344-
-comments 285-9, 298, 306.
Second Part: plot scheme 372 and
368-comments 33, 289-92, 331.

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Tempest: plot scheme 352-comments
179, 297, 322-6.

Timon of Athens: plot scheme 355-
comments 189, 331, 334.

Titus Andronicus: plot scheme 361--
comment 189.

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