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embark for the West Highlands to arrange matters among her friends for our projected change of life. At the close of Autumn following, she crossed the sea to meet me at Greenock; where she had scarce landed when she was seized with a malignant fever, which hurried my dear girl to the grave in a few days! before I could even hear of her illness.” We learn from four of his biographers, that this adieu was performed with all those simple and striking ceremonials which rustic sentiment has devised to prolong tender emotions and to inspire awe. The lovers stood on each side of a small purling brook—they laved their hands in its limpid stream, and, holding a Bible between them, pronounced their vows to be faithful to each other. They parted-never to meet again! The anniversary of Mary Campbell's death (for that was her name) awakening in the sensitive mind of Burns the most lively emotion, he retired from his family, then residing on the farm of Ellisland, and wandered, solitary, on the banks of the Nith, and about the farm-yard, in the extremest agitation of mind, nearly the whole of the night. His excitement was so great, that he threw himself on the side of a corn-stack, and there conceived his sublime and tender Elegy; which, although so well known, we shall, nevertheless, present :

Thou ling’ring star, with less'ning ray,

That lov'st to greet the early morn,
Again thou usherest in the day

My Mary from my soul was torn.
O Mary! dear departed shade!

Where is thy place of blissful rest?
Seest thou thy lover lowly laid ?

Hear'st thou the groans that rend his breast?
That sacred hour can I forget,

Can I forget the hallowed grove,
Where by the winding Ayr we met,
To live one day of parting love?

Eternity cannot efface

Those records dear of transports past;
Thy image at our last embrace ;

Ah! little thought we 'twas our last !

Ayr, gurgling, kiss'd his pebbled shore,

O’erhung with wild woods, thick’ning, green ;
The fragrant birch, and hawthorn hoar,

Twined amorous round the raptured scene ;
The Aowers sprang wanton to be prest,

The birds sang love on every spray,
Till too, too soon, the glowing west

Proclaim'd the speed of winged day.

Still o'er these scenes my memory wakes,

And fondly broods with miser care !
Time but the impression deeper makes,

As streams their channels deeper wear.
My Mary! dear departed shade!

Where is thy place of blissful rest?
Seest thou thy lover lowly laid?

Hear’st thou the groans that rend his breast ?

The muse of the poet-lover of the Highland Mary owed much of its inspiration to the sex. He tells us that when he desired to feel the pure spirit of poetry, and obey successfully its impulse, he put himself on a regimen of admiring a fine woman.

Burns was possessed of deep emotions and delicate sensibilities, and he was easily subdued by the sweetest of human influences. “My heart,” he says in one of his letters, “was complete tinder, and eternally lighted up by some goddess or other.”

During the three years he spent at Ellisland, Burns was so deeply engaged in the labours of his farm, and those connected with his appointment in the Excise, that he had little of either time or inclination for the cultivation of his poetical gift. Yet, even in this

busy time, he contrived to celebrate the charms of one or two local divinities. One of these was Miss Jeffrey, daughter of the minister of Lochmaben. Spending an evening at the manse, he was greatly pleased with this young lady, who did the honours of the table; and he next morning presented at breakfast the lines which have made her immortal :

I gaed a waefu' gate yestreen, a gate, I fear, I'll dearly rue ;
I gat my death frae twa sweet een, twa lovely een o' bonnie blue.
'Twas not her golden ringlets bright, her lips like roses wat wi' dew,
Her heaving bosom, lily white—it was her een sae bonnie blue.

She talked, she smiled, my heart she wiled, she charmed my soul, I

wist nae how; And aye the stound, the deadly wound, cam frae her een sae bonnie

blue.

GEORGE DARLEY wrote this Song of the Summer Winds :

Up the dale and down the bourne, o'er the meadow swift we fly; Now we sing, and now we mourn, now we whistle, now we sigh. By the grassy-fringed river, through the murmuring reeds we sweep; Mid the lily-leaves we quiver, to their very hearts we creep.

Now the maiden rose is blushing at the frolic things we say,
While aside her cheek we're rushing, like some truant bees at play.
Through the blooming groves we rustle, kissing every bud we pass,
As we did it in the bustle, scarcely knowing how it was.

Down the glen, across the mountain, o'er the yellow heath we roam,
Whirling round about the fountain, till its little breakers foam.
Bending down the weeping willows, while our vesper hymn we sigh;
Then unto our rosy pillows, on our weary wings we hie.
There of idlenesses dreaming, scarce from waking we refrain,
Moments long as ages deeming, till we're at our play again.

Delightful visitant! with thee I hail the time of lowers,
And hear the sound of music sweet from birds among the bowers.
The schoolboy wandering through the wood, to pull the primrose gay,
Starts, the new voice of Spring to hear, and imitates thy lay.
What time the pea puts on the bloom, thou Aiest thy vocal vale,
An annual guest in other lands, another Spring to hail.
Sweet bird ! thy bower is ever green, thy sky is ever clear ;
Thou hast no sorrow in thy song, no winter in thy year!
Oh, could I Ay, I'd Ay with thee! we'd make, with joyful wing,
Our annual visit o'er the globe, --companions of the Spring.

LEYDEN's celebrated Ode to an Indian Gold Coin, has attracted the especial notice and commendation of Colton and other critics. This remarkable poem was written in Cherical, Malabar ; the author having left his native land, Scotland, in quest of a fortune in India. He died shortly afterwards in Java :

Slave of the dark and dirty mine!

What vanity has brought thee here?
How can I love to see thee shine

So bright, whom I have bought so dear?

The tent-ropes Aapping lone I hear
For twilight converse, arm in arm ;

The jackal's shriek bursts on mine ear
When mirth and music wont to cheer.

By Chérical's dark, wandering streams,

Where cane-tufts shadow all the wild,
Sweet, visions haunt my waking dreams

Of Teviot loved, while still a child,

Of castled rocks, stupendous piled,
By Esk or Eden's classic wave ;

Where loves of youth and friendship smiled,
Uncursed by thee, vile yellow slave!

Fade, day-dreams sweet, from memory fade!

The perished bliss of youth's first prime, That once so bright on fancy played,

Revives no more in after-time.

Far from my sacred natal clime, I haste to an untimely grave;

The daring thoughts that soared, sublime Are sunk in ocean's southern wave. Slave of the mine! thy yellow light

Gleams baleful as the tomb-fire drear : A gentle vision comes by night

My lonely, widowed heart to cheer :

Her eyes are dim with many a tear, That once were guiding-stars to mine ;

Her fond heart throbs with many a fear : I cannot bear to see thee shine!

For thee, for thee, vile yellow slave,

I left a heart that loved me true! I crossed the tedious ocean-wave,

To roam in climes unkind and new.

The cold wind of the stranger blew Chill on my withered heart: the grave

Dark and untimely met my view,And all for thee, vile yellow slave!

Ha! com'st thou now so late to mock

A wanderer's banished heart forlorn, Now that his frame the lightning shock

Of sun-rays tipt with death has borne?

From love, from friendship, country, torn, To memory's fond regrets the prey,

Vile slave, thy yellow dross I scorn ! Go, mix thee with thy kindred clay!

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