No. 7 in M.373.29 MUNCKER, F. Richard Wagner. Eine Skizze seines Lebens und Wirkens. Bamberg. 1891. Portraits. Plates. Facsimiles. No. 4 in M.370.59 NERTHAL, Tristan et Yseult. La passion dans un drame Wagnérien. Paris. 1893. M.129.39 NEUMANN, W. Richard Wagner. Eine Biographie. Cassel. 1855. Portrait. No. 1 in M.205.24 NIETZSCHE, F. W. Richard Wagner à Bayreuth. Traduit par Marie Baumgartner. Schloss-Chemnitz. 1887. No. 2 in M.128.37 NOHL, C. F. L. Beethoven, Liszt, Wagner. Ein Bild der Kunstbewegung unseres Jahrhunderts. Wien. 1874. M.371.18 NORLENGHI, G. Wagner a Venezia. Venezia. 1884. Portrait. Plate. M.129.41 NOUFFLARD, G. Richard Wagner d'après lui même. [Vol. 1.] Paris. 1885. OESTERLEIN, N. Katalog einer Richard Wagner-Bibliothek. Nach den vorliegenden Originalien systematisch-chronologisch geordnetes und mit Citaten und Anmerkungen versehenes authentisches Nachschlagebuch durch die gesammte Wagner-Litteratur. Band 1-3. Leipzig. 188291. Portrait. M.372.34 M.119.13 PARSONS, A. R. Parsifal. The finding of Christ through art, or Richard Wagner as a theologian. Abridged edition. New York. 1890. No. 1 in M.197.18 PLUEDDEMANN, M. Die Bühnenfestspiele in Bayreuth: ihre Gegner und ihre Zukunft. Colberg. 1877. No. I in M.373.29 POCHHAMMER, A. Richard Wagner, Parsifal. Erläutert. Frankfurt a. M. [1898.] No. 9 in M.217.12.6 Richard Wagner, Der Ring des Nibelungen. 1. Das Rheingold. Erläutert. Frankfurt a. M. [1898.] No. 5 in M.217.12.5 Same. 2. Die Walküre. Erläutert. Frankfurt a. M. [1898.] Same. 3. Siegfried. Erläutert. [1898.] No. 6 in M.217.12.5 Frankfurt a. M. No. 7 in M.217.12.5 Same. 4. Götterdämmerung. Erläutert. Frankfurt a. M. [1898.] PRAEGER, F. Wagner as I knew him. PUSCHMANN, T. Richard Wagner. Studie. Berlin. 1873. No. 8 in M.217.12.5 New York. 1892. M.149a.14 Eine psychiatrische No. 1 in M.145.21; etc. No. 3 in M.145.21 M.372.22 RAFF, J. J. Die Wagnerfrage. Kritisch beleuchtet. Theil I. Braunschweig. 1854. REVUE WAGNÉRIENNE. Année 1-3. 1885-88. [Fondateurdirecteur: Édouard Dujardin. Paris. Paris. 1885-88.] Portraits. Plates. RIEMANN, H. Richard Wagner, Huldigungs-Marsch. Erläutert. Frankfurt a. M. [1898.] No. 18 in M.217.12.5 Richard Wagner, Kaiser-Marsch. Erläutert. Frankfurt a. M. [1898.] No. 8 in M.217.12.6 SAINT-AUBAN, É. de. Un pélerinage à Bayreuth. Paris. 1892. M.138.14 SCHELLE, C. E. Der Tannhäuser in Paris und der dritte musikalische Krieg. Eine historische Parallele. Leipzig. 1861. No. 3 in M.198.9 Wagner, Wilhelm Richard. Works about. (Continued.) SEIDL, A. Wagneriana. Berlin. 1901, 02. 3 v. M.127.75 VERZEICHNISS von Richard Wagner's Werken. Mainz. VOLBACH, F. Richard Wagner, Das No. 46 in M.217.12.2 WEYL, L. Herr Richard Wogner, der musikal'sche Struwelpeter, saane naiste Oper: Crischan Isosolldich! Vertraaliches Schreibebriefle an Rebbe Schmul vun Isaac Moses Hersch [Pseud.]. Alsleben a. S. 1876. No. 1 in M.377.16 WOLZOGEN, H. P. von. Führer durch die Musik zu Richard Wagner's Festspiel Der Ring des Nibelungen. Ein thematischer Leitfaden. Leipzig. [188-?] No. 1 in M.370.59 Guide through the music of Wagner's "The ring of the Nibelung." Translated by Ernst von Wolzogen. Leipzig. [1880.] M.101.15 Guide to the legend, poem and music of Richard Wagner, Wilhelm Richard. Parodies. Wagner-Loeberschuetz, Th. Quartett in B dur für 2 Violinen, Viola und Violoncell. Op. 15. Partitur. Heilbronn a. N. Schmidt. 1897. No. 4 in M.405.75 Scène romantique, für Violine-Solo mit Begleitung des Orchesters. Partitur. Heilbronn. Schmidt. 1897. Zwei Stücke für Streichorchester oder Doppel-Streichquartett u. Contrabass. Op. 17. Schmidt. 1897. Contents. 1. Elegie. 2. Tanz. Wagner Opera Festival, Boston No. 3 in M.404.30 Waidmann, Der. Song. KIEL. 6 Lieder. Waidmannslied. Part-song. SEIFRIZ. No. I in M.221.33 Vier Lieder. No. 71 in M.392.21 No. 68 in M.204.39 Benvenuto Cellini. Opéra de Léon de Wailly et Auguste Barbier. Musique de Hector Berlioz. Wailly, Augustin Jules de. M.362.30; etc. La maschera. Opéra comique. Paroles de MM. Arnould Wailly, Léon de. See Wailly, Armand François Léon de. Life's a bumper. Glee [A. T. B.]. London. Goulding & Co. Also to be found in The Apollo; Boosey's Standard English glees; METZGER, J. C. No. 35 in M.392.17 PACHE. Zwei Gesänge für Männerchor. Op. 61. No. 6 in M.392.21 STAAB. No. 2 in M.370.30 STORCH. Solitude. TIETZ, P. No. 14 in M.392.26 No. 115 in M.147.4 No. 16 in M.192.5 Waldeinsamkeit. Song. RUBINSTEIN. Sechs Lieder. Op. 76. Walden, Henry. Prospectus. The burglars; or the majesty of the law. By Chas. F. Pidgin. Music by Henry Walden. Boston. 1881. Argument, synopsis and words of the songs. No. 5 in M.116.7 Walder. Opera. For the MUSIC see Benda. For the LIBRETTO see Gotter. Waldersee, Paul, Graf von. W. A. Mozart's Werke. Kritisch durchgesehene Gesammtausgabe. Supplement. Revisionsbericht. Leipzig. Breitkopf & Härtel. 1883. Waldes Echo. Part-song. Aвт, F. M.123.37 No. II in M.392.1 Waldeseinkehr. Part-song. OBERREICH. Waldeseinsamkeit. Part-song. gemischten Chor. Op. 443. Waldscene. Cantata. For the Music and LIBRETTO see Herbeck, J. F. Waldschloss, Das. Song. Mendelssohn-BartHOLDY, J. L. F. Werke. Serie 19. Waldseligkeit. Song. STRAUSS, R. Singstimme. Op. 49. Waldstein, Max. M.413.3.19 Acht Lieder für eine No. 11 in M.380.24.4 Contents. Heitere Bilder aus der Opernwelt. Theatererinnerungen. Waldstimmen. For orchestra. JUNGMANN. Waldvögelein. Song. TIEHSEN. 6 Gedichte. No. 14 in M.236.8 ABT, F. 6 Lieder. Op. 339. No. 7 in M.158.22 No. 13 in M.392.33 Serie 16. M.413.3.16 FISCHER, C. L. Waldeslieder. Heft 1. MENDELSSOHN-BARTHOLDY, J. L. F. Werke. No. 5 in M.370.30 Zoellner, C. F. Zöllner-Album. Waldwanderung. Part-songs. HUMMEL, F. No. 3-5 in M.203.2 Waldwanderung. Song. GRIEG. Grieg-Album. 2. No. 3 in M.155.16 Waldweben. For orchestra. WAGNER, W. R. No. 3 in M.404.31 Wales. Music. DAVID, E. Études historiques sur la poésie et la musique dans la Cambrie. Paris. 1884. M.215.22 JONES, E. Musical and poetical relics of the Welsh bards. London. 1784. M.121.24; etc. THOMAS, J., editor. Welsh melodies, with Welsh and English poetry, by John Jones, and Thomas Oliphant. Arranged for one voice, and also harmonized for 4 voices, with accomp. for harp or pianoforte, by John Thomas. Vol. I. London. [1862.] M.235.6 THOMSON, G., editor. Thomson's Collection of the songs of Burns, Sir Walter Scott . . . united to The select melodies of Scotland, and of Ireland & Wales. With symphonies & accompaniments for the piano forte. London. [1822.] 6 v. in 3. Portrait. Plates. M.123.21 Waley, Simon Waley. Alpine shepherd's song [T., with accomp. for pianoforte]. London. Lucas, Weber & Co. [1876?] No. 4 in M.380.18 Angels' voices: song [s., with pianoforte accomp.]. London. Lucas, Weber & Co. [1876.] No. 1 in M.380.18 The banner. Vocal duet [s. s., or T. T.], with pianoforte accompaniment. London. Lucas, Weber & Co. [1876.] No. 21 in M.380.18 The bird, let loose. Sacred song [s., with accomp. for pianoforte]. London. Lucas, Weber & Co. [1876.] No. 6 in M.380.18 "By the rivers of Babylon." Sacred song [A] with piano accompaniment. London. Lucas, Weber & Co. [1876.] No. 5 in M.380.18 Concerto, in Eb, for the pianoforte, with accomp. for full orchestra. Op. 16. Pianoforte part. London. Schott. [1859?] No. 6 in M.200.6 "Curfew." Song, for barytone or bass [with accompaniment for pianoforte]. London. Lucas, Weber & Co. [1876.] No. 7 in M.380.18 The dream of home. Ballad [s. or T., with accompaniment for piano]. London. Lucas, Weber & Co. [1876.] No. 8 in M.380.18 An emblem. Song [s., with accomp. for pianoforte]. London. Lucas, Weber & Co. [1876.] No. 2 in M.380.18 The home of early love. Song [A. or BAR.] with pianoforte accompaniment. London. Lucas, Weber & Co. [1876.] No. 9 in M.380.18 "I would not be forgot." Song [s. or T.] with piano forte accompaniment. London. Lucas, Weber & Co. [1876.] No. II in M.380.18 I'll rest beneath the greenwood shade ("In der Ferne"). [Song, s. or T., with pianoforte accomp.] London. Lucas, Weber & Co. [1876.] No. 10 in M.380.18 "The Lord is my shepherd." Sacred song [BAR. Accomp. for pianoforte]. London. Lucas, Weber & Co. [1876.] No. 12 in M.380.18 "Lore-Ley" (Lurline). [Song, A. or BAR. Accomp. for piano.] London. Lucas, Weber & Co. [1876.] With German and English words. No. 13 in M.380.18 A lost chord. Song [s.] with piano-forte accompaniment. London. Lucas, Weber & Co. [1876.] No. 3 in M.380.18 Marguerita. Trio for three equal voices, with piano forte accompaniment. London. Lucas, Weber & Co. [1876.] The words are in English and German. No. 24 in M.380.18 "Oh! where art thou dreaming?" Song [s. or T., with piano forte accompaniment]. London. Lucas, Weber & Co. [1876.] No. 14 in M.380.18 Our native land. Song [s. or T. Accomp. for pianoforte]. London. Lucas, Weber & Co. [1876.] No. 15 in M.380.18 "The rose that reached me from thy bow'r” (“Antwort”). [Song, s. or T. Accomp. for pianoforte.] London. Lucas, Weber & Co. [1876.] No. 16 in M.380.18 No. 17 in M.380.18 The words are in German and English. Sleep on, my sweetest joy (Schlaf ein, mein süsses Herz). Cradle song [s. or T., with accomp. for pianoforte]. New edition. London. Lucas, Weber & Co. [1876.] The words are in English and German. Song of wood nymphs. Set to music as a two-part song S. A. Accomp. for pianoforte]. London. Lucas, Weber & Co. [1876.] No. 22 in M.380.18 Song of the silent land [A. or BAR. Accomp. for pianoforte]. London. Lucas, Weber & Co. [1876.] No. 18 in M.380.18 "This world is all a fleeting show." Part song. For s. A. T. B. The words by Thomas Moore. (In Hullah. The Singer's library. Sacred. No. 22. Pp. 109-112.) No. 47 in M.157.1; No. 22 in M.157.3 "Thou springtide art so true and good," "Wie bist du Frühling gut und treu." Two-part song [S. A. Accomp. for pianoforte]. London. Lucas, Weber & Co. [1876.] The words are in English and German. No. 23 in M.380.18 "Thou streamlet hast a tuneful voice," "Du Quell hast einen süszen Mund." Song [T.], with piano forte accompaniment. London. Lucas, Weber & Co. [1876.] The words are in English and German. No. 19 in M.380.18 Waley, Simon Waley. (Continued.) When e'er on death I think (“O Gott! wenn ich an's Sterben denke"). [Song, s. or т. Accomp. for pianoforte.] LonNo. 20 in M.380.18 don. Lucas, Weber & Co. [1876.] The words are in English and German. Walk, A, at dawn. Part-song. GADE. Walker, Bettina. - No. 26 in M.195.1.15 My musical experiences. London. Bentley. 1890. M.141.2 Walker, J., editor. On just intonation in song and speech. [Aberdeen.] 1876. A Walker, Reginald Henry. Jerusalem. Its prosperity, calamity & restoration. sacred cantata. Edited by J. H. Walker. [Accomp. for pianoforte.] London. Novello, Ewer & Co. [1877.] No. 5 in M.204.14 "The lark's aloft." A May carol [for 4 voices]. London. Novello, Ewer & Co. 1870. No. 20 in M.158.20 Walking delegate, The. Opera. For the MUSIC see Hosmer. For the LIBRETTO see Cook, C. E. Walkuere, Die. Opera. For the MUSIC and LIBRETTO see Wagner, W. R. Walkuerensang. Part-song. SCHMOELZER, J. E. No. 5 in M.203.22 Wallace, Lady Grace Maxwell, translator. 2 v. BEETHOVEN, L. van. Letters (1790-1826). London. 1866. M.107.16 MENDELSSOHN-BARTHOLDY, J. L. F. Letters, from 1833 to 1847. Philadelphia. 1865. M.109.6 Letters from Italy and Switzerland. Philadelphia. 1865. M.109.8 MOZART, J. C. W. A. Letters. 1769-1791. New York. 1866. 2 v. Portrait. M.10ga.25 NOHL, C. F. L. The life of Mozart. London. 1877. 2 v. Portraits. M.126.2 Wallace, William Vincent. (Continued.) Lurline. Grand romantic opera. Written by E. Fitzball [pseud.]. Composed by W. V. Wallace. [Accomp. for pianoforte.] New York. Hall. 1859. M.294.13 Maritana. An opera in 3 acts written by Edward Fitzball [pseud.]. The music composed by W. V. Wallace. [Accomp. for pianoforte.] London. Cramer, Beale & Co. [1846.] M.294.9 Matilda. Grand opera. Written by Alfred Bunn, and composed by W. V. Wallace. [Accomp. for pianoforte.] London. Cramer, Beale & Co. [1847.] M.294.8 Merrily over the sea. Four-part song. London. Hutchings & Romer. [185-?] No. 3 in M.157.23 Pretty Gitana: the fortune-telling scene in Maritana. [Accomp. for pianoforte.] London. Cramer, Beale & Co. [184-?] No. 13 in M.235.7.2 Wallner, F. See Walner, F. Wallnoefer, Adolf. Eddystone. Handlung in 3 Akten, von Adolf Wallnöfer. Frei nach der gleichnamigen Novelle von Wilhelm Jensen. English translation by Ludm. Kirschbaum. Vollständiger Klavierauszug. Leipzig. Breitkopf & Härtel. 1891. M.326.15 Gersprenz. Gedicht von J. V. von Scheffel. Für Bassoder Baryton-Solo, Männerchor und Orchester komponirt von Adolf Wallnöfer. Op. 25. Klavierauszug. Leipzig. Breitkopf & Härtel. [1881.] No. 7 in M.212.18 Hymne an die Erde. Hymn to the earth. Dichtung von A. Wallnöfer für Tenor-Solo oder Tenor-Chor ad lib. und grosses Orchester. Op. 67. Deutsch-englisch. Englische Übersetzung von L. Kirschbaum. Partitur mit untergelegtem Klavierauszug. Leipzig. Breitkopf & Härtel. [1900.] No. 3 in M.380.28 Weltseele (Soul of the world). [Gedicht von R. von Gottschall.] Für gemischten Chor mit Begleitung des Pianoforte. [Englische Übersetzung von L. Kirschbaum.] Op. 68. Deutsch-englisch. Leipzig. Breitkopf & Härtel. [189-?] No. 3 in M.380.4 Wallut, Charles. Les idées de Mr Pampelune. Opéra-comique. Musique de Wallworth, Thomas Adlington. Kevin's choice. An operetta in 2 acts. Adapted from a sketch by F. Hazlewood. Music by T. A. Wallworth. [Vocal score.] London. Metzler & Co. [1882.] M.326.14 Wally, La. Opera. For the MUSIC see Catalani, A. For the LIBRETTO see Illica. Walmisley, Thomas Attwood. The approach of May. Trio [s. s. a. Accomp. for pianoforte]. (In Novello's Collection of trios, etc. Vol. 3, pp. 25-30.) No. 5 in M.204.36.3 Blessed is he that considereth the poor. Full anthem [s. A. T. B. B.]. (In Novello's Collection of anthems. Pp. 184191.) No. 31 in M.233.13 Cambria. A trio [s. s. A. Accomp. for pianoforte]. (In Novello's Collection of trios, etc. Vol. 5, pp. 92–99.) No. 18 in M.204.36.5 - M.233.16 Anthems: Cathedral music. Edited by Thomas Forbes Walmisley. London. Ewer & Co. [1857.] Contents. Service 1-5, in C, F, B flat, D, and D minor. Behold, O God, our defender; O give thanks; Hear, O Thou shepherd of Israel; O God, the king of glory; Father of heaven; Not unto us, O Lord; Ponder my words; If the Lord himself; Blessed is he that considereth the poor; The Lord shall comfort Zion. Father of heaven. Anthem [s. solo and chorus. Accomp. for organ]. (In Novello's Collection of anthems. Vol. 2, pp. 169–174.) No. 20 in M.195.2.2 The mermaids. Trio [s. s. A. Accomp. for pianoforte]. (In Novello's Collection of trios, etc. Vol. 3, pp. 31–41.) No. 6 in M.204.36.3 Not unto us, O Lord. Anthem. (In Haycraft. Sacred harmony. Pp. 188-193.) No. 34 in M.234.6 Slow, slow, fresh fount. Madrigal [s. s. A. T. B.]. (In Novello's Part-song book. 2d series. Vol. 16, pp. 163–168.) Contents. Glees: Boy, I hate their empty shows; Daughters of Albion; Hail! beauteous stranger; Hail! meek-ey'd maiden; Love under friendship's vesture; O were my love; Reflected on the lake; Thus, thus I steer my bark; Venus, clippe thy truante's wing. Trios: A wet sheet and a flowing sea; I gaz'd with fond eye; There was once a gentle time. Rounds: Sweet is the breath; The moments past. Canons: Glory be to the Father; In Te, Domine, speravi; Lord relieve the wants; Let Thy merciful kindness; On parent knees; Te Deum Jaudamus. Hosanna to the Son of God. Canon. Four in two. (In I wish to tune my quiv'ring lyre. A glee [A. T. T. B.]. (In Walner, F. Walperga's Lied. Song. ABT, F. Walpurgisnacht. Symphonic poem. Sechs Lieder. Op. 71. No. 51 in M.192.1 Walshe, Walter Hayle. |